"In what ways are people and their experiences brought to life through the distinctively visual" Essays and Research Papers

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    Distinctively Visual Speech Distinctively visual is language that shows visually the similarities and differences between characters. We may also perceive a distinct visual image from setting and characters. The language used in the text will provide visual examples of setting‚ characters and time. Short stories create meaning within texts‚ about others and the surrounding world. This is shown in Henry Lawson’s short stories “The Drover’s Wife” and ”In the dry season” as well as the poem “Nesting

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    The Drovers Wife – The Distinctively Visual - Story creates a clear sense of the Australian bush and the experience of the wife - There is a sense of pride in her husband being “an Australian” and Lawson has created a visual image of what this means - Bush life is depicted as being incredibly harsh - It is lonely‚ stressful and dehumanising - The reader visualises the bush as parched and barren through images like “dried-up looking children” and the wife who is described as a “gaunt‚ sun-browned

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    Our study of the distinctively visual deepens our understanding of the world and those who inhabit it. Distinctively visual techniques are skilfully employed by Henry Lawson and Kriv Stenders to deepen our understanding of the world of the Australian outback and those who inhabit it‚ through their struggles and independence with some humour applied to the stories. These visual effects allow us to get a better understanding of the feelings of the characters and relate their life lessons to our everyday

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    though his acclaimed play the shoehorn sonata playwright john misto utilises distinctively visual techniques to explore and convey the theme of friendship and mate-ships. through these dramatic and literary devises and through the use of his protagonists‚ bridie and sheila‚ misto explores how strong friendships can come from unlikely circumstance‚ while also conveying and highlighting how he quintessential australian notion of mate-ship can allow an individual to not only survive dark times but to

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    The painting “Ballerina” shows us a ballet dancer in the orange and green light dancing on the forefront of the picture. Distant view shows a tent city which we assume to be belonging to refugees because of the name of the artistic project in whole. Ballerina has a crown on her head and is dancing with one her feet off the ground. Her tutu creates almost a perfect circle. There is a limited number of colors in the painting and they are all separated from each other except for the light stream of

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    Through the peculiarities of characterisation and the distinctively visual we experience the impact of place on people. Distinctively visual language shows the similarities and differences between characters and environment with the use of vivid imagery. The distinctively visual is able to create detailed setting‚ characters and place. Through the distinctively visual Henry Lawson and Tim Burton convey interesting views on environment and human interactions‚ and their affect on people and society

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    Discuss how the distinctively visual conveys distinctive experiences in at least TWO of Lawson’s short stories set for study and ONE other related text of your own choosing‚ which must be a visual text. You must attach a deconstructed copy of your visual text. Henry Lawson conveys distinctively visual experiences in his short stories through techniques such as imagery‚ tone‚ personal reflection‚ language and style. The use of language and the development of characters in Lawson’s short stories

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    Distinctively Visual speech - By Callum Ryrie Good morning/afternoon class and maim‚ I am here today to demonstrate my understanding of the concept of distinctively visualthrough an analysis of the relationship between Henry Lawson’s short story ‘The Drover’s Wife’ ‚ with a strong‚ courageous and determined woman that deals with the severe‚ unmerciful Australian outback. The painting ‘Battling Bushfires by the Alan J. Benge in 2007 illustrates a woman‚ face to face fighting against a bushfire

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    beamed down upon the land with relevancy. I stopped in my tracks behind brush; a clearing a couple of feet before me. Something to steer clear of as travelers roam as they see fit. They had been here. Their prints were visible. An arrow had torn through the trunk of a single tree across from me‚ on the far side of the clearing. The prints‚ they change‚ from progressive to dragging. The prints. They clash. Two sets of them and they run into one another. One from my side of

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    Thomas Demand is a sculptor and photographer from Germany. He is known all around the world for his phenomenal and engaging political still life artworks. When he first started he focused on sculpture‚ using photography to document his paper-and-cardboard reconstructions. However‚ in 1993‚ photography and sculpture traded position in his artistic process; the photograph became the “end product‚” with the sculpture providing a means to that end. Demand’s following sculptures were made especially to

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