Question 2: When it comes to Iago‚ there is a great difference between how the characters perceive him‚ how we perceive him and how he perceives himself. Using evidence‚ discuss the three differing viewpoints and explore Iago’s duplicitous nature. Is he a flat or dynamic character? Humans are born with a natural capacity for good and evil. As an individual develops‚ he or she is taught to distinguish between the two in order to strengthen a sense of right and wrong. Through Shakespeare’s play
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believe everything Iago tells him is true? Why doesn’t Othello seek his own proof of Desdemona’s betrayal? I’ll tell you why. Throughout the entire play‚ Iago does everything possible to gain the trust and respect of Othello. Iago begins to tell Othello everything that has happened between Cassio and Desdemona. Again Othello seems a bit skeptic about believing Iago but of course‚ everything Iago says is happening‚ happens and becomes somewhat true. Othello is believing everything Iago tells him and I
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In the tragedy of Othello‚ Iago draws out the true nature of Othello‚ inch by inch. He tangles the Moor into a web of lies‚ hatred and deceit- which leads to devastating consequences. Reputation is the most outstanding theme in this play as it visibly classifies characters and it defines relationships between each of them. At the conclusion of Act 2‚ Shakespeare uses various methods to present Iago to the audience‚ and reveal his ideas and thoughts‚ the most effective being a soliloquy. "Motiveless
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Kiana Bales Mrs. MacKenzie English 3U Monday‚ April 15‚ 2013 Abigail Williams and Iago: Master Villains Villains play a very important role in every literary work. Whether they exist as people‚ circumstances‚ or even nature‚ their purpose is to provide a problem to be solved by the “good guys”. Without villains‚ no piece of literature would be worth reading. Abigail Williams in Arthur Miller’s The Crucible and Iago in Shakespeare’s Othello are master villains. Both antagonists are fuelled by thoughts
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The character of Iago is crucial for the play‚ and its essence has often been presented as the evil taking a human form.’ What is important to any attempt to understand this play is the mechanism that makes the action moving forward. If this is the force of evil’‚ represented in the character of Iago‚ this gives him the most relevant role‚ the power to forward the entire course of the play in certain direction. A number of fortunate circumstances helps his plot‚ and even in the most dangerous
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entire personality can be reconstructed by another’s cues‚ encourages companionship and intimacy‚ as developed between Othello and Iago‚ shown through Othello recognising Iago as someone of “exceeding honesty”. His ultimate naïve trust in Iago leads Iago’s manipulation to facilitate the feature of the Socratic method that a personality can be altered from another’s cues as Iago distributes imperatives such as “Note” and “You shall”‚ this over-analysis will lead Othello to undoubtedly become more jealous
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it can be ok‚ but the way Iago uses language to deceive people is not ethical. Example: Act 1 Scene 1 Lines 94-95 The way Iago described Othello and Desdemona’s marriage to Brabantio made it sound as if Desdemona did not want to marry Othello‚ and it made Brabantio hate Othello even more. 1a. Iago’s anger is based off of Cassio being promoted higher than him. He promises to betray Othello the first chance he gets (because of his anger) Act 1 Scene 1 Line 67 Iago was also able to manipulate
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In Act 3 Scene 3‚ how does Iago persuade Othello of Desdemona’s supposed infidelity? Act 3 Scene 3 is‚ arguably‚ the most important scene in the entire play‚ for it is the point of no return. It is as if for the entire beginning of the play you were pushing a huge boulder up a steep mountain‚ and in this scene you reach the top‚ and push it down the other side‚ helpless to stop it. This is how I see the action in Othello. Iago spends the whole time plotting‚ and conspiring with the audience
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1 0 Early Experiences Can Alter Gene Expression and Affect Long-Term Development working paper 10 members contributing members Jack P. Shonkoff‚ M.D.‚ Chair Julius B. Richmond FAMRI Professor of Child Health and Development‚ Harvard School of Public Health and Harvard Graduate School of Education; Professor of Pediatrics‚ Harvard Medical School and Children’s Hospital Boston; Director‚ Center on the Developing Child‚ Harvard University Susan Nall Bales President‚ FrameWorks
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Assess the effectiveness of the presentation of Iago in the first two acts of the play. Iago is presented as the villain in the tragedy‚ much like Richard in Richard III as Shakespeare carries out his explorations of manipulation‚ dramatic function and the conventional view of order‚ through the use of language and structure in Othello. Shakespeare uses Iago’s manipulation of other characters to explore the theme of villainy and duplicity. The main victim of his direct manipulation is Roderigo
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