When Tennessee Williams wrote his play concerning a small family living within the alleyways and small apartments of St. Louis‚ he clearly imbedded his work with snippets of his past. From references of St. Louis to mentions of a drunkard for a father‚ The Glass Menagerie is more than just a moving memory play. An underlying theme is the feeling of being outcast from a society focused on the social life and making a name for oneself‚ but even within this theme is the idea that the choices one makes
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Parallels of Tennessee Williams’ Life and The Glass Menagerie In the play "The Glass Menagerie" by Tennessee Williams‚ there are many similarities between the character’s lives and the lives of the author and his family. The characters include the members of the Wingfield family Tom‚ his mother Amanda‚ his sister Laura‚ and Tom and Laura’s father‚ represented by a portrait. Also included is the character Jim O’Connor‚ the gentleman caller. The character of Tom Wingfield is nearly autobiographical
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‘Oedipus Rex’ and ‘Streetcar’ | Similarities | Contrasts | Clever Points | Actions / Events | Both ‘Oedipus Rex’ and ‘A Streetcar Named Desire’ have scenes where a character’s past is revealed‚ whether it is to other characters or to the audience (e.g. Oedipus’ parentage or Blanche’s past). This shows an underlying tone that they cannot fully escape their past‚ whether it is an eventual surfacing (in A Streetcar Named Desire) or an abrupt revelation (in Oedipus Rex). This is linked
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The plays were exceptional and both have an underlying theme of wanting to escape. Williams plays portrays characters wishing for an escape from reality. The characters also filled with a great deal of loneliness. He was able to make a fictional settings seem so realistic and add on to the tone of the pieces. Tennessee Williams was an exceptional American writer who at the time was able to earn criticism and praise for exploring themes of sexuality that no one at the time really would. He earned
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Dramatic techniques used with a SCND – Scene 3 – Poker Night Scene Three underscores the primal nature of Stella and Stanley’s union‚ and it cements Stanley’s identity as a villain. After Stanley’s drunken radio-hurling episode‚ Stella yells at him and calls him an “animal thing‚” inciting Stanley’s attack. Later that night‚ Stanley bellows “STELL-LAHHHHH!” into the night like a wounded beast calling for the return of his mate‚ this effect of specific expression‚ creates a dramatic effect in the
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Much of the grotesque in Metamorphosis stems from the fact that Gregor’s transformation is partial. While he is physically an insect on the exterior‚ he retains a human mind inside. Hence‚ Gregor is mentally aware of what is happening to him and his body. This hybridity‚ in terms of having an insect body but a human mind‚ contributes greatly to the grotesque image of the main character. As quoted from Bakhtin‚ what is happening to Gregor is an “unfinished metamorphosis” whereby he is not fully insect
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“Both Albee and Williams use their male characters to explore a link between virility and status in both ‘A Streetcar named Desire’ and ‘Who’s afraid of Virginia Woolf’.” Showing appreciation of context and with close analysis of structure‚ form and language‚ consider to what extent you agree with this assertion. Through male characters’ Albee and Williams‚ assess the links between virility and status by analysing behaviour and their interaction with same-sex and female characters. The play Wright’s
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effects on the characters. However‚ if action is offstage‚ the audience do not see for themselves the events of the play and how the characters adjust themselves to the events‚ but‚ this does not mean that these actions are ineffective or unimportant. In fact‚ it is just the opposite. ‘The Cherry Orchard’ by Anton Chekhov and ‘A Streetcar Named Desire’ by Tennessee Williams are two plays in which the main actions occur offstage‚ but the impact on the audience created by them is immense. In ‘The Cherry
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Christine Ku 13 December 2010 ENGL-213‚ Pollack The Use of Grotesque in Literature While we can make some useful generalizations about the purposes to which the grotesque may be used‚ it is clear that the range of possible functions is very broad. Some instances of the grotesque serve no purpose at all apart from a purely ornamental or personal one; some have no function except the fulfillment of a whimsical and capricious desire to invent something bizarre and eccentric. In some works‚ satirical
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Rejection Led her to Psychosis In Tennessee William’s Portrait of Madonna Lucretia Collins is driven mad by the rejection of a man who she so fondly treasured and loved during her youth‚ so mad that she can no longer seem to grasp reality or even take care of herself. Her psychosis led her to think she is pregnant by the intruder who was the man she was in love with as a young girl and whose rejection is the main contribution to her flight from reality. Thus her heart break led to obsession and
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