John Donne’s love poem ‘To His Mistress Going to Bed’ follows the speakers seduction of a woman as he gets her into bed. The speakers desire is evident throughout the poem‚ with iambic pentameter‚ rhyming couplets and metaphor all working together to create this heightened sense of desire. The iambic pentameter gives the poem a steady rhythm‚ this rhythm allows the poem to flow easily and quickly from one line to the next‚ mirroring the speakers anticipation for sex. The rhyming couplets also
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STYLISTICS In Stylistics Richard Bradford provides a definitive introductory guide to modern critical ideas on literary style and stylistics. The book includes examples of poems‚ plays and novels from Shakespeare to the present day. This comprehensive and accessible guidebook for undergraduates explains the terminology of literary form‚ considers the role of stylistics in twentieth-century criticism‚ and shows‚ with worked examples‚ how literary style has evolved since the sixteenth century. This
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Robert Browning starts the poem Porphyria’s lover by describing a storm using personification‚ he uses words such as ‘sullen’ and ‘spite’ which suggests the weather is bad on purpose‚ the misery of the weather could be reflecting the mood of the speaker‚ we can begin to suss that something bad is going to happen as this is often the stereotypical weather for suspicious behaviour and murder stories. Browning hints that the unnamed speaker may not be mentally stable‚ ‘I listened with heart fit to break’
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“This is poem that has been composed by Kevin Halligan. The poem ‘The Cockroach’ is a sonnet written by Kevin Halligan. It is written in the iambic pentameter as there are ten syllables in each line and as it mostly follows the pattern of the syllables being unstressed and then stressed. For example the line “I (unstressed) watched (stressed) a (unstressed) giant (stressed-unstressed) cockroach (stressed-unstressed) start (stressed) to (unstressed) pace (stressed). The poem includes a few literary
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Shakespeare’s sonnets The author and the period: William Shakespeare (26 April 1564 (baptised) – 23 April 1616) was an English poet and playwright. His extant works consist of about 38 plays‚ 154 sonnets‚ two long narrative poems‚ two epitaphs on a man named John Combe‚ one epitaph on Elias James‚ and several other poems. His plays have been translated into most of the language and are still performed in the theatre nowadays. Shakespeare
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3) in a sense rolling his/her eyes towards love’s drama. The speaker then continues making statements about the ease with which they are able to write this current sonnet as opposed to the Elizabethan style‚ which does “insist the iambic bongos must be played and rhymes positioned and the ends of lines” (lines 6-7). The speaker clearly does not follow the traditional tonal style of a sonnet‚ but instead uses a sarcastic tone to make fun of them by mocking the style in which they are written. Lastly
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ESSAI Volume 7 Article 22 4-1-2010 An Explication of a Poem: W. H. Auden ’s "Stop all the clocks‚ cut off the telephone" Scott Hixson College of DuPage Follow this and additional works at: http://dc.cod.edu/essai This Selection is brought to you for free and open access by the College Publications at DigitalCommons@C.O.D.. It has been accepted for inclusion in ESSAI by an authorized administrator of DigitalCommons@C.O.D.. For more information‚ please contact koteles@cod.edu. Recommended
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Home of Mercy Home of Mercy is a sonnet written by Gwen Harwood during modern era Australia. It depicts the lifestyle of a select few group of “ruined girls”‚ who have been impregnated and exiled to live with the nuns throughout the course of their pregnancy‚ in hope of exoneration. It deals with the confronting issue of the loss youthful innocence; is a wrong decision made in your teenage years really enough to have the rest of your social life destroyed? Gwen Harwood’s poem raises the problem
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metrical changes made in lines 2 ("within") ‚ 3 ("once") ‚ 4 ("once") and 5 ("have") in Tottel’s revision show the reader that Wyatt’s version plays with a very irregular metre and that Tottel’s had to smooth out these lines in order to establish an iambic
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Sonnet 116 Let me not to the marriage of true minds Admit impediments. Love is not love Which alters when it alteration finds‚ Or bends with the remover to remove: O no! it is an ever-fixed mark That looks on tempests and is never shaken; It is the star to every wandering bark‚ Whose worth’s unknown‚ although his height be taken. Love’s not Time’s fool‚ though rosy lips and cheeks Within his bending sickle’s compass come: Love alters not with his brief hours and weeks‚ But bears it out
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