Humor – This ad is humorous because the man rowing the boat is about to fall to his death down a waterfall and doesn’t even realize it. The fact that he is so oblivious and the exaggeration of the power of the headphones is what makes this ad funny. Verbal Irony – This particular ad has no verbal irony because there is no dialogue or description to the advertisement except the name of the headphones. The name of the product
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time ago. That surely doesn’t coincide with the reader’s expectations and creates a humorous effect. The problems raised in the story are urgent nowadays – money can buy everything‚ art is eternal‚ but everybody values it from one’s own point of view‚ at the same time not everyone is allowed to understand its value and importance. The given extract is a third person narration linked with some pieces of a dialogue. The indirect method of characterization prevails in the extract. For example‚ the
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Zeffirelli’s version‚ the setting was a recreation of the 14th century‚ in the city of Verona‚ Italy along with ambience of classical music‚ traditional dancing‚ renaissance clothing and Shakespearean dialogue. Luhrman’s Hollywood remake called “Romeo+Juliet” had a combination of original Shakespearean dialogue with a modern twist. The ambience was in Verona beach in the 1990’s that included car chases‚ costume parties and gunfights. The twist of this version was to imagine the tragic storyline in a modern
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In Crave by Sarah Kane‚ the discussions of violence between a series of characters‚ named C‚ M‚ B‚ A‚ that express a unique form of poetic narrative that expresses the subconscious mind of reactionary violence in terms of victim status. The exchange between predator and victim status is an important aspect of the character‚ A‚ that illustrates the cycle of family abuse that define familial relationships. These family relationship define the reactionary forms of violence that exchange the aggressor/victim
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Pride and Prejudice can be viewed in a variety of ways: “ The discourse of the rest of Pride and Prejudice… falls into two broad categories‚ narrative and dialogue. Perceived together‚ as they are meant to be perceived‚ the narrative and the dialogue achieve the same
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service. Then‚ two bank robbers hold up the bank and end up shooting Anders in the head for his arrogant behavior. Woolf then goes on to explain his last memory as he is dying from his wounds. The bank robbers dialogue is important. The different ways that Wolff depicts the Robber’s dialogue greatly influences the tone of the story. Wolff’s way of using peculiar responses from the
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the book was confusing for I did not understand the language used in the book. The dialogue in Stephen Crane’s novel was very confusing therefor I did not understand what the characters were saying. While reading I could not comprehend what page 16 was saying‚ “they’ve licked us about every clip to now; but this time-this time-we’ll lick’em good!” I feel that Stephen Crane should have used a different dialogue so his readers could understand what he’s saying. As I was reading I noticed that the
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tragedy. He offers a trendy‚ contemporary re-telling of the classic love story with Leonardo DiCaprio’s Romeo and Clare Danes’ Juliet. Even though it is set in a modern day Verona‚ it still shows the beauty of the romance and keeps in Shakespeare’s dialogue. Juliet is a naïve‚ obedient girl at the beginning of the story‚ having not experienced true love‚ but by the time she’s met Romeo and her love has deepened‚ we see how dramatically her character has developed. Will Romeo and Juliet ever come
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Coen has his own genre when he makes movies. He tends to make movies that have a very intelligent lead actor‚ and they usually follow a man who is going through a hard time in their life. His movies are very intelligent but at the same time are humorous. His movies give one moments where they laugh‚ cry‚ and he also inspires you to do what you enjoy. Quentin Tarantino is the complete opposite of Ethan Coen. Quentin Tarantino’s films are filled with action from the beginning to end. He provides
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of narration (- a 3d person narration / the 1st-person narration (an I-story) / entrusted narration; - narration interlaced with descriptive passages and dialogues of the personages; - narration broken by digressions (philosophical‚ psychological‚ lyrical‚ etc.); - an account of events interwoven with a humorous (ironical‚ satirical) portrayal of society‚ or the personage‚ etc.); Compositional Forms: narration‚ description‚ argumentation. VI. Define the prevailing mood (tone
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