In the movie‚ A Street Car Named Desire‚ Blanche uses the quote‚ “I don’t want realism. I want magic! Yes‚ Yes‚ magic! I try to give that to people." to explain her desire for her fantasy life to become reality. Blanches fantasy life would restore her youth‚ forgive her past and she would be more welcomed by people like Stanley and Mitch. I do agree with her statement‚ and believe that living in a “fantasy world” for a short period of time can be beneficial‚ but I do not agree with the circumstances
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In Tennessee Williams’ play‚ A Streetcar Named Desire‚ he shows illumination for the play through the fight scenes between Stella and Stanley then later on between Stanley and Blanche. Overall it illuminates Blanches unnatural longing for a magical life and shows how she desires a make believe world and society in which she will always have a happy ending and a perfect life. Also the fights show how Stella’s loyalty to her husband‚ Stanley‚ is stronger than her loyalty to her sister‚ Blanche. The
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In Arthur Miller’s The Crucible and Tennessee Williams’ A Streetcar Named Desire‚ both American playwrights utilize stage directions as well as their character’s interactions within the narrative to provide a setting. The social environment‚ transitions between act or scene location and atmosphere from the settings staging directions reveal the different lifestyles in New England and the post-WWII New and Old South of America. Both plays involve characters originating outside of the main setting
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Postmodern American authors share many themes highlighting communal pressures on ill adjusted characters. This is a direct result of the collective American desire to diverge from conformity‚ a common view shared by many progressive people in the 40s and 50s‚ including Tennessee Williams and Arthur Miller. Picture white picket fences lining newly mowed green lawns‚ each house nearly identical‚ sheltering a providing husband and dainty housewife committed to one man. To break from this archetype would
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Who would have thought that someone who wrote a play as irksome and uneventful as The Glass Menagerie‚ could also write something as interesting as A Streetcar Named Desire. However‚ both are written extremely well by Tennessee Williams. Despite the differences‚ there are many similarities in themes and patterns. Once each play is picked apart and analyzed‚ it is very obvious that they are both written by the same author. A major theme in both plays in the dependence on men. Throughout The Glass
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A Streetcar Named Desire In what way can A Streetcar Named Desire be seen as an exploration of"old" America versus the "new" America? In the play‚ Blanche represents old America and Stanley represents new America. Why Blanche represents old America is because of her way of thinking‚ lifestyle and values. When Blanche walks into the room where the guys are playing poker‚ there is a great example of how Blanche represents old and Stanley new. When she walks in‚ the guys are sitting around the table
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know‚ My friends forsake me like a memory lost…” Compare the ways in which isolation or alienation from society are presented in any two of the texts you have studied. We witness cases of alienation in the texts The Scarlet Letter and A Streetcar Named Desire‚ which are presented mainly in the female protagonists Hester Prynne and Blanche DuBois. However‚ although both characters experience isolation from their respective societies‚ it is my contention that the causes for their isolation are different
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by their mutual loneliness and desire to be with someone to deflect their previously suffered emotional damage; “The girl’s dead now”. Though they both have similar experiences in life they deal with it with different attitudes. Blanche has to adapt herself to suit the environment in which she finds herself. Blanche’s actions towards Stanley are dictated by her fundamental nature. The woman must create an illusion: "After all‚ a woman’s charm is fifty percent illusion." Yet if Blanche cannot function
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Jake Kahr Period 3 In Tennessee Williams‚ “A Street Car Named Desire”‚ Blanche Dubious is a complex‚ fascinating character who symbolizes many things throughout the book. Appropriately dressed in white‚ Blanche is first introduced as a symbol of innocence and chastity. Aristocratic‚ refined‚ and sensitive‚ this delicate beauty has a moth-like appearance. She has come to New Orleans to seek refuge at the home of her sister Stella and her coarse Polish husband‚ Stanley. With her nervous and refined
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as pretty as a stairway to heaven without a soul! STELLA: [Offended] What does that even mean!?! BLANCHE: [Tearing up] You know damn well! You refer to Stanley as this great stallion‚ a steed that you can ride into your greatest fantasy. But in reality‚ he is just a Jackass! A Jackass you can ride till your an old‚ wizened crone and kill yourself when you wander into your grave and a tombstone falls on your head. Whereas I had a harem to ride into the sunset‚ and all I get is ridiculed! [A pause
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