may hear throughout our daily lives can influence art. Art is an impossible bliss of the body‚ mind‚ and soul. I feel that we as people are a work of art because the way we dress and talk could be a form of art within a person‚ also just like the pieces of art work paintings and sculptures we as people are also hard to define. I’m not an artist and I never really knew why some paintings or sculptures ever got into some art museums. I’ve seen paintings that just looked like splashed paint on
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evolution of his works. Regardless the Double Grounded Paintings Young started to do since the 1990s‚ or recent works like Safety Zone and The Macau Days‚ most of the works included the idea of multiculturalism. His works developed from representing biculturalism in some of his Double Grounded Paintings‚ consists of painting series like Transcultural Works (1993-2006)‚ The Persian Paintings (2003-2004)‚ to symbolizing multiculturalism in recent paintings‚ The Macau Days (2012) and Safety Zone (2010-2012)
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JAIN SCHOOL OF PAINTING We find Jain style in the four paintings of Jins (Jain Gods) in the Sittanvasala caves in 700A.D. The oldest examples of this school are the paintings of parshwa-Nath‚ Nemi-Nath and Rish-Nath etc‚ 20 Tirthankars in “KalKacharya Katha” and “Kalpa Sutra”. Most of the Jain paintings were done Black & white 10th&15th century. These paintings have been mostly executed on Tala-Patra. There was an article “Jain on Dwara Pallavit Chitrakala” in the “Vishal Bharat” written
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Expressionism and Contemporary Painting Name: Course: College: Tutor: Date: Table of Contents ABSTRACT 5 CHAPTER ONE: INTRODUCTION 6 Introduction 6 Background of the study 7 Problem Statement 9 Significance of the Study 10 Objectives of the study 11 Scope of the study 11 Inspiration for the Research 13 Definition of Terms 14 Methodology 16 a) Quantitative data 16 b) Qualitative data 17 Research Structure 17 CHAPTER TWO: LITERATURE REVIEW 19 Introduction 19 Creativity 19 The Origin of Expressionism
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Japanese Ink Paintings: Descriptions‚ Distinctions and Culture Introduction All cultures throughout time and history have the important role of art playing out the identity of the culture and the experience of that moment in time. Impressionism‚ surrealism and realism‚ among numerous other types of art forms have all played a role in history along with its significant artists behind the art. Looking at Japan‚ who was greatly influenced by art from China and its significant ink paintings of its past
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Literary Analysis There is certainly a challenging‚ subliminal meaning to "A Family Supper" written by Kazuo Ishiguro. The story takes place in Tokyo‚ Japan‚ a couple of decades ago‚ "nearing the end of a sunny autumn day." (856) The setting has a great impact on the events that occur throughout the story‚ heavily relying on Japanese traditions and culture like tea drinking‚ views of death‚ and preference of food. The main characters are the son (narrator)‚ his father‚ and his sister Kikuko.
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Korean Munjado paintings With particular focus on their comparison to Chinese munjado Lucie Pejsarova‚ Korean Studies M.A Introduction Korean munjado are paintings of classical Chinese characters‚ decorated with various patterns and symbols related to exposed character. Concept of classical Chinese character’s modification and its change to an object to be artistically varied has its origin in Sung China. Than‚ decorated Chinese character paintings become popular in many regions of Chinese
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2 2. Chinese Scroll Painting 3 2.1. Types of Chinese Scroll Painting 3 2.2. Procedures of Chinese Scroll Mounting 3 2.3. Reminders of Display Chinese Scroll Paintings 4 3. Paper 5 3.1. Selecting Paper for Chinese Calligraphy and Painting 5 3.2. Shuan Paper 6 4. Chinese Painting and Mounting 6 4.1. Significance
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|MODERN INDIAN PAINTING | | |Nomenclatures are not always irrelevant‚ for example‚ the term ’modern’. It may mean many things to many persons. So also the term | | |’contemporary’. Even in the field of the fine arts there is confusion and unnecessary controversy among artists‚ art historians‚ and | | |critics. In fact
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young age Sesshu was trained in the tradition of Chinese ink painting and later became a Buddhist monk. When his training was completed‚ he left China and returned to his native land. Once there he would produce such paintings as the “Winter Landscape” (King & Chilvers‚ 2008‚ p. 188) and (Landscape of the Four Seasons” (Rumsey‚ 2004). His values as a Buddhist monk would reveal itself in his art. Keeping true to this style he would influence other artists such as Kano Eitoku‚ Sen no Rikyu‚ and Hasagawa
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