Stages of Ego Development Nancy Williams PSY/230 9/28/2012 Diane Pascoe Jane Loevinger’s eight stages of ego development explain how we develop from an egocentric level to living completely conscious and aware. (McAdams‚ (2009)
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operating capacities: logical and emotional. Our logical brains are able to deduce outcomes‚ while our emotional side is selfish and convolutes information‚ from a self-centered standpoint‚ referencing both Congregatio and Regretio Ego factors (and yes‚ there are two Egos‚ because Freud was only partially correct – the man understood others‚ but true psychology manifests when one deeply understands themselves‚ without excuses). The chemical reactions of our brains feed the potential for an emotional
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novel Tragedy of Othello‚ Iago the antagonist‚ is a worker of Othello who gets consumed of jealousy when he doesn’t get promoted for the job he feels that he deserved and completely equipped for. Iago go forth with a plan full of revenge to get back at Othello. He is abusive to where he uses people to fall accordingly to his plan. Although being of villainous stature Iago also is very crafty being very strategic with every move he makes. Jealousy oh what a crazy drug. For Iago jealousy fueled him for
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Iago is a cruel and evil man who uses ways to ruin Othello and Desdemona’s relationship. Othello appointed Cassio‚ to be his lieutenant. Iago was mad when he heard about it‚ he believes that he should be the one for the position since he knows more. This started off with his jealousy of Cassio. When Othello and Desdemona got married without letting anyone knowing‚ Iago begins to plot his plan. He used Roderigo to help him throughout the process of his plan to bring down Cassio. He then told Othello
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Also written by Shakespeare‚ it is apparent in Othello. Two characters like Iago and Othello fight a silent battle except Othello has no clue about Iago’s powerful despise and envy to him. It is clearly evident that Othello symbolizes a hero while Iago adores the role as a villain. Their inconsistent characteristics are what separate the two from each other. Throughout the beginning Acts I and II of Othello‚ Othello and Iago differ greatly in their integrity and devotion towards others. Othello
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is desired. It is at this point that ego makes its entrance. The ego is the second system of personality‚ and can make that distinction. Contrary to the id‚ the ego operates on what Freud named the ’reality principle’‚ or "the representative of the outer world to the id". Through the reality principle‚ ego attempts to satisfy the id’s urges as effectively as possible. For instance‚ the id may immediately desire rest for a person who is sleep deprived‚ but the ego counterbalances by delaying sleep until
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The structure of the personality in psychoanalytic theory is threefold. Freud divided it into the id‚ the ego and the superego. Only the ego is visible‚ or on the surface one may say‚ while the id and the superego remain ’hidden’‚ below the surface of what we show of our personalities to others‚ but each has its own effects on the personality nonetheless. This essay seeks to explore these three layers of personality and how they work with one another. "In Freud’s structural hypothesis‚ the id is
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to direct on others becomes internalized and strengthen our Super-Ego‚ making it stronger with each generation and restricting our desires to throw out aggression. Eventually Civilization becomes‚ in the form of Super-Ego‚ the most serious tyrant that controls all our desires and thoughts and makes us less egoistic imposing the sense of guilt on us. Every individual becomes the part of whole community that should keeps his own ego in itself. So‚ the main point of this piece of the text is that the
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play "Othello‚" by William Shakespeare‚ is "Honest" Iago. Through some carefully thought-out words and actions‚ Iago is able to manipulate others to do things in a way that benefits him and moves him closer toward his goals. He is the main driving force in this play‚ pushing Othello and everyone else towards their tragic end. Iago is not your ordinary villain. The role he plays is rather unique and complex‚ far from what one might expect. Iago is smart. He is an expert judge of people and their
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during the early 17th century in Venice rule. The play is set in Cyprus and Venice. In the play Othello‚ Iago attempts to destroy the marriage of Othello and Desdemona. Iago is a compelling sophisticated villain‚ who revels in his own ability to dissemble. At first glance Iago is pure evil. He is perhaps the most interesting and deceiving character in the tragic play Othello. During the play Iago uses carefully thought out words and actions which enable him to manipulate others and do things in a way
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