would any father. He feels betrayed not only by Desdemona but by Othello as well. It is a humiliating experiels as if he has lost his property to Othello‚ fathers of that time period had more control over their daughters. He is convinced that Desdemona only would marry Othello if the Moor had cast a spell on her using dark magic. He is motivated to protect his daug and his signature line of the play is his last‚ a warning to Othello‚ “Look to her‚ Moor‚ if thou hast eyes to see. She has deceived
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OTHELLO ESSAY Shakespeare’s domestic tragedy Othello continues to engage audiences through its exploration of race and gender power plays- universal concerns that transcend time and place. Othello is a warning for those who attempt to usurp the Elizabethan chain of being power structure. Those people‚ who attempt to contravene the divinely constructed social order‚ are punished for their anomalous actions. Through extracting the perennial power relations of the play‚ a Marxist and Feminist paradigm
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Throughout act three of Shakespeare’s Othello‚ the conflict between opposing characters unfolds a complex set of emotions revealing the concept of the lesser “other” to the audience. Shakespeare does not explicitly state that Othello is an “other”‚ but references to his culture and ethnicity implies that Othello‚ while highly respected‚ is still of inferiority is some regards. The idea that Othello is inferior to his peers is rather ambiguous and can vary among interpretations. To kick start the
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shakespeare’s Othello and uncontrolled jealousy dominating . Being Jealous of someone will cause hatred toward that person. Jealousy is a complicated emotion. In the play‚ Othello hits Desdemona and says‚“(striking her) you devil (Act‚scene 1‚page 13) Othello let his emotion get to him and end up hitting the one he loves. This is similar to the quote by Lannutti and Bevan “behavioral jealousy are actions that occur between an individual who is experiencing envious thoughts and how they
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To what extent is Iago presented by Shakespeare as a tragic villain without redeeming features? Notes to expand on later Iago is possibly one of the first villains of Shakespearean times with both redeeming and villainous qualities. In the tragic play “Othello”‚ by William Shakespeare‚ Iago is shown as an honest yet manipulative villain; which is uncommon for villains in texts written in Shakespearean times as it humanises the villain. London councils at the time thought that theatre should not
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How does the text conform to‚ or deviate from‚ the conventions of a particular genre‚ and for what purpose? The tragedy play‚ one that has captivated many for its effectiveness in understanding the human flaws and how they can lead to eventual downfall is one that Shakespeare’s plays embody. However‚ there is such a play that contains these elements‚ yet it manipulates the genre’s conventions for a new effect‚ the play Othello. This play is centered around a Moorish noble‚ a soldier who faces
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Bailey Lovell Shakespeare Shaw 3 December 2010 The Fall of Othello It would seem to most that that the protagonist in William Shakespeare’s The Tragedy of Othello‚ the Moor of Venice should have everything going for him. A respected member of Venice’s elite and an integral part of the military‚ Othello appears to have it all together. However‚ a closer look reveals a few cracks in his otherwise firm foundation. Othello is a black man in a white world‚ and he is self-conscious about
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important themes in Othello? Is there another underlying theme that you consider even more important? I argue that justice and revenge are not the dominate over arching themes in Othello. I believe jealousy is the most important theme. Shakespeare’s tragedy Othello focuses on the downfall of military General Othello whose happiness at his marriage to Desdemona is quickly consumed by jealousy. The love of Othello and Desdemona are tragically torn apart by the intrigue of Iago who is also acting
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How does Shakespeare present Iago’s manipulation of Othello? Shakespeare uses a number of techniques to express the manipulaton of Iago in this scene. He lies to Othello in a barefaced manner‚ as we know from earlier context‚ in which we see Iago slandering Othello to his friend Roderigo‚ in the first scene of the book‚ showing that from the outset Iago has been against Othello‚ and this facade of trying to “help him out” immediately tells us he is not to be trusted. From what we have already
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which is associated‚ is a more general designation: Moor meaning “a muslim of mixed Berber and Arab descent.” Of course‚ much ink has been spilled about whether Othello is an ethnically marked inhabitant of North-Africa‚ a noble Arab‚ or from Sub-Saharan Africa (as in the epithet “black” when Iago says “we will drink the health of black Othello”). This distinction is no
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