causes it is difficult to judge the most important factor‚ but it is fair to say that there was no stand-alone cause which led to the spread of Lutheranism‚ but a range of contributing factors. Firstly‚ the lack of strong central government in the Holy Roman Empire allowed the spread of Lutheranism to occur without prevention. This is largely due to the over 300 self-governing states‚ meaning that Charles’ influence was limited. This prince’s autonomy meant that the princes had acquired sovereign
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Art 1110 Study Guide #2 (Chapters 10 through 15) • Chapter 10 Early Christian and Byzantine Art Concepts: Understand the origins of Early Christian and Byzantine art and the difference between the two Vocabulary: Catacombs Apse Transept Cruciform Nave Side Aisle Narthex Atrium (see figure 10.3 for an illustration) Clerestory Basilica Planned Church Central Planned Church Ambulatory Mosaic Process Pendentive Minaret Lunettes Images: 10.3‚ 10.4 Plan and cross section
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Art Analysis The Merode Altarpiece‚ a piece by artist Robert Campin‚ is a representation of the Annunciation of Christ. The piece was originally painted in Flanders during the Early Renaissance period in 1425. It is a considerably small altarpiece‚ commissioned for a private residence‚ created with oil on wood panel. The piece is currently held in the Metropolitan Museum of Art in New York. The scene depicted in this particular altarpiece is very popular among artists during the Renaissance and
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Masaccio favored a natural realistic illustration of the world and used the tromp l’oeil effect. This fresco incorporates classical antiquity of the Roman style of architecture. The second work of art is an oil painting on wood panel titled “Isenheim Altarpiece” by artist Grunewald in (dates). It was located in the chapel of the St. Anthony abbey hospital near Colmar‚ Germany. St. Bridget of Sweden described in detail the death of Christ which inspired Grunewald. Grunewald favored the medieval style which
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oil on wood panel‚ 33 x 22 ½” [pic] • Robert Campin‚ Merode Altarpiece‚ c. 1425-1430s‚ oil on wood panel‚ center 25 ¼ x 24 7/8”; each wing approx. 25 3/8 x 10 ¾” [pic] • Jan van Eyck‚ Ghent Altarpiece‚ 1432‚ oil on panel‚ 11’ 5 ¾” x 15’ 1 ½” [pic] • Rogier van der Weyden‚ Deposition‚ c. 1435-1438‚ oil on wood panel‚ 7’ 2 5/8” x 8’ 7 1/8” [pic] • Hugo van der Goes‚ Portinari Altarpiece‚ c. 1474-1476‚ tempra and oil on wood panel‚ center 8’ 3 ½” x 10’;
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figurative imagery or any effort towards naturalistic depiction.  characteristics were meant to inspire the viewer to devout‚ religiously inspired awe and fear of the Creator and of course‚ of His representation here on earth in the body of the Holy Church  religious devotion- scenes of hellish creatures and tormented bodies abound  Romanesque art was seen as crude in most later periods  important revival of monumental forms‚ notably sculpture and fresco painting‚ 
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create while their requirements also influenced and limited the styles and contents. The art works had prominent features for private use. For instance‚ Some Dukes preferred furnishings and tapestries so the forms of art were influenced. Small altarpieces became popular as well. Because of the interests of the patrons‚ the styles and contents of art work were limited. Oil painting became popular because it could facilitate the exactitude in rendering details. With oil medium‚ artists created richer
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was created. Can be found on pg. 560 in textbook can be found on pg. 600 in textbook The first work is the center panel of the Merode Altarpiece by Robert Campin in 1425. It is titled The Annunciation and is a Flemish painting. The second work is a fresco by Fra Angelico entitled Annunciation. It was made in 1440 in Florence‚ Italy. The Merode Altarpiece is considered early fifteenth century Flemish art while Annunciation is considered Early Renaissance art. The subject of both of these
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Sojo –Frolicking Animals * Kamakura (1185-1392) * Kao –Monk Sewing * Kosho –Kuya Preaching * Chapter 12 Roman Empire in the East/ Byzantine * Early Byzantine (527-726) * Andrei Rublyev –Old Testament Trinity * Late Byzantine (1204-1453)
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similar to Campin’s Merode Altarpiece‚ done between 1425 and 1428. The many comparisons of these paintings show that the Northern Flemish paintings during the Early Renaissance held a persistent style‚ but Memling’s painting shows progressed style differences in his use of atmospheric perspective‚ the frames of the painting‚ and unifying the two images. Diptych of Martin van Nieuwenhove is a 15th-century diptych that still has its original
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