I. Dance has always been something that fascinates me. Ever since I was a little girl‚ my dream was to become a prima ballerina. The way the dancers carried themselves with such grace and finesse in every movement was something I aspired to achieve someday. I began taking up dance when I was four years old at Hudson Valley Conservatory. There‚ I studied three different types of dance: tap‚ jazz‚ and ballet. Ballet‚ of course‚ being my favorite‚ was the one style I focused on the most but my performance
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SOCIAL BALLROOM DANCE ORIGINS Emmylou Cortez Nicolas BS Biology 1A Prof. Felipa Oliquino PE 2 SWING DANCING HISTORY The swing dance is not a single form/kind of dance but a group of various dances which developed in the earlier half of the twentieth century. These dance forms flourished with jazz or swing style of music. The origin of these swing dances can be traced back to the vernacular African-American dance forms. Today‚ the most popular form of swing dancing is Lindy Hop. In
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into a bad living environment. Most of the people engaged in informal activities and majority are illiterate. 1.2 Statement of the Problem It is well known for many years that development activities are centered on man only and women are considered as burdens of the family. Each and every woman encounters different types of social cultural and economic exploitation
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I recently read your article ’Live lazy‚ live long - look at Britain’s oldest man’ that was published in ’The Guardian’ on 5th November 2012. After reading your article‚ I felt it was important to write to you explaining why I disagree with the message within your article. My first criticism is that initially you stated‚ “It seems to make sense that slow lives‚ as well as being enjoyable‚ are long lives.” I would like to point out that there is no proof that
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Dance for styles Project: Indian Dance styles 28 November 2012 India’s languages‚ religions‚ dance‚ music‚ food‚ and customs differ from place to place within the country. In general‚ Indian dances have facial expression of emotions and seeks to communicate ideas. Under performing art in India there’s classical dance forms and formal arts of dance. Thus‚ we were assigned to perform Kathak style which is a classical mythological dance style. As for the other style we selected a dance that have
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Historical Context Originating in the United States‚ tap is a combination of African tribal dances‚ Scottish‚ Irish‚ and English clog dances‚ hornpipes‚ and jigs. In the last few decades of the 20th century‚ it was believed that African slaves and Irish servants observed each other’s dances on Southern plantations and tap was born from this. Tap dance was a dynamic art form‚ and dancers continually molded and shaped it. Dancers such as Harland Dixon and Jimmy Doyle impressed audiences and influenced
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a good dancer in my opinion is one who dances for the luv of it. to be good at anything one has to understand and appreciate a thing deeply. a dancer must feel every beat and move to it. he/she must dance to the music like a wave dancing upon the sea. the two should be one. dance is a visible translation of music. a good dancer must realize dis. n most importantly‚ they should know that it’s not the mechanical perfection but the heart which matters in dance(: once u realize dis‚ confidence‚ rythm
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1:00-3:00 ) Dance * To move with measured steps‚ or to a musical accompaniment; to go through‚ either alone or in company with others‚ with a regulated succession of movements‚ (commonly) to the sound of music; to trip or leap rhythmically. * To move nimbly or merrily; to express pleasure by motion; to caper; to frisk; to skip about. * To cause to dance‚ or move nimbly or merrily about‚ or up and down; to dandle. * The leaping‚ tripping‚ or measured stepping of one who dances; an amusement
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gender-nonconforming bodies in dance. To begin that discussion‚ it is imperative to examine the exclusion of queer and dance knowledge that leads to the omission of queer dance from academic discourse. When the reason behind these exclusions are understood‚ it becomes easier to see the roots of the gender-nonconforming bodies that are excluded from the academic dance-world. This piece is divided into eight sections‚ each providing background into the reasons that gender nonconforming bodies in dance are excluded
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SUMMARY The Wedding Dance by Amador T. Daguio is about Awiyao and Lumnay‚ a long married couple from the Mountain tribes. Awiyao is going to marry another woman‚ Madulimay‚ because Lumnay was not able to give him a child. Awiyao went back home to see Lumnay because he didn’t find her among the dancers at his wedding. He wanted Lumnay to dance at his wedding for the last time but she cannot. On their moment‚ there are many flashbacks about how Lumnay did her best to have a child‚ through offering
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