can therefore use many combinations of the above three settings to achieve the same exposure. The key‚ however‚ is knowing which trade-offs to make‚ since each setting also influences other image properties. For example‚ aperture affects depth of field‚ shutter speed affects motion blur and ISO speed affects image noise. The next few sections will describe how each setting is specified‚ what it looks like‚ and how a given camera exposure mode affects their
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Music photographer Todd Owyoung has always loved music his whole life. His two favorite things in the world are by far music and photography. All of his life he has been fascinated by the two. When he was young he constantly found himself taking pictures of anything that caught his eye. He also loved to listen to music and go to live concerts. After finally bringing his camera to a concert several years ago‚ Todd found himself at the intersection of two of his life long dreams; photography and
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someone from encountering a roadside explosion‚ being shot at‚ or even bombed. Being a non-combat does not guarantee the photographer won’t be a target or that accidents won’t be prevented from happening. However‚ this danger also makes war photography images “more powerful and tend to instill respect as well as emotion in the viewer. War photography is about displaying truth‚ chronicling life‚ and capturing emotion in times and places of unrest” (Duggan).
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In a world where our perception and understanding of the place in which we live is influenced by our surroundings and the way we view them‚ it is important that we look at all aspects of the matter from all viewpoints‚ both through the lens and with open eyes. In this case‚ I agree with Sontag in the fact that we can’t learn about the world just from what the camera has captured‚ but disagree with her idea that photography is negative in the way that it allows for us to fill our minds and makes us
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Walking into the exhibition Ravenous Eye by Andrea Carlson at the TCNJ one is greeted by a stark but aesthetically pleasing wall of seemingly abstract illustrations. Upon closer inspection‚ these illustrations morph into highly detailed images of bones‚ deserts‚ monsters‚ and animals mixed extruding quotes such as “O CURSED LUST OF GOLD” and “The European Space Agency has unveiled its most advanced satellite ever. The one point three billion pound”. Fused together‚ these objects allude to a cultural
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‘the worlds most influential living painter’. Walking through the exhibition it is hard to believe one man painted all the images‚ many of which occupy opposite ends of the spectrum‚ yet each image is equally as effective. All though he’s devoted to paint‚ Richter uses a camera a great deal‚ painting from photographs more often than not‚ creating precise photorealistic images‚ however the next minute you will see a large canvas in the style of an abstract-expressionist‚ smudging and smearing paint
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Question #5 Discuss the term iconoclasm and give me several examples of where this has occurred in art. Answer: The term iconoclasm is defined as the act of destroying religious images or opposing their veneration. During the seventh and eighth century‚ it was said that Christians destroyed devotional images to idolatry. This type of destruction appeared in many different forms of art such as the Medieval Europeans destroying many ancient monuments‚ Aztec‚ Mayan‚ and Incan art burned‚ and German
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In other words the viewer only sees what’s within the frame. Images allowed us to see situations that occurred; however‚ it is extremely limited in what the audience can see. I qualify Sontag’s claim that photography limits our understanding of the world because nothing is picture perfect. A picture is just a snapshot or quick image of something distorted. Photography has accomplished the task of manipulation to the point where images do not exhibit the honesty. In general photography is used
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using light and shadow to create a formal effect. Dupain’s photography centred around formal beauty‚ subject matter and presence. Max Dupain carefully composed his images to emphasis this formality. Dupain refined his photography with discipline composition and sharp adherence to modern guidelines. He used little extreme contrast in his images‚ instead producing prints that exerted a soft warmth and positivity. His production was formal and straightforward. Every print was beautifully controlled and refined
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Gregory Crewdson’s use of single images for the purposes of storytelling is as creative as it is commensurate with flash fiction. Both are self-contained‚ complete methods of conveying a rich story in a strictly condensed format. While flash fiction has a beginning‚ middle and end‚ it is considered a glimpse into a larger narrative. Crewdson’s use of photography accomplishes the very same goal of providing that glimpse while staying true to providing a complete story. While it may seem difficult
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