1. How does space perform? Space is shown as a vital factor in the directorial connection linking the performance and the audience. A live performance is established in a three-dimensional space. The research of any time of theatre history can show you that there has‚ and always will be‚ a manufactured advancement of the space in the theatre whether this be both traditional and informal. In every single case‚ “the audience member‚ the spectator‚ becomes part of the performance‚ and is therefore
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the reader about the ghost that is haunting house‚ number 124‚ at Blue Road. The author shows the reader that the ghost has powers to shatter mirrors and leave its handprints in a cooked cake in order to show the ghost’s anger. However‚ the writer does not tell the reader on the reason why the ghost is haunting the house. On the other hand‚ three main characters‚ Sethe‚ Paul D. and Denver‚ are introduced; they try to narrate their past stories and experiences of slavery. Chapter 2: Love Making
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George is instantly put off by her presence and tries to avoid her. He shows no attention towards her‚ which is what she is after and does not acknowledge her. George uses a snappy tone of voice to reply to her. ‘George said brusquely “Well‚ he ain’t now.”’ This shows he is not interested in her and doesn’t want to engage into a conversation with her. Lennie on the other hand is intrigued
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Steinbeck describes her as having "full rouged lips and wide-spaced eyes‚ heavily made up" we see this as confirmation of her being "a tart." Equally‚ it could simply mean that she takes pride in her appearance and tries to get noticed. However‚ she does flaunt herself " she smiled archly and twisted her body" and is clearly aware that Lennie is fascinated with her. George’s first impression of Curley’s wife is that she is "a tramp" and the worst "piece of jail-bait" he has ever seen. Later in the
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‘How does Priestley show that tension is at the heart of the Birling Family?’ Tensions in the Birling household are shown from the beginning of the play. The house is described as “not cosy and homelike” which represents the cold and unfriendly atmosphere; these characteristics very much reflect the family itself. There is a significant contrast between the older and younger generations throughout the play. An early hint of this is evident at the start of the play when Sheila says she would
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Within the play of Macbeth‚ Shakespeare presents Lady Macbeth as ambitious and vicious when she is first introduced in Act 1 Scene 5. Lady Macbeth is the one of the main reasons the play played out like it did. Although‚ Macbeth and Lady Macbeth treat each other as friends‚ they both have an equal say in what happens‚ but Lady Macbeth seems to contribute more opinion than Macbeth does. When her husband writes to Lady Macbeth about the witches‚ she was excited‚ she wanted to be queen and she did not
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released from the suffering and heartache that comes with her life. Her brother leaves her to face her father‚ her father is murdered by the man whom she loves‚ and the man she loves leaves her to go to England. Not to mention that she is used as a pawn between people trying to damage each other. The death of this poor girl should be surprising‚ but with everything she endured‚ it is a wonder that she did not pass earlier. Ophelia is easily manipulated into being used by others to get what they want and
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the play Nora is shown as a woman who acts and is treated like a young girl. Her husband treats her accordingly‚ he gives her nicknames which highlights how he views her as a little girl such as “my little squirrel” (164). Nora contains no concerns of how Mr. Helmer belittles her and treats her like a little girl‚ for everything she does she does out of love for him. This results in her thinking that his actions are of the same motivations. She comes to the realization that this is not the case when
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Tempest The relationship between Prospero and his daughter Miranda is one of the deepest and most interesting in the play. His paternal presence in her life is stronger than she is at first aware of‚ and Shakespeare displays this nicely through the sense of sight. In the first scene of the third act‚ Prospero oversees a pivotal conversation in the relationship between his daughter and Ferdinand‚ possibly by using his magic to stay invisible. It is unclear how exactly Shakespeare wanted the
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Grenville presents Will and Sal’s relationship as one in which they can both develop and shine alone as well as together. It is extremely clear from the start of the novel how important their relationship is‚ as they are able to grow and change together in the most difficult of situations. Grenville shows the importance of Will and Sal’s relationship by suggesting how Sal has greatly influenced Will’s life from a young age‚ making him feel more content and relaxed. Will lowered his tough defence
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