a person’s identity‚ in the play “Othello‚” by William Shakespeare. The main character Othello the moor and a young naive girl named Desdemona are married in secret. The villain Iago plots a plan to get revenge on Othello for not choosing him as lieutenant and rather picking Michael Cassio. Othello was made a fool because Iago staged a lie that Othello’s pure Desdemona is cheating on Othello with his loyal friend‚ Cassio‚ that brought them two together. Othello is manipulated to murder his wife
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Othello Questions ACT I 1. While Shakespeare presents the world of Venice as a place of civilization‚ is slow turns into a place of un-civilization and disputes. For example‚ Roderigo and Iago wake up Brabantio and tell him that there are thieves in his house. In reply‚ Brabantio says "This is Venice. My house is not a grange." This shows how Venice is not usually a place with interrupting events. . Shakespeare also shows how Venice is slowing becoming corrupt. This is demonstrated when Desdemona
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individual’s personal views. This motif is evident in the play‚ Othello written by William Shakespeare‚ through the true to nature‚ honourable Othello and the self-seeking and malevolent Iago. Shakespeare’s works classically involve reoccurring themes‚ which can be left open to individual interpretation. The tragic themes of flawed human nature and race are evident in this text through the tragic hero and villain. The fatal flaw of Othello is jealousy and Iago’s flaw is his dishonesty‚ it is through
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through the character of Iago‚ who throughout the play‚ constantly degrades and controls Emilia‚ Iago also commonly insults females in general. Othello also shares his misogynistic views as he constantly hits Desdemona in public and later accuses her of sleeping with Cassio Act 5 scene 2 line 20 ’So sweet was ne’er so fatal’ This shows Desdemona’s sweetness has brought her to where she is now‚ leading to her own death because she has slept with another man‚ can also be seen as Othello describing
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for Shakespeare‚ especially in Othello‚ women are viewed as worthless‚ gullible sex symbols. Three authors in their article state Revisiting Shakespeare and Gender‚ “For Shakespeare‚ as well as for most of Renaissance society‚ women as the feminine represented the following virtues which‚ importantly‚ have their meaning in relationship to the male; obedience‚ silence‚ sexual chastity‚ piety‚ humility‚ constancy‚ and patience” (Gerlach‚ Almasy‚
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Title When a novel by Victor Hugo is titled Les Misérables‚ flags must go up in the reader’s mind that this is not going to be a happy and fluffy story‚ it is called The Misérables/Wretched/ Victims after all. This is not just a story about the human condition and its relation to misery‚ but also provides models on how to deal with said situation‚ both good and bad. Hugo expresses misery not simply by saying “Life is hard‚” but by showing misery through the experiences of men‚ women‚ and children
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values held during that time period. When compared‚ William Shakespeare’s play Othello written in the 16th century England and Tim Blake Nelsons film O produced in 20th century America‚ accentuates the reflection‚ when analysing the contexts‚ purpose‚ form‚ audience via characters and themes arises the context which are historical‚ social and cultural as well as the values held during the time periods. In Othello and O the distinct historical contexts of 16th century England and 20th century America
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The Foils of Othello One of William Shakespeare’s many attributes as a playwright of the late 16th century was his character development. Shakespeare’s seamless use of indirect characterization sets his works apart from the other playwrights and authors of his time. In Othello‚ the Shakespearian tragedy about the newlywed Othello and Desdemona‚ Shakespeare uses character foils to emphasize the strengths and weaknesses of the characters. By making inwardly similar characters seem like polar opposites
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Language in Othello Elizabethan and Jacobean dramatists used language to establish and build dramatic atmosphere‚ to define time‚ place and character. But in Othello‚ language is not simply the medium by which the drama is conveyed: in this play language is action. Othello ‘falls’ because he believes a man whose every utterance is deceptive. When the hero is taken in by false words‚ tragedy is the result. The play shows us the power of words; we watch as characters construct their own and others’
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of love‚ death‚ and betrayal. Shakespeare repeats these themes to set the mood through his works. It is important for Shakespeare to be consistent with his themes‚ or the plays would lose their meaning and mood. All of these themes are present in Othello‚ but the most dominant is the theme of jealousy‚ which presents itself multiple times throughout the play. We see the kind of jealousy which is envy of what others have‚ and as the kind of which is fear of losing what we have. According to The New
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