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decides to bring back the daughter he adopted away to pearl divers from another island. Raised as a pearl diver‚ the beautiful Hatsue wins many admirers‚ including Shinji. The prospect of marrying Hatsue becomes even more attractive when the wealthy Miyata intends to adopt the man who marries Hatsue as his own son. Shinji and Hatsue soon fall in love. When Chiyoko‚ the daughter of the Lighthouse-Keeper and his wife‚ returns from studying at a university in Tokyo‚ she is disappointed to discover
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Applied Cognitive Psychology‚ Appl. Cognit. Psychol. 25: 625–631 (2011) Published online 21 July 2010 in Wiley Online Library (wileyonlinelibrary.com) DOI: 10.1002/acp.1731 Can Preference for Background Music Mediate the Irrelevant Sound Effect? NICK PERHAM* and JOANNE VIZARD School of Psychology‚ University of Wales Institute Cardiff‚ Cardiff‚ UK Summary: Research suggests that listening to background music prior to task performance increases cognitive processes‚ such as attention and memory
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Sound and Fury follows a family with one deaf brother‚ one hearing brother‚ and their respective wives and families. The specific communication disorder displayed is deafness‚ which is a cognitive sensorineural hearing impairment in this film. The individuals have been deaf since birth‚ and it is because of a reduction in sensitivity caused by the cochlea and/or auditory nerve. Peter‚ Nita‚ and their children are all deaf‚ while Chris and Mari are hearing. However‚ one of Chris and Mari’s newborn
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seniors‚ ads‚ sports. | | Closing | Finishes the story of the year and brings the book to a close. | | Dominance | Making a content element significantly larger so it becomes the focal point. | | Eyeflow | The goal is to keep the reader moving from element to element. | | Hieracrchy | Creates order and indicates importance through size and placement. | | Contrast | Opposing elements spark the visual interest. | | Caption | Placed to the outside: left‚right‚ above‚ or below photos. |
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Gathering Evidence from the Crime Scene Task 1 Shaking – Shake items and allow the particles to fall into a large container or sheet of paper. This technique is suitable for recovering trace evidence: glass fragments‚ paint chips‚ hairs and fibres. Brushing – Brush the surface with a clean brush and collect the material in a container or piece of paper. This is necessary when shaking does not dislodge the particles. This technique is suitable for removing trapped particles from surfaces: gunpowder
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Sound Recording Rod has always had a niche for music and states that he grew up in “polka country.” In fact‚ his parents were both very musically inclined. His father knew how to play multiple instruments and was in a band throughout his earlier years of life‚ so Rod actually listened to live music growing up more than listening to records. He remembers going to big band dances where music from the famous American trombonist‚ Tommy Dorsey‚ filled the room. It wasn’t until his early teenage years
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use of sound in The Graduate The movie The Graduate was a pioneer for the film industry in regards to its use of popular music as non-diegetic sound throughout the film. The Simon and Garfunkel sound track fit in very nicely to set the tone of the film and give the audience clues as to what the characters were feeling. Aside from the non-diegetic sound the diegetic sound was also used very effectively to express character emotions‚ in particular Ben’s emotions. Ben’s disconnect from society
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September 2014 Gothic Elements in Jaws In June of 1995‚ Director Steven Spielberg released a terrifying thriller called Jaws. In this film a gigantic great white shark terrorizes a small island‚ which is solely dependent on its beach for revenue. This movie was so scary because it is much more likely happen‚ unlike a zombie apocalypse or alien attack. People were so afraid of shark attacks they stayed far away from the beaches. Spielberg used gothic elements in his movie Jaws. The way he used them scared
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British Sound Analysis: A voiceover in the film British Sounds states‚ "Sometimes the class struggle is also the struggle of one image against another image‚ of one sound against another sound. In a film‚ this struggle is between images and sounds." We as spectators are able to make connection with that statement as we watch the segments in the film unfold. As the tracking shot captures the auto assembly line‚ the diegetic sounds of the noisy machines overwhelm us. This similar technique can be
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