Luc Brubaker November 4‚ 2014 The golden age of Hollywood may have ended in the 1960s‚ but it seems Hollywood’s not-so golden attitudes about gender and races are still stuck in that era. The 2014 Hollywood Diversity Report presented by Dr. Darnell Hunt examines the gender and race of actors‚ directors and writers of film and television. It reveals an industry that is still dominated by white men‚ with women and minorities dramatically underrepresented both on and off screen. Through the five theories
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The classical Hollywood style‚ its central format and narrative will be the focus of this essay. Hollywood has fascinated people for decades. It can be described as a place that makes magical things happen right before one’s eyes. It is a place where a viewer can be transported to another place and time‚ and become introduced into the life of characters in order to see their story. The classical Hollywood style can best be described as‚ “A wide ranging system of formal conventions‚ narrative devices
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“Everybody wants to know: Is Hollywood racist? Is it burning-cross racist? No‚ it’s a different kind of racist. You’re damn right Hollywood’s racist‚ but not the racist we’ve grown accustomed to. Hollywood is sorority racist. It’s like ‘We like you Rhonda‚ but you’re not a kappa’. That’s how Hollywood is.” This quote‚ made by the comical and gifted Chris Rock‚ talks about the lack of diversity in Hollywood that has been existing for decades. Even though this quote refers to race‚ it still applies
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How Did Hollywood Change the Portrayal of Lesra? “The Hurricane” is a movie based on the story of Lesra Martin‚ and his success in freeing the wrongfully accused boxer Rubin “Hurricane“ Carter. The movie takes place in the 1980s in the cities of West New York and Toronto following Lesra’s attempts to free Carter. The Hollywood portrayal of Lesra has been changed substantially from reality as they incorrectly portray Lesra as a shy‚ tough‚ and unconcerned with his studies. In real life‚
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Over the years Hollywood has always entertained us with the greatest movies that they have released. Most of these movies were based on fantasy and some were fictional and others were based on true events too. These movies that are based on true events aren’t always true‚ sometimes they added scenes and events that are false and never even happened in reality.The question is‚ do they have the right to distort history? and why do they do so? Sometimes hollywood directors need to create some scenes
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The Roman playwright Plautus is attributed as claiming “You must spend money to make money‚” and few industries seem to be taking this so obviously to heart as Hollywood in the 21 st century. Even before the birth of the modern blockbuster in the mid-1970’s‚ studios had been chasing the concept of big – big spectacle‚ big events‚ big grosses‚ and now‚ big openings and big‚ continuing franchises. But there’s a rising sense that something is being lost in the scramble for topping the previous box
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white skin. While there’s nothing wrong with caucasian actors and actresses‚ it’s the lack of diversity in their work. We’re getting tired of the same people gracing our screens‚ occasionally allowing the token Hispanic play a tired out stereotype. Hollywood must allow other cultures to paint the image of diversity alongside the established caucasian stars‚ rather than depicting a false picture of America. It’s unarguable; American movies and television are prominently white. Is this because people
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following the 80’s era. The story of Pretty Woman centers on a Hollywood prostitute Vivian Ward who gets hired by a very wealthy businessman‚ (Edward Lewis)‚ to be at his beck and call or escort for several business and social functions. During that time‚ they gradually begin to develop a relationship over the course of Vivian’s week-long stay in his suite. Edward then takes his lawyer’s exotic Lotus S4 Esprit and heads down Hollywood Boulevard where he took a detour to ask for directions. He has
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Hollywood Studio System Studios have less control over films‚ when released Multiplexes have their own “popcorn economy” model Studio System Three Conflicting Multiplex Businesses 1. Concessions 2. Movie Exhibition 3. Advertising What is Popcorn Economy? “The more people we move past the popcorn‚ the more money we make” (p.196). Conflicting interests of studios and multiplexes In 2001‚ average time a studio film remained in multiplexes was only three weeks. Word of mouth Advertising
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The film that I am focusing my comparative historical analysis to is‚ Underworld. Directed by Len Weisman and written by Danny McBride. Underworld’s relationship between history and the filmmaking process are cohesive in reference to this European and American film. The film was made in 2003. Long ago and in a land far away‚ their were meadows that were stalked by wolves. “The first known stories about vampires come from England around 1190. During the Middle Ages‚ 30‚000 people were condemned as
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