Towards the ends of Othello both Emilia and Desdemona are confirmed as tragic heroines. Throughout the play‚ Emilia is beaten down by Iago‚ as a result of the gender inequality of the time and her low status as a woman. In the last scene though‚ she finally breaks through this and finds her voice and stands up to patriarchal domination‚ which leads her to her death‚ confirming her to be a tragic heroine. Differently‚ Desdemona starts off as being independent; standing up against her father by marrying
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The First person that I Will tell you about is Othello and he has changed from act one‚ two and three is that he is starting to believe that everything that Iago tells him and he is also really questioning Desdemona loyalty to him because he thinks that she is cheating on him with Cassio and he doesn’t want to trust Cassio and does not like him for what Iago is telling him and he is playing right into Iago hands. The second person that I will be telling you about is Iago and he has changed from
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the 1905 revolution‚ along with ever growing forces of revolutionary parties all contributed to the fall of the Tsar Nicholas the II. But was he to blame? In this essay one will discuss the factors instigating the fall of the Tsar‚ and how far he was responsible for his own demise. The living conditions for the peasant population across Russia were atrocious. This presented itself as a major problem for the Tsar‚ as over 80% of the population was comprised of peasants‚ and this lead to them demanding
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Today I am questioned with why Othello not only believes Iago’s lies‚ but succumbs to them and acts out upon them. The reasons behind this inculde the theme of honesty and trust‚ as seen in Iago’s character. During the first few scenes it would appear that Othello is close to Iago‚ but not vice versa. Othello is seen freely presenting Iago as honest. It is then revealed that Iago isn’t as honest as his name‚ but the complete opposite. The reason Othello calls him honest is beacause he trusts him
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Othello Character Analysis Major Characters: Othello: Protagonist and hero. He is a highly valuable and respected general of Venice‚ and an eloquent and powerful figure. He is nevertheless easy prey to insecurities because of his age‚ his life as a soldier‚ and the fact that he is a racial and cultural outsider. He sometimes makes a point of presenting himself as such‚ whether because he recognizes his exotic appeal or merely because he is self-conscious of his difference from other Venetians
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Othello In the beginning of the play‚ Othello is mentioned in description by Iago and Roderigo during their discussion rather than being physically present; “The Moore”(1.i57) ‚ “the thick-lips” (I.i.66)‚ “an old black ram” (I.i.88)‚ and “a Barbary horse” (I.i.113). Other than description‚ we do not see Othello till Act 1‚ scene iii. We understand in the beginning through Iago And Roderigo’s discussions that Othello is an outsider‚ by description racially and culturally. I believe Shakespeare
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The Dimensions of Othello the Tragic Hero How does one define a “tragic hero?” Aristotle illustrates such a character as an overall great person with very noble traits‚ but one who is not perfect. Many will look up to these tragic heroes; however each hero will have a specific flaw. This “tragic flaw” will ultimately lead to that character’s downfall. Also‚ these characters will often have the abilities to both recognize their tragic flaws in the end and also connect with the audience in some way
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of Othello (by William Shakespeare) ‚ a motif stood out to me. The motif jealousy‚ and it can corrupt anyone‚ even a noble Moor with principles like Othello. While reading I realized how complicated Iago is as a character and how he lacks an origin to his jealousy‚ yet is convincing himself to carry out his evil doings his ability to orchestrate a complicated interweaving of pre-planned scenarios. Iago ’s deception is potent because of his patience‚ his cleverness‚ and what seems to be his intrinsic
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schemes and manipulated other characters. He fascinates and terrifies the audience with his revengeful plotting which he has no real motivation for. In Iago’s first big speech he is already moaning about not being promoted giving of a negative feel to his character and declaring his hatred for Othello. Within his first ten lines of the play he tells the audience that this man who did not promote him loves his own pride and purposes. This highlights Iago’s unnecessary jealousy and resentment. After
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Othello: A Feminist Reading Using ideas from feminine stereotypes‚ explore ways in which Othello might be regarded as a product of its time. The representation of women in literature was felt to be one of the most important forms of socialisation. It provided role models which shown to both genders what is “acceptable” of females. Feminist Criticism examines the ways in which literature has been shaped according to the issues of gender. The feminist challenges the idea of women being submissive
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