‘How to Write a Documentary Script’ HOW TO WRITE A DOCUMENTARY SCRIPT A MONOGRAPH BY Page 1 of 52 ‘How to Write a Documentary Script’ TABLE OF CONTENTS - INTRODUCTION - WRITING FOR FILM AND WHY DOCUMENTARIES ARE DIFFERENT - SHORT INTRODUCTION TO DOCUMENTARY STYLES - RESEARCH‚ RESEARCH‚ RESEARCH: YOU CAN’T SAY IT ENOUGH! - ESSENTIAL SCRIPT ELEMENTS - PUTTING A SCRIPT TOGETHER - WRITING A GREAT SCRIPT - SCRIPT FORMAT - REFERENCES PAGE 3-4 PAGE 5-7 PAGE 8-9 PAGE 10-15 PAGE 16-37
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verse of book 24 of Homer’s Iliad’. The poem also brings together the past with its myths; and the tangible present in a hugely stimulating way‚ and with the two contexts of ancient‚ and modernity illuminating each other. The authoritative/canonical poetry of Homer is thus integrated with contemporary events; the authority of Homer’s Iliad provides a parallel to Northern Ireland’s memorable recent violent history. There are also some elements familiar with Homer’s Iliad that can be noted in Ceasefire
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classical Christian theological theory‚ people ’s need for believing in supernatural beings is caused by their fear of nature. This concept strikingly resembles the Marxist explanation - it also names fear as the main factor. If one reads Homer ’s "Iliad" and "Odyssey‚" and Virgil ’s "Aeneid"‚ he gets to realize that the ancient concept of people ’s interaction with Gods is totally deprived of fear in any form. In all three masterpieces‚ Gods are basically described as humans‚ with all their strengths
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adaptation of the epic Iliad. It is a good movie for its entertainment value but not for its likeness to the narrative by Homer. It s a movie made to entertain the audience‚ not to tell the story of the events that happened in Iliad. There are many inconsistencies between Iliad and the movie Troy. One of them that stands out is the absence of gods in the film. As we all know‚ the setting of Iliad is inhabited by gods that interfere directly with humans and there are many instances in Iliad where the gods
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The Iliad‚ Its Characters and the Code of Honor Within the ancient text of The Iliad‚ heroes define and mold their character through decisions based on a set of principles‚ which are referred to as the “Code of Honor.” The heroic code which Homer presents to the reader is an underlying cause for many of the events which occur‚ but many of the characters differ on their perceptions and the gravity of the code. Achilles actions often find him going “against the grain” of the code of honor. His actions
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Achilles‚ son of Peleus‚ King of Myrmidons‚ and Thetis‚ sea nymph‚ comes to Troy as part of a Greek force led by King Agamemnon. Unlike most protagonists‚ Achilles does not develop significantly over the course of the epic. “Swift” Achilles‚ having been a famed and valiant soldier‚ was sought after and loved by all‚ except his adversary Agamemnon. He was a prominent warrior known for his great strength that actually caused the Achaeans to win many battles. How was Achilles such a bloodlust hero
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Marriage & Family A sexual script consists of expectations of how to behave sexually as a female or male and as a heterosexual‚ lesbian‚ or gay male. (Cohen‚ DeVault‚ & Strong 2008 p. 191) We use sexual scripts to direct us on how to organize‚ interpret and react to different sexual situations and emotions significantly. Our original sexual scripts starts as traditional‚ they are formed by what we learn from our parents‚ other adolescents or through watching television. Our sexual identities
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see and loving something I cannot touch or feel. Even though all of these are different perspectives concerning faith they all have a common mechanism. Faith is having assurance in someone or something one cannot see. Secondly‚ in the poem‚ The Iliad‚ characters show signs of faith. On page eleven‚ Achilles’ “prayed to his own dear mother.” Many people view the act of praying as being hopeful or confident in what is not visible by the naked eye. Achilles’ was talking to someone who was not there
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A sexual script is defined in our text as a set of expectations of how one is to behave sexually as a female or male and as a lesbian‚ or gay male. A script is a guideline on how we carryout our roles and in this report specifically our sexual roles. The foundations of our sexual scripts are formed in adolescence and are modified as we gain experience throughout our lives. Those that provide information on sexual scripts include parents‚ peers‚ and the media. When our sexual scripts are called
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Manfred Korfmann have been especially productive in establishing the size of the lower city‚ (which was built of mud brick and has therefore not survived)‚ and supporting the case of Troy level VI as the citadel involved in the Trojan War. In The Iliad Homer gives us many details about the city of Troy that he would not have been able to know first-hand. He describes a windy city with‚ "wide‚ well-paved streets." Hisarlik is a very windy site and Troy VI does indeed have wide open streets. He describes
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