New criticism approaches - FOUZIA LAKHMOR - G3 - S4 - ON : 530 New Criticism A literary movement that started in the late 1920s and 1930s and originated in reaction to traditional criticism that new critics saw as largely concerned with matters extraneous to the text‚ e.g.‚
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Bibliography: 1. Bhabha‚ Homi. “The Renaissance Society.” http://www.shahziasikander.com/essay03.html (accessed February 1‚ 2012). 2. Coomaraswamy‚ A.K.. The Bugbear of Literacy‚ 80. Quoted in Harry Oldmeadow‚ Journeys East: 20th Century Encounters with Eastern Religious Traditions
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Press‚ 1997) 2.Rushdie: Picador‚ Rupa‚ 1983 5.(Rushdie: Shame Picader‚ Rupa‚ 1983‚ p.283). 6.(An Area of Darkness London: Andse Dentseh‚ 1964‚p 11.(Mehta‚ Suketu‚ Maximum City Viking‚ Penguin‚ 2004‚ p. 13) 12.(Amitava Ghosh‚ The Ghost of Mrs 13.(Bhabha‚ Homi‚ The Location of Culture‚ Lodon‚ 1994‚) 14.(Ghosh‚ Amitav‚The Hungry Tide Delhi:Ravi Dayal Pub.2004)
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Cited: Bachhtin‚ Michail M. Literatur und Karneval. Zu Romantheorie und Lachkultur. Frankfurt/M.: Fischer‚ 1990. Barker‚ Chris. Making Sense of Cultural Studies. Central Problems and Critical Debates. London et. al.: Sage‚ 2002. Bhabha‚ Homi K. “Unsatisfied: Notes on Vernacular Cosmopotilitism.” Colonial Discourses. An Anthology. Ed. Gregory Castle. Oxford‚ UK: Blackwell Publishers‚ 2001. pp. 38-52. Butler‚ Judith. Bodies that Matter. On the Discursive Limits of “Sex.” New York: Routledge
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According to Bhabha‚ hybridity is the straddling of two cultures and the consequent ability to negotiate the difference. Bhabha developed his concept of hybridity from literary and cultural theory to describe the construction of culture and identity within conditions of colonial antagonism and inequality. For Bhabha‚ hybridity is the process by which the colonial governing authority tries to convert the identity of the colonized within a singular universal framework. The colonizers would look at
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D.R. Kaperkar Part II An Exploration of Indian Scientific Saga Part II 3 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. 26. 27. 28. 29. 30. 31. 32. 33. 34. 35. 36. 37. 38. 39. 40. 41. 42. E.C.G. Sudarshan G.N. Ramachandran Homi J. Bhabha J.B.S. Haldane J.C. Bose Kanada J.V. Narlikar K.S. Krishnan M.N. Saha Har Gobind Khorana M.K. Vainu Babpu M.S. Swaminathan M. Viswesaraya Nagarjuna Patanjali N. Karmakar P. Maheswari Salim Ali P.C. Mahalanobis S.K. Mitra S.N. Bose S.N
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Cited: Bhabha‚Homi‚ ‘The Location of Culture’ New York: Routledge 1995.Print Brutus‚Dennis‚ ‘Criyical Essays on Nadine Gordimer’ Boston: G. K. Hall& Co.1990.Print Gordimer‚Nadine‚ ‘Crimes of Conscience-Selected Short Stories’ Oxford: Heinemann.1991.Print Haugh
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Northern Territory News p.1. Retrieved from: Http://www.ntnews.com.au Ranzijn‚ R.‚ McConnochie‚ K.‚ & Nolan‚ W.‚ (2009) Psychology and Indigenous Australians Foundations of Culture Competence South Yarra‚ Australia: Palgrave Macmillan. Sardar‚ Z.‚ & Bhabha‚ H.K.‚ (2008) Fanon black skin White Mask (ed.) London‚ UK: Pluto Press. The Australian Bureau of Statistics. Retrieved from: Http://www.abs.gov.au Wilson‚ L.‚ (2011 August‚ 26) Gillard holds hope for change on indigenous disadvantages The
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Subrahmanyan Chandrasekhar Subrahmanyan Chandrasekhar‚ a ‘Nobel Laureate’ in physics and one of the greatest astrophysicists of modern times was born on October 19‚ 1910 in Lahore‚ Punjab‚ British India (now in Pakistan). He was the son of Mr. C.S. Ayer and Sita Balkrishnan. His father was a civil servant‚ attaining a high position with the Indian railways. The Ayer had three sons and five daughters of whom Chandra was the oldest son. In 1916‚ the family moved to Madras where Chandra grew up. Chandrasekhar
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Duncan‚ ed. Memory‚ Trauma and World Politics. New York: Palgrave Macmillan‚ 2006. Ben-Ze ’ev‚ Aaron. The Subtlety of Emotions. Cambridge: MIT‚ 2001. Berlant‚ Lauren. The Female Complaint. London: Duke University Press‚ 2008. Bhabha‚ Homi. The Third Space: Interview with Homi Bhabha Jonathan Rutherford. 1990. Eyerman‚ Ron. Cultural Trauma: Slavery and the Formation of African-American Identity. Connecticut: Cambridge University Press‚ 2001. Grefalda‚ Reme-Antonia‚ Nadine Sarreal and Geejay Arriola. Our
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