Pharsalia to Egypt. Ptolemy‚ now sovereign after deposing his older sister‚ Cleopatra‚ attempts to curry favor with Caesar by presenting the conquerer with the head of Pompey‚ borne by his satraps‚ Pothinos and Achillas. To win Caesar’s support from her brother‚ Cleopatra hides herself in a rug‚ which Apollodorus‚ her minion‚ presents to Caesar. The Roman is immediately infatuated; banishing Ptolemy‚ he declares Cleopatra Egypt’s sole sovereign and takes her as his concubine. A son‚ Caesarion‚ is
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TO WHAT EXTENT DO THE CHARACTERS ANTONY AND CAESAR EMBODY THE CONFLICTING WORLDS OF EGYPT AND ROME The Shakespearian play Antony and Cleopatra’ is a tragic love story between the two characters Antony a Triumvate Ruler of Rome and Cleopatra the Queen of Egypt. The play of Antony and Cleopatra is not just a tragic love story it also incorporates a storyline of international politics‚ therefore making it a public and also a private drama in which Antony and Octavius Caesar contend for control
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Through Late 20th and 21st centuries Cleopatra has been portrayed in many images. Some representations have remained the same the scenery is of elaborate Egyptian symbols and monuments in the background she is also portrayed as the white Anglo-Saxon black haired light-skinned mature female with the gold lavish jewelry glamorous and colorful outfits the makeup worn is typical of the late 20th century she has been portrayed as a powerful intellectual manipulative states woman with the two loves of
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and power. Those few women‚ who did succeed in gaining positions of power‚ marked their place in history. Most notable among them were Hatshepsut (1508 – 1458 BC)‚ Cleopatra (69 – 30 BC) and Agrippina (15 – 59 AD). Hatshepsut was one of the most successful pharaohs‚ reigning longer than any other woman of an Egyptian dynasty. Cleopatra was a member of the Ptolemaic dynasty and was the last pharaoh of Ancient Egypt. Agrippina was a Roman Empress who was once the most powerful woman in Roman Empire
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For thousands of years Cleopatra has been portrayed as a beautiful seductress with goddess-like looks but many historians have their own interpretations of Cleopatra based on tainted information. Cleopatra is not what todays society makes her out to be‚ she has been transformed from a power hungry‚ foreign queen using all means possible to extend her power‚ including exploiting her sexuality. “It is so hard to find out the truth…the process of time obscures the truth of former times.” - Plutarch
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weren’t feeling uneasy already‚ this caption should do it. It brings up questions and makes you want to know the answer. This visual is effective in instilling a feeling of mystery‚ it does this through not showing the face of the figure‚ scrambling scenes from the movie‚ and giving a vague setting. There is a very sharp contrast between the shadowy figure and the firey face in the background. Like stated before this brings up questions and uses an emotional appeal. Is that the man’s face? Is that
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In the Halloween season‚ children have always dressed as trending characters for the specific time‚ however‚ the creature from Frankenstein has always been a classic horror figure for kids to dress as. Frankenstein has been an influential film among the horror genre‚ inspiring similar plot lines for films‚ a continuation of the series‚ and remakes of the film‚ as well as an overall classic everyone knows of. Though it had minor imperfections‚ the story was greatly portrayed and produced for its
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close-up shots‚ colors and spacing. The first scene of the movie opens with a close up view through a window‚ showing Mac and another man fighting in the hotel room. Punches and things breaking stay throughout the scene‚ and a sense of panic was felt by the viewers. However‚ despite the violence‚ the view point of the camera starts to focus on the shadows of the two men. With an unknowing sense of who would win the camera starts to have an open frame. The scene ends with a tracking camera following the
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It is important to note that this extract from Plutarch’s ‘Life of Antony’ was written about one hundred years after the battle of Actium and the death of Antony and Cleopatra. ‘The work of ancient historians can seem to be a bit like a play or novel where what happens is often predetermined by the way the author has presented the make-up of his or her characters’ (Fear‚ 2008.P9) The extract begins by informing the reader that Antony’s armies have deserted him and joined Octavian – ‘the desertion
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objective information about Cleopatra has allowed poetic licence for each generation to interpret her story as it sees fit‚ reflecting the changes in society’s view of women‚ together with the preoccupations of each period. Cleopatra (1934) starred Claudette Colbert in a reprise of her previous romantic-comedy roles: lightweight‚ flirtatious and funny but this time in a revealing historical costume. The emphasis is on her romantic liaisons with Caesar and Antony rather than any political manoeuvering
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