William Shakespeare’s Twelfth night and David Henry Hwang’s M. Butterfly are both plays that challenge heteronormative expectations and force the readers to abstain from believing that love is only correct amongst the male and female gender. In Fact‚ through the characters actions we witness that once someone is in love‚ it blinds them from their reality forcing them to neglect clear signs of “unusual/queer” behavior. Both plays share a homologous theme that: love makes people crazy and makes them
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Explore the use of Disguise and Deception in Twelfth Night Many characters within Twelfth Night create disguises for themselves‚ beginning with Viola‚ who disguises herself as a male in order to make everyone in Illyria believe that she is in fact a man. By deciding to dress Viola in male garments‚ Shakespeare creates endless sexual and gender confusion with the Olivia-Viola-Orsino love triangle. Other characters in disguise include Malvolio‚ who wears cross garters and yellow stockings in
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the comparative general ideas and results. At the end of the day‚ the creators use diverse strategies to accomplish the same objective. The Duke of Illyria in Twelfth Night and the soccer commander in She’s The Man‚ is enamored with Oliva in both the story and movie. Olivia goes gage for Viola‚ who was masked as Cersario in Twelfth Night‚ and Sebastian‚ her twin sibling in bot motion pictures‚ in She’s The Man. Some hints are given in both that it’s a girl who playing
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William Shakespeare’s Twelfth Night and John Webster’s The Duchess of Malfi are fascinating plays with convoluted plots that cause the reader to ponder the possible differences of females roles in 17th century society versus the present day. This is what makes the plays so amazing and interesting‚ as good literature can easily invoke feelings in its reader‚ challenging personal morals and beliefs. " In early Modern England‚ both gender and hierarchy‚ with the man at the top‚ and the husband’s patriarchal
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Character study: Malovlio: Did he deserve the punishment that he received? The character Malvolio (meaning literally "I mean ill will) is immediately affected by the implications of his name. His personage is implied directly to be one of negative and somewhat disagreeable nature‚ which is continued and supported throughout the play‚ leading to his downfall and mockery which both initially seem to be thoroughly deserved‚ due to his numerous defects of personality. The first evidence
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In her 1991 article‚ retired English professor Elouise M. Bell quotes one of the Bard’s clowns‚ starring in Twelfth Night. Both witty individuals make the argument that friends wrongly lie to protect feelings‚ while supposed enemies tell the truth in order to harm‚ and yet‚ that is the better option. As Prince Hamlet‚ another one of Shakespeare’s clever characters‚ states‚ “I must be cruel only to be kind.” Bell explains in detail four ways of viewing and reacting to opposition in her article‚ all
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between She’s the Man and Twelfth Night (the Play) Outline Introduction: Introduce “Twelfth Night” the play written by William Shakespeare Relate “Twelfth Night” to “She’s the Man” Elaborate on “She’s the Man” Recognize the differences and similarities between both and which are more important. Body Paragraph 1# Elaborate on “She’s the Man” and “Twelfth Night”‚ and emphasize on the mood‚ symbolism and imagery portrayed in the different situations and how they are similar: Situation
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Shakespeare once said “Love looks not with eyes‚ but with the mind‚ and therefore is winged Cupid painted blind.” William Shakespeare not only makes us realize the true meaning of love‚ but also how love itself is characterized. In the play Twelfth Night‚ Shakespeare demonstrates three main types of love: True love‚ courtly love and profitable love. For instance‚ Viola’s hidden love for Duke Orsino is incomparable to Duke’s self-indulgence and love for Olivia or to Sir Toby’s “friendship” with
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The Dark Pleasures of Trevor Nunn’s Twelfth Night by PETER HOLLAND‚ Director-Designate of the Shakespeare Institute‚ Stratford-upon-Avon‚ England Why don’t filmmakers like Shakespeare’s comedies? Look for an interesting version of any of the best-known tragedies‚ and you are spoiled for choice. Try doing the same for any of the best-known comedies‚ and you will still be searching weeks later. The astonishing 1935 Warner Brothers A Midsummer Night’s Dream‚ with James Cagney as Bottom and Mickey
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Scene Analysis 1. Twelfth Night‚ Act IV‚ Scene II 2. Feste‚ the Fool‚ disguises himself as Sir Topas‚ a priest‚ and visits Malvolio in his imprisonment‚ under direction of Maria and Sir Toby. Malvolio is relieved to hear the voice of the priest and believes the priest might release him from his prison. Malvolio makes the claim that he is not insane and is wrongly imprisoned in darkness. Feste tells Malvolio that he is in a well-lit room and that the darkness is simply ignorance. Sir Toby becomes
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