Scene 1 of Act 4 is certainly one of the most visually impacting and intriguing scenes of the entire play. This strong effect is attained by the sequential presentation of mysterious images and a close reference to evil throughout the whole scene. On stage‚ the visual (the actions and apparitions) and audible (the speech and sound effects as the thunder) factors engulf the entire scene in an atmosphere of wickedness. <br> <br>We must first consider the stage directions that indicate the location
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still wrapped. The scene shifts back to Lola and the aristocrat can be seen again talking to a group of people. This time when Lola goes by‚ she knocks off the hat of the aristocrat and says to him in German‚ “Go back to where you came from”. The man shivers in fear and walks away embarrassed. Lola then heads to the Brandenburg Gate. The women dressed in green are still conjured together‚ but Lola notices they are more hostile.
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Act Three of Arthur Miller’s script The Crucible opens with a very hostile‚ tense and desperate mood due to the Salem Witch Trials being in full swing. Hathorne is questioning the wife of Giles Corey‚ Martha‚ about whether or not she is aligned with the Devil and one of his witches until Giles comes barging in “roaring to the court” that he has “evidence” for them to see until he is eventually “removed by the court marshal” (83-84). Giles is angered and furious that his wife is being put on trial
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Creating Suspense As he dropped the smoking gun out of his hand‚ he scanned the sea of people lying on the ground in front of him; an ocean of red flooded the crowd. “What have you done?!” a voice called. In movies‚ directors exploit sounds‚ acting‚ and lighting to illustrate suspense to their viewers‚ whereas in novels‚ authors must confide mostly on their use of detail and emotion in the text to convey suspense. In the novel‚ In the Middle of the Night‚ Robert Cormier creates suspense through his
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Introduction In act 1 scene II we are introduced to the group of actors (Bottom‚ Quince‚ Flute‚ Snout‚ Snug and Starveling) who have joined together at Peter Quince’s house to discuss the parts they will play for the Duke and Duchess. The story is set in ancient Greece‚ Athens where two lovers (Hermia and Lysander) are forbidden to marry each other. Instead‚ Hermia must marry Demetrius. However‚ Demetrius’s lover (Helena‚ Hermia’s best friend) is heart-broken to hear the news. Lysander and Hermia
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“The Tell-tale Heart” by Edgar Allan Poe One of the main characteristics that mark every story that Poe writes is how he can not only create suspense but also how he can maintain that same intensity of suspense for the entire length of the story. In the case of “The Tell-tale Heart‚” Poe creates that feeling of uncertainty since the first line. The reason for this is that although the story starts by saying: “True! --nervous --very‚ very dreadfully nervous I had been and am; but why will you
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In William Shakespeare’s play‚ Romeo and Juliet‚ Shakespeare uses many literary devices‚ such as characterization‚ to make his play effective. Indirect and direct characterization is used with Mercutio in act 2‚ scene 4 to help the audience perceive his vulgar character. While Mercutio was frolicking‚ the nurse asks Romeo‚ "I pray you‚ sir‚ what saucy merchant was this that was so full of his ropery?" This is a direct characterization of Mercutio‚ who is being addressed as a foul mouthed punk
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SCENE 1 In lines 11-13‚ a simile is being used by the Duke when he implies that “you’re [Escalus] as pregnant in [common justice] as art and practice hath enriched any that we remember.” The use of the word pregnant describes how well informed and resourceful he is in the certain subject. The word pregnant gives the connotation that Escalus has had someone impose this knowledge on him‚ as in with impregnation. By stating that Escalus is as “enriched” as “any that we remember‚” he means he is extremely
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motivated is not an easy task. It is far simpler to appoint “good” and “evil” characteristics onto a character and call it day. Although Shakespeare in his plays was never as blunt as “you are good and you are evil”‚ one can see how his villainous characters (and protagonists as well) developed more subtlety while he perfected his craft. Today we will examine how the select implementation of visceral imagery‚ the use of clever linguistic structuring‚ and the use of realistic conclusions makes villains
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Act 2 1) In the play‚ Duncan is seen as representing order‚ and his murder produces chaos. However this was most likely a response to the then current political situation rather than an attempt to represent history as Macbeth was actually an admired and stable king. The then King for whom the play was performed (James I and VI) was believed to be a descendant of Banquo and consequently Banquo is represented as being on the side of good. The murder of Duncan is almost disused given the scene that
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