University of Oxford Computing Laboratory MSc Computer Science Dissertation Automatic Generation of Control Flow Hijacking Exploits for Software Vulnerabilities Author: Sean Heelan Supervisor: Dr. Daniel Kroening September 3‚ 2009 Contents List of Figures v List of Tables vii List of Code Listings ix Acknowledgements xi Abstract 1 1 Introduction 3 1.1 Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 1.2 Motivation . . .
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“Fertile Crescent”. Gilgamesh was the fifth sovereign he was part god and part man. From him we learn kingship was a matter of divine entitlement and human authority. In the excerpt from Epic Gilgamesh (2100 BC)‚ As the king Gilgamesh was honor and said to be "two-thirds god" (46) and "a god and a man" (15). Kings were divinely chosen and granted great supremacy with god-like status. However‚ god-like status did not make the king incapable of making mistakes or being wrong. Gilgamesh was labeled "a tyrant"
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The question is‚ are beauty contests needed for a child’s progression and growth‚ or do they get in the way of a healthy childhood? My answer is no; beauty pageants are not needed and should be banned. Little girls should not be exposed to a life in which they are expected to dress‚ act‚ and look like Barbie dolls. They grow up thinking that appearance is the only important thing in life and the parents are to blame. Despite the fact that beauty pageants harm their self-esteem‚ health‚ education‚ and
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Siduri. She was a bartender that Gilgamesh meets on his adventure into the Underworld. At first she closes the bar so that he cannot come in but Gilgamesh demands her to let him in. After letting Gilgamesh in‚ he lets all of his feelings out about the death of his friend Enkidu to Siduri. She then comforts him and tells Gilgamesh not to pursue to become immortal and just enjoy life. Immortal is the ability to live for forever. Siduri is also the one who tells Gilgamesh that he should go to Utnapishtim
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a special or sacred story‚ as in how the world was created‚ who the gods are‚ why a grove is sacred‚ why a trickster gets the last laugh‚ or why a hero triumphed with volition and divine assistance. “Myth is about the unknown; it is about that for which initially we have no words. Myth therefore looks into the heart of the great silence‚” wrote Karen Armstrong (2005‚ p. 4). In the modern world‚ myth lives and‚ in the USA‚ it lives more than most places. There’s the continuing “city upon a hill” saga
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Gilgamesh: True Epic Hero? Gilgamesh is an epic that predates the Bible‚ chronicling tales of Gilgamesh‚ King of Uruk. One such story accounts the relationship between Gilgamesh and Enkidu. The hero of this epic has long been argued‚ and with the aid of Phillip V. Allingham’s “Characteristics of an Epic Hero” it will be shown that Gilgamesh is not the true hero of this great epic. Based on the characteristics of an epic hero presented by Allingham‚ Gilgamesh does not demonstrate any traits that
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The Great Companionship of Gilgamesh and Enkidu Friendship in the third millennium BC must have been way different then how we see friendship today… Or is it? When you have a friendship with someone‚ you “fill their gaps” of what they don’t necessarily have. N. K. Sandars demonstrates that “filling of the gaps” in The Epic of Gilgamesh. The friendship of Gilgamesh and Enkidu benefits them both greatly by making up for each other’s limitations. You see this when they become stronger together to fight
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hero and his motivations. As heroes‚ Gilgamesh and Rama reflect the values of the cultures that created them. First epic hero to be discussed is Gilgamesh. The epic of Gilgamesh allows us to see the values and concerns about Mesopotamian culture. This epic shows us that one strong male leader‚ advised by a counsel of city elders‚ was the form of government during this time. However‚ there seems to be a concern with the privileges of the people‚ as Gilgamesh is expected to be a benevolent ruler.
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Although the narrative or story of Noah and the flood is one of the great stories in the Bible‚ many question its originality. The biblical version of the flood in Genesis 6-10 is “quite close in many respects to the Mesopotamian flood stories” (The New Oxford Annotated Bible pg 19)‚ which were written beforehand. As much as they are similar‚ there are significant differences that distinguish the two tales and their reliability. The epic of Gilgamesh‚ written by the Sumerians between 2700 B.C. and 600
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fingers’ (5) and ‘loosening thighs’ (6) suggest that‚ although she is hurt and helpless‚ there is a brief moment of mutual sexual pleasure. Cullingford argues that ‘male representations of rape as pleasurable for women are extremely dangerous’ but I would say that the implication is equally as dangerous for men and women alike. For men‚ it could be said that Leda’s reaction justifies Jove imposing himself on her. For women‚ it could be said that it is acceptable for men to impose themselves because
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