How is Iago presented throughout Othello and what do we learn about his motives? From the onset of Othello‚ the audience is unknowingly subject to Iago’s manipulative customs. Despite being a stereotypical Shakespearian antagonist‚ Iago is a complex‚ two faced‚ yet three dimensional‚ character. Despite being an eponymous play‚ suggesting Othello’s importance‚ his absence in light of Iago’s presence allows the audience to be influenced and therefore misled by Iago’s representation of Othello Iago
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But most of the battles he won where just territory ones. He never really fought major enemies of France and won. He could never truly defeat Great Britain or Prussia‚ and that lead to his downfall. The battle of Waterloo was one of the biggest defeats Napoleon faced. The British and the Prussians joined together to finally take down Napoleon‚ and they did. Due to his predictable fighting techniques that were used in other battles and some
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Argument #3 Paragraph #3: Macbeth will now do anything to survive and avoid fate‚ as it has been easier for him to commit immoral deeds. He has murdered many to achieve his standing as king all the while losing sight of right and wrong. He has become twisted and evil which is identified throughout the play. He loses his sense of what’s true and what’s false heavily relying on the witches prophesies‚ as they state that no man bore of woman could kill Macbeth. At this point it seems as if overconfidence
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The play starts off in medieval Scotland; three witches appear revealing traditions that could be associated with witchcraft: they know in advance that the outcome of a civil war that is being fought in Scotland will involve Macbeth. Macbeth is first introduced into the play as a noble gentleman‚ ready to fight for his land and to do anything for his country. As the play goes on‚ his ambitions are made clear to the audience through his speech and soliloquys. The witches gather in a bleak place‚
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gouged out his own eyes and lost his position as king of Thebes. There is no way for him to avoid the Oracle. The Oracle only states what Fate had already decided; Oedipus was destined to commit these heinous acts. Oedipus is not completely responsible for what happened. Fate had determined that he would commit murder and incest. Being that it is engrained in his destiny‚ Oedipus does not know
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Macbeth’s Downfall Thomas Babington Macaulay states that “The measure of a man’s real character is what he would do if he knew he would never be found out.” In the tragic play‚ Macbeth is written by William Shakespeare. The main character Macbeth is a man who is an acceptable man‚ but lets many things get in the way of his good character. As we know a Shakespearean tragedy offers a tragic hero who almost always meets his downfall because of an error or a weakness in his character. Throughout the
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portrays the character of Iago as the catalyst of this tragedy. It is true that in Shakespeare’s Othello‚ Iago is portrayed as the catalyst and the foremost cause for the events that unfold. Shakespeare portrays this through Iago’s manipulation and power of words‚ and his continual playing on people’s weaknesses and strengths. This is represented through the impact that he has on other characters‚ in particular of Othello and Cassio. In Shakespeare’s Othello‚ the character of Iago is portrayed as one
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up this conversation off of what he mistakenly took for “two minds think alike”. This quote serves to show how wrong Winston had been in his interpretation. O’Brien was actually very supporting of “The Party” and would eventually be a part of the downfall that Winston faces. Another reason why I chose this quote is because of the words that Winston places in O’Brien’s message because he couldn’t be farther away from being on his side. O’Brien is the one who ultimately serves to torture Winston after
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of sympathy associated with their respective downfalls and tragedies. Othello‚ however‚ is an anomaly. While he is flawed by his paranoia and pride‚ Othello is only unstable and destructive after intricate deception. Indeed‚ he seems maddeningly perfect to his adversaries. Even Othello’s greatest enemy‚ Iago‚ confesses in act I‚ scene i‚ "Were I the Moor‚ I would not be Iago‚" or rather‚ he would not want to be Iago if he could be a man like Othello. The Moor commander is constantly respected by
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In the play of Othello written by Shakespeare‚ the destructiveness of Iago’s evil deeds are compared and examined against Othello’s race for his downfall. Othello’s race is an important factor which leads to his downfall. Without race‚ Iago’s plans would not be as destructive. The collaboration of these two components therefore resulted in such a tragedy. Othello’s awareness to his race increases as the play moves on from Act 1 to Act 3. In Act 1‚ it is obvious that Othello’s race stands
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