“Rabbit Proof Fence” When Phillip Noyce took on the task of directing the film ‘Rabbit Proof fence’ his intention was to expose the truth of the ‘Stolen Generation’ which occurred in Australia from 1900 to 1969. Noyce’s purpose for the film was to position his viewers to accept and feel compassion and sympathy for the Australian Aborigines. The film ‘Rabbit Proof Fence’ is based on the novel ‘Follow the Rabbit proof Fence’ written by Doris Pilkington Garimara‚ the daughter of the main character
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Australian film and parliamentary speeches have evidently portrayed Australia’s change of attitude towards Aborigines and the Stolen Generation. The film Rabbit Proof Fence portrays the profound injustices associated with the Stolen Generations‚ which serves to contrast that to current government policies. Paul Keating’s Redfern speech severely criticised Australia’s failure to provide justice to Indigenous communities‚ and used this as a basis for pursuing such justice through the government. Kevin
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Indigenous people have been represented in a myriad of ways. The Rabbits (1998)‚ an allegorical picture book by John Marsden (writer) and Shaun Tan (illustrator) and Rabbit Proof Fence (2002)‚ a film directed by Phillip Noyce‚ are just two examples of this. Techniques such as music‚ changing camera angles and symbolism are utilised in Rabbit Proof Fence to represent the Aboriginal people as strong-willed and spiritual and in The Rabbits‚ exaggeration‚ different colour themes and perspective are used
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consequently in the Australian way of life. In film‚ one can view a distinctively Australian aspect on equality‚ as many key characters reject the idea of a social caste system. The Castle‚ Rabbit Proof Fence and the Kelly gang all prominently display the Australian aspect of egalitarianism‚ by ignoring or rebelling against unfair laws and boundaries set by social class structuring. In The Castle‚ Darryl Kerrigan‚ a middle-class tow truck driver who opposes the laws that enable the government to take his property
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Rabbit-Proof Fence Personal Response Dear diary‚ It had felt like an eternity but the day had finally given way to night. The departure of the daylight offered my sunbaked skin refuge from the dry heat that constantly pressed down on me. My weary muscles lent me just enough energy to lift my heavy head and scan the horizon to ensure that the Tracker was long gone. Occasionally‚ I glanced up and gazed upon the colorful specks of light that were interspersed within the inky black sky. It was heart-wrenching
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Rabbit Proof Fence Filming Techniques. At the start of the movie we are given Molly speaks to us in her traditional language‚ during this duration we are given beautiful shots of Jigalong‚ and after them we are shown Molly and her family I believe this was made for background information but also to keep the viewers at their seats at the same time. We are also given close ups o the main characters which obviously communicates to us that the character is the one being spoken about. Phillip Noyce
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Belonging is being a part of something and being happy with it. A true sense of belonging is best found in different places for every one‚ not one particular place. Rabbit Proof Fence (RPF) by Phillip Noyce and The Boy in the Striped Pyjamas (TBitSP) by John Boyne‚ demonstrate connections with others and the world around. Molly and Shmuel belong in their homeland. The friendships Molly and Shmuel have help them to overcome everything. However‚ the world as depicted in each text‚ doesn’t see Molly
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drama “Rabbit-Proof Fence” produced by Phillip Noyce. A novel “The China Coin” written by Allan Baillie explore this notion quite explicitly. All people strive to achieve a sense of belonging‚ however‚ this may impeded if their sense of identity fragile. For some‚ their sense of belonging may depend up on acceptance by others particular to a place and a culture may be all extremely powerful and may not need desire acceptance from a board of dominant community. Rabbit-Proof Fence is a drama
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Summary Title: Rabbit Proof Fence Composer: Phillip Noyce Screen Play: Christine Olsen Year: 2002 Text Type: Film Genre: Adventure‚ Drama‚ History Appropriation: * Dorris Pilkington Garimara’s book; Follow the Rabbit Proof Fence Audience: * Non-indigenous People * Possibly Internationally Purpose: * To inform responders of the injustices done to Aboriginal Australians * To persuade responders to empathise with victims of the stolen generations * To provide
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from their families and were taught to reject their Indigenous heritage and to adopt white culture. Their names were often changed‚ and they were forbidden to speak their traditional languages. It is evident how much pain and suffering was caused from this‚ when watching the film‚ Rabbit Proof Fence. In the film‚ there is a recurring motif of pain and trauma. Mr Neville (also called Mr devil)‚ shown to be in charge of organising the removal‚ was given the title of Chief Protector of Aborigines. From
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