"House of Medici" Essays and Research Papers

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    their ally (Borsi‚ 308). It was a short battle‚ lasting only three hours (Borsi‚ 310)‚ and‚ although it was quite a bloody battle‚ the outcome was somewhat uncertain. However‚ Florentine sources made it a great victory (Borsi‚ 308)‚ and Cosimo de Medici commissioned the painting to celebrate the triumph of the Florence forces. Such a move was undoubtedly rooted in political motives; Cosimo had just returned from exile and was eager to regain his power in Florence. The painting was to be placed in

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    moment after the Pieta * Artist painted himself in the top left corner‚ staring directly at the audience * Patron had to have requested the confusion of the painting Bronzino – Portrait of a Young Man * Bronzino was taken in by the Medici family * 1540 * Courtly grace * Materials: Oil on panel * Patron: Someone rich (Only elite could afford portraits of themselves and spend the time to pose for it) * 3 feet x 2 ½ feet * Half length‚ ¾ profile * Unusual things:

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    became important as a crossroads for wool traders. Giovanni and Cosimo de Medici used banking to make Florence a crossroads for finance. With these connections made‚ Florence became a crossroads for ideas. The city was opened up to the ideals and philosophies of distant lands‚ and absorbed these into the writing and art it produced. That art then flowed freely outward to the rest of Italy and the European continent. The Medici maintained the stability of these connections through financial and political

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    belongings. Another example of showing off wealth in paintings is Peter Paul Rubens’ “Arrival of Marie de’ Medici at Marseilles” painted between 1622 and 1625. The Painting clearly depicts how wealthy Marie de’ Medici is. She steps off the boat‚ passing a very extraordinary and extravagant dock‚ covered in gold‚ with intricate carvings and sculptures on it. It also flaunts the coat of arms of the Medici family. She is wearing a very lavish and elegant gown. A man wrapped in fleur-des-lis‚ the symbol of

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    powerful families wanted to show the world that their learning‚ piety and taste made them worthy of their high standing in society. Among the greatest patrons were members of the powerful Medici family‚ who spent money on constructing churches and encouraging art. The works date from the time of Lorenzo de Medici whom Machiavelli called "the greatest patron of art and literature that any prince has ever been". The Florentine government also transferred the responsibility for artistic projects to

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    Humanities Final

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    Quotes: 1. What a piece of work is a man! How noble in reason! How infinite in faculties... – hamlet 2. Man is born free‚ yet everywhere he is in chains. Rousseau 3. Modern society is rotten even at its roots. Rouseeau 4. Get back to Nature … Noble Savage .. SOCIAL CONTRACT - rouseeau 5. Reason is supreme . Human reason can solve every problem facing humankind. - descartes 6. A work of art is a public dream – frued – Oedipus complex 7. We live in an ordered‚ rational‚ understandable

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    Arts Impact on Society

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    Art is an extremely private experience‚ yet‚ it is meant to be shared with the public. Society‚ as a whole‚ examines the art produced and has the right to approve‚ disapprove‚ acknowledge‚ ignore‚ praise and abuse it. The public or society has not remained constant over the years. In the time of the Renaissance‚ for example‚ only a select few were "society." They commissioned art‚ were patrons of the arts and their artists. Today‚ almost anyone can share in the experience of art. They can attempt

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    Renaissance or rebirth of the Greco- Roman era‚ a period in time in which all aspects of the humanities flourished. It was also during this time period in which the majority of the humanists deemed the “greatest” were produced. From the Lorenzo de Medici to Raphael‚ these greats were extremely well rounded and had great moral values. As a foundation for their success and moral values‚ they benefited greatly from the writings and teaching of their Greek and Roman predecessors as well as the Bible.

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    Biography of Michelangelo

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    follow his own artistic vocation. He then apprenticed under Domencio Ghirlandaio at the age of thirteen after learning the art of fresco. A year later he at the sculpture school in the Medici gardens and soon after was invited to the household of Lorenzo de’ Medici‚ the "Magnificent". There he met two younger Medici who would later become Pope Leo X and Pope Clement VII(www.Michelangelo.com). He also produced his first

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    In the start principalities and republics have been discussed as two types of states. Principalities can be further classified as one which is coming through generations i.e. inherited and the other one is newly acquired. The new principalities can be‚ either acquired through strength or luck‚ added to the old ones or can be set up as a new one. Theses principalities can be under the rule of prince or can be as a free land. The principalities running down in heritage are comparatively easier to maintain

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