made with the same purpose‚ to show a monster like a human. One made in the past with smaller knowledge with technology. The other has greater technology with lots of better qualities on the monster‚ which makes it look more human like. Henry Frankenstein is a brilliant scientist who has been conducting experiments on the re-animation of lifeless bodies. He has conducted experiments on small animals and is now ready to create life in a man he has assembled from body parts he has been collecting
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To what extent has your comparative study of Frankenstein and Blade Runner developed your understanding of the personal struggles experienced by individuals? Both Frankenstein and Blade Runner were created at times of great innovation and technological advancement. Although the texts have different and are separated by 200 years‚ they both share a concern to explore this issue and come to very similar conclusions. Both texts claim that to be truly human is to manifest qualities of self awareness
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Blade Runner This film pulls no punches in asking the most troubling questions about artificial intelligence and cloning. What is a human? If it looks just like one‚ but we made it‚ can we kill it? This is Deckers job‚ a “Blade Runner” played by Harrison Ford. When Replicants‚ the pseudo clone slaves of human society‚ run amok (or in this case‚ return to earth‚ which they are banned from) it’s the job of a Blade Runner to find and “retire” them. They are spoken about in a very particular language
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history of which it is questioned seems to continue to fascinate and defy writers of an answer. What role does science and technologies have to play in society and what will its impacts be upon humanity? Evidence of this question being pondered by writers and composers can be seen through various different texts throughout time. The novel Frankenstein‚ written by Mary Shelly and the film Blade Runner‚ directed by Ridley Scott although composed over 150 years apart share this common question. The storyline
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imaginations‚ they also investigate and direct the societal issues and standards of their period through the individuals they portray. This is clearly the case with Mary Shelley’s novel‚ “Frankenstein” (1818)‚ which draws upon the rise of Galvanism and the Romantic Movement of the 1800s‚ as well as Ridley Scott’s film “Blade Runner” (1992)‚ which considers the increase in the computing industry and the prevalence of capitalism within the late 20th Century. Both composers fundamentally warn us of the ominous
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Mary Shelley’s ‘Frankenstein’ and Ridley Scott’s ‘blade runner How has the context of each of the composers affected the representation of their respective worlds an the place of nature in these world? Context is something that should be considered when exploring how composers represent their respective worlds and the role of nature in it‚ in this essay I will explore techniques used by the composers to convey messages about nature in their texts and how it is subject to the context in which
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English Advanced: Assessment Task 3 Comparative Study of Texts and Contexts: Frankenstein and Blade Runner William Meadley Dear Mr. Ridley Scott‚ I Mary Wollstonecraft Godwin Shelly am writing to you after viewing ‘Blade Runner’. I became aware that your composition and my own‚ ‘Frankenstein’ 1818 are very similar in themes and ideas. I also noticed similarities between characters of both our compositions‚ which together evoke questioning within our audience. We‚ as artists feel strongly about
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Module A Essay Plan Introduction: - Texts; o Blade Runner – Ridley Scott (1982) o Frankenstein – Mary Shelley (1818) - Both texts deal with issues of nature‚ monstrosity‚ creator vs creation and man playing God‚ as well as challenging the notions of traditional humanity. - The issues dealt with in the text can be clearly linked with the context in which they were written. - Despite being written in different centuries one can draw clear links between
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Mary Shelley’s iconic novel‚ Frankenstein‚ and Ridley Scott’s cinematographic masterpiece‚ Blade Runner‚ are‚ on the surface‚ remarkably dissimilar‚ not solely in terms of medium‚ but in absolute contextual disparity. They are‚ of course‚ very much products of their time‚ affected and inspired by the conundrums and pessimistic predictions of their own cultural and societal contexts; condemnations of each respective composer’s predictions for humanity. It is interesting to note‚ therefore‚ that both
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Both Mary Shelley’s 1818 gothic novel Frankenstein and Ridley Scott’s 1982 film Blade Runner explore the dehumanising effects of technology. Although the texts differ in context they connect through their exploration of transcendent societal concerns. A key theme explored in both texts is the dangers associated with unrestricted and dehumanising technology. Both texts depict characters corrupted and challenged by the dehumanising effects of technology‚ whilst simultaneously depicting settings and
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