Consider the themes of passion and desire in Atonement by Ian McEwan‚ Othello by William Shakespeare and Perfume by Patrick Süskind. Fascinated by different passions and how people are driven by different passions‚ I am able to study this through different literature texts. The three characters I am going to study are ‘Briony’ in the novel Atonement by Ian McEwan‚ first published in 2001‚ but set in 1934-1999‚ ‘Iago” in the play Othello by William Shakespeare‚ first viewed by an audience in 1604
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Compare & Contrast In 1848‚ Cady Stanton gave her ‘Declaration of Sentiments‚’ pleading for the right to vote and fair treatment to be given to women‚ which was promised already in 1776. While the country was still young‚ John Adam’s wife‚ Abigail wrote him a letter requesting the rights of women be included in the document he was having written. This was the Declaration of Independence. Both of these selections have a common goal: they are being written with the purpose to gain women more rights
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Explore the presentation of Orientalist discourses in the short film Surviving Sabu. I will be exploring the short film Surviving Sabu which was written and directed by Ian Iqbal Rashid in 1998‚ with reference to the 1942 film The Jungle Book. My analysis will question the presentation of Indian and Muslim identities in both films. Surviving Sabu presents the relationship between two characters: a father and his son. The family have immigrated to England at some point in recent decades‚ although
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McMillan uses harsh words throughout the poem to show his grief and remorse at his mothers death. Words like “shatters” link with how he is feeling‚ like everything is broken and cannot be repaired. This word makes us imagine something broken into lots of tiny pieces which can’t be put back together again‚ and it helps us to understand how broken and jumbled up he is feeling. The word “slap” when talking about “the tears (that) slap my torn face” insinuates the idea that he is in physical pain‚ that
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How do Tennessee Williams and Ian McEwan present masculinity and Femininity as major themes in ‘A Streetcar Named Desire’ and ‘Enduring Love’? Masculinity and femininity are defined as a set of qualities‚ characteristics or roles generally considered typical of‚ or appropriate to‚ a man or woman respectively [1]. Both the novel ‘Enduring Love’ (1997) and the Play ‘A Streetcar Named Desire’ (1947) presents masculinity and femininity but in different ways and era’s. McEwan presents these two major
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This assignment analyses the novels “The Alchemist” by Paulo Coelho and “The Old Man and The Sea” by Ernest Hemmingway on the aspects defined in the book “Spiritual Capital: Wealth We Can Live By” by Danah Zohar and Ian Marshall. First we analyze “The Alchemist”. A major feature of the book by Zohar is the analysis if the motivations which stimulate a man’s actions and reactions. In the book Zohar advocates that there are majorly 16 types of motivations‚ eight negative and eight positive‚ each with
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due to new experiences encountered in our life‚ knowledge or our level of maturity. This is shown in prose fiction text "Sky High" by Hannah Roberts‚ the film "Looking for Alibrandi" directed by Kate Woods and the poem "My Father Began As A God" by Ian Mudie. In the prose fiction text "Sky High" by Hannah Roberts. This text reflects on a youth persona who turns a simple washing line that is located in a normal back yard into an irrepressible adventure‚ which is compared to the dull and boring life
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"Japanese Hip-Hop and the Globalization of Popular Culture‚" Ian Condry mentions how strange it can be to fly from New York to Tokyo and find teens decked out in the same hip-hop style as those he just saw in the United States. But he points out that‚ while everything seems the same‚ it’s not. The borrowed hip-hop culture is imbued with local cultural dynamics. The local b-boys and b-girls have added their regional flavor to the mix [source: Condry]. In Italy‚ where hip-hop culture and rap music have had
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References: • Boyd-Barrett‚ Oliver & Peter Braham (eds.) (1987): Media‚ Knowledge & Power. London: Croom Helm • Condry‚ John (1989): The Psychology of Television. Hillsdale‚ NJ: Lawrence Erlbaum • Dominick‚ Joseph R. (1990): The Dynamics of Mass Communication. New York: McGraw-Hill • Evra‚ Judith van (1990): Television and Child Development. Hillsdale‚ NJ: Lawrence
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Development‚ 51‚ 925-927. doi:10.2307/1129489 Berndt‚ T. J.‚ & Heller‚ K. A. (1986). Gender stereotypes and social inferences: A developmental study. Journal of Personality and Social Psychology‚ 50‚ 889-898. doi:10.1037/0022-3514.50.5.889 Condry‚ J.‚ & Condry‚ S. (1976). Sex differences: A study of the eye of the beholder. Child Development‚ 47‚ 812-819. Culp‚ R. E.‚ Cook‚ A. S.‚ & Housley‚ P. C. (1983). A comparison of observed and reported adultinfant interactions: Effects of perceived sex. Sex
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