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    oblivious. In Othello‚ several soliloquys are made by Iago in which he speaks of his plans to ruin the ‘Moor’ and of his hatred towards him. The jealousy of Iago is revealed in his first soliloquy in which he explains that he is jealous of both Othello and his newly appointed lieutenant‚ Michael Cassio. He is envious and angry that he did not get this promotion and that Cassio‚ a man of less experience and skill‚ was chosen over him. The envy that Iago feels is identified when he says ”I hate the Moor…”

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    general in the Venetian army‚ and his marriage to Desdemona‚ the daughter of a politician in Venice. Influenced by the jealous Iago‚ a man who has multiple ulterior motives throughout the play‚ Othello becomes transfixed on the idea that his wife is having an affair with his recently chosen second in command‚ Cassio. In order to convince Othello of his wife’s deceitfulness‚ Iago tricks his own wife Emilia into stealing Desdemona’s handkerchief‚ hides it in Cassio’s room‚ and finally convinces Othello

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    1. Who does Othello ultimately care about more – Desdemona or himself? Some critics have argued that Othello’s love of Desdemona is ultimately self-centered. Would you agree? Does this mean that‚ without Iago‚ they would have lived happily ever after? Othello’s relationship with Desdemona does seem to be centered on Othello. “She loves me” seems to be what he thinks about Desdemona‚ while “I love him” seems to be what Desdemona thinks about Othello. Othello seduced a great beauty through his own

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    because of Iago’s manipulation. He starts as a cherishing spouse and a tranquil pioneer‚ and closures as a violent one. Iago ends up uncovering the soldier hidden inside of him.

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    In Othello‚ Shakespeare presents the dramatic treatment of jealousy through the presence of an outsider. His hamartia of exceeding trust and hubris is exploited by Iago and his duplicity. The dangers of unbridled jealousy is revealed in Act 3 Scene 3‚ where we see the emergence of Othello’s downfall and degeneration as a character. This section holds great significance‚ as it highlights the dramatic turning point of the play and sets up the latter tragic events‚ thus proving its worth of critical

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    Othello succumbs to jealousy when Iago convinces him that his wife is having an affair with her friend Cassio which leads to Othello murdering his wife for her betrayal and then commits suicide. In my opinion it is interesting that Iago uses jealousy against Othello because jealousy is the source of Iago’s hatred in the first place. The play takes on many forms of jealousy such as sexual suspicion‚ professional competition with

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    in the murder of Desdemona due to his flaws in his character. His personality flaws ultimately lead him to killing his wife‚ making it an important factor in the play. Two of his most vivid flaws include his jealousy and his reason versus passion. Iago may have set up the death of Desdemona‚ but Othello has the most important role of her death due his flaws acting upon him and making himself kill his wife. His inability to comprehend his reason verses passion is mainly represented in Act 3 scene

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    to align with the truth. Othello‚ during the play‚ falls victim to the lies of his antagonist; Iago‚ who‚ through persuasion‚ entices Othello; ultimately allowing his internal scepticism‚ with respects to Desdemona‚ to manifest. "Othello: I do not think but Desdemona’s honest. Iago: Long live she so‚ and long live you to think so!” (3. Iii. 227-228) The above quote‚ extracted from Othello shows how Iago uses specific laconic comments and statements in order to indirectly (through the use of equivocation)

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    Although the nature of Othello is considered somewhat debateable throughout the play he behaves in a nature that shows Shakespeare’s presentation of him being arrogant‚ self obsessed and lacking in self knowledge and emotional self knowledge. This is due to the stereotype of his race at the time and his flaws as a tragic hero. At first he appears to be noble and respectable as he speaks in prose and pears to be reasonable. Thereafter however is behaviour deteriorates as does the nature of his speech

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    by the mistake of the tragic hero due to their tragic flaw or hamartia‚ which is often linked to hubris or excessive pride. In Shakespeare’s Othello‚ as a General of the Venetian army‚ Othello meets these criteria‚ as his mistake is to trust ‘honest Iago’ and convince himself that revenge upon Desdemona will lead to honour and success. In fact‚ as with most tragic heroes‚ it is this decision which leads to his destruction. However‚ it is important to consider whether Othello’s ruin was the inevitable

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