Distinctively visual texts use a variety of techniques to convey the experiences during the war. In John Misto’s 1996 play ‘The Shoe-Horn Sonata’ which is about women nurses enduring Japanese POW camps‚ such distinctive experiences as power and survival are shown through techniques like lighting‚ projecting image‚ sound‚ symbols‚ dialogue and body language. In Kenneth Slessor’s 1942 poem ‘Beach Burial’ he also comments about survival in war and the power in distinctively visual ways
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image of a sign put up by the government at the time saying ‘dont listen to rumour’ reinforces the attitude she developed about the British governments approach to war. Similar to the use of photographs to enhance and validate a setting‚ Weir draws visual comparisons between the sparse‚ lifeless deserts of Australia and those of Egypt. In doing so‚ suggests that these men’s struggle is thoughtless and insignificant in the greater scheme of things. As well as this many of the Australian scenes are
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Model Farm High. My name is sunny and I am going to briefy discuss about the play Shoe Horn Sonata by John Misto in relation to distinctively visual. The Shoe Horn Sonata is a play that shows distinctively visual narratives of female prisoners of war. Misto convey ideas of female survivors who live through war in Japanese camps suffering brutality from their violent Japanese oppressors. He does this by using visual techniques including photographs displaying humiliation‚ starvation and torture
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heir language forms and features. The composer John Misto of ‘Shoe-Horn Sonata’ creates a wide image of distinctive visual techniques through imagery. John Misto uses this visual technique to raise awareness of the damaged chaos that occurred to the women who have been captured by the Japanese. By using distinctively visual techniques Misto allows the viewers to empathise with the crucial actors/segregation that the Japanese people were showing towards the women. “I wanted to cry. But I reminded
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The Shoe-Horn Sonata by John Misto ‘Distinctively Visual’ After your reading‚ please answer the following questions to show your understanding. Please write in full sentences‚ in your own words‚ using evidence from the text where you can. 1 Describe what you see on the front cover of the play. What clues does this give you about the play? 2 After the Contents’ page there is a photograph. Who is this photograph of? 3 What do you learn from the information you are given about the
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Distinctively Visual Image Page 52 “On the other side of our barbed wire fence were twenty or thirty Aussie men – as skinny as us – and wearing slouch hats. Unlike the Japs‚ they had hairy legs. And they were standing in rows – serenading us.” John Misto created a written visual image that comes through in Act 1 Scene 7 (Page 52). This is brought up in the play when Bridie and Sheila are being interviewed by Rick (Host)‚ they were originally talking about the conditions that they were in‚ how they
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composer is able to create distinctively visual images when describing the setting and characters in detail which help us to understand and form meaning of what the composer is trying to convey in their texts. The use of techniques such as body language‚ symbolism‚ lighting‚ music and photographic background slides create distinctively visual images same with themes that are being used within the texts such as truth which is evident in the dramatic text ‘The Shoe-Horn Sonata’ by John Misto‚ the song
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Question! HOW DOES THE USE OF THE DISTINCTIVELY VISUAL EMPHASIE THE WAYS THAT INDIVIDUALS RESPOND TO SIGNIFICANT ASPECTS OF LIFE? The distinctively visual connects an image with an idea. To illustrate the effectiveness of the distinctively visual in emphasising the ways that individuals respond to significant aspects of life‚ two uniquely Australian texts stand alone; the prescribed text The Shoe-Horn Sonata by John Misto written in 1996 and the epic 2008 film Australia by Baz Luhramm. Both texts
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Images elicit certain emotions within individuals though it is skewered through their interpretation of distinctively visuals. This is a notion greatly emphasised within the play “The Shoe Horn Sonata” composed by John Misto in order to bring forth concepts of truth and the atrocities of war. Misto does this through his manipulation of techniques to put focus on the experiences suffered by women during the periods of war to give us a better understanding of the event. Comparably the composer Kenneth
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Compare in which ways distinctively visual images are created in The Shoe Horn Sonata and one related text Distinctively visual images can communicate important ideas to responders‚ allowing them to understand the perspective of the composer and the purpose of the text. In the “Shoe Horn Sonata” John Misto creates a play that surrounds two Prisoners of Wars (POW’s) characters who are forced to relive the memories of the past through an interview for a TV documentary. Through a variety of dramatic
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