"Impressionism" Essays and Research Papers

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    Painting Is Dead Analysis

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    ‘Painting is dead’. Mr David Walcott introduced his approach to contemporary art and painting. ‘Use paint only to make texture; and to make the painting into its own independent object.’ Painter is left a little confused. ‘So this isn’t a painting course?’ He politely asks. ‘Well‚ yes it is technically. In this course you will learn to create and develop your own personal approach that does not rely on any outdated techniques. We will de-construct painting in such a way that you will not need to

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    critical design essay

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    Critical graphic design essay “comparison” “Cipe Pineles” Cipe pineles was born- June 23rd 1903 in Austria‚ she was a graphic designer /art director and made a career in New York with magazines such as seventeen‚ charm and mademoiselle. She became the first member of the female art directors club‚ then later introduced to the art directors hall of fame‚ Pineles became art director at Charm‚ a magazine targeting a new demographic: working women. She designed fashion spreads showing the clothes in

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    Emily Carr was a Canadian artist who was heavily inspired by the Indigenous peoples of the Pacific Northwest Coast. She adopted a modernist and post-impressionist painting style. Carr’s style accompanied by her Indigenous inspiration gave her paintings an idiosyncratic touch. Her unique paintings were sometimes beneficial and sometimes unfortunate to her. Emily Carr had an interesting life‚ created stunning pieces of art‚ and became a true Canadian icon. Emily Carr lived an interesting life. Emily

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    Upon entering the Philadelphia Museum of Art‚ the immediate visual effect of the architecture and large columns peaked my interest‚ while shifting my view towards the seven different exhibits. After analyzing the map to choose a section to start‚ the closest was American Art. This wing featured galleries featuring Philadelphia realist painter Thomas Eakins. The dark nature of the paintings was accented by dim museum lighting‚ adding to the effect of an electricity-deprived society. Haunting paintings

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    Admiral Gaspard II de Coligny was created by French artist Francois Clouet in 1565-70. Francois Clouet was a famous painter known for elaborate details and accuracy of his drawing‚ as well as portraying the French ruling family. Admiral Gaspard II de Coligny was created with oil paints on an 8x5 panel. This particular painting looks more as a sketch than a painting due to the artist Francois Clouet sketching the facial features directly on the panel before applying paint. Admiral Gaspard II de

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    Giotto revolutionized painting techniques in many ways‚ though primarily through placing significant importance in the “realness” of art. He observed humans and their form closely and reproduced their gestures‚ movements‚ and expressions in his work. To achieve this realism‚ Giotto utilized a combination of techniques in his paintings‚ including lines‚ color‚ light‚ shading‚ and tight brush strokes. He made outstanding use of space‚ using horizontal‚ diagonal‚ and vertical lines‚ frequently in the

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    Name Thanate woradetwarasakul nickname tortan Student number 58110180 Vincent van gogh Vincent Willem van Gogh (30 March 1853 – 29 July 1890) was a Post-Impressionist painter. He was a Dutch artist whose work had a far-reaching influence on 20th-century art. His output includes portraits‚ self portraits‚ landscapes and still lifes of cypresses‚ wheat fields and sunflowers. He drew as a child but did not paint until his late twenties; he completed many of his best-known works during the last two

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    Sopa D Europa Analysis

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    Sabal Basnet Professor Anderson Arts 1301-73203 21st March‚ 2016 Museum Critical Review Image Courtesy of the Meadows Museum Sopa d’ Europa (Soup of Europe) is a Spanish work of art painted in 1885 by Miquel Barcelo. The piece 53 5/8*75 7/16 inches resides in the Meadows museum of the South Methodist University which is famous for housing beautiful Spanish arts. “In the painting a person is seated on the table facing the viewer with his heads in his hands. A single

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    Hat Rack Analysis

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    Hat Rack: The Object as an Artistic Critique Suspended from the ceiling of the Art Institute of Chicago’s modern wing‚ and illuminated from the center of the room‚ Hat Rack (original 1917‚ 1964 recreation‚ image 1) hangs from the ceiling‚ casting shadows upon the wall‚ which resemble curved shapes protruding outward into space. Marcel Duchamp’s ready-made‚ Hat Rack is fashioned out of day-to-day objects repurposed as works of art‚ Hat Rack (1917)‚ is a wooden hat rack‚ with a mass-produced finish

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    Old Hunting Grounds

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    In the 18th century before America was one unified nation from sea to shining sea‚ paintings would mostly be of and for the rich. Pieces of that time period were predominantly portrait paintings with unrealistic backdrops‚ created indoors within the confines of art studios. Furthermore‚ at the turn of the 19th century artists began moving away from workrooms and pushed towards the great outdoors. This change spawned a revolutionary artistic movement during the early 1800’s initiated by Thomas Cole’s

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