A journey of discovery is a very complex concept. It can involve much more than physical movement from place to place. A journey of discovery can be a very meaningful experience providing opportunities for the traveller to develop themselves physically‚ emotionally and spiritually. It can be a catalyst for change that can lead to further understanding of oneself‚ others and also the world. The texts studied support this idea of a “journey of discovery” very effectively. The texts I have chosen
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Deception creates an illusion that sways an individual away from the truth and propels them towards a deceptive reality in which knowledge and truth show signs of opposition. The Count of Monte Cristo‚ directed by Kevin Reynolds‚ and Othello‚ written by William Shakespeare contain similarities showing capability between both stories. Appearance vs. Reality is unmistakably a common theme within both works that is evidently a result of deception‚ jealousy and revenge. Both works use deception
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character. Throughout Othello‚ Iago gives off this perception to all that he is a honest and virtuous man‚ when in fact he is manipulative and malicious. This false perception even deceives Othello into thinking he is solely to blame for Desdemona’s death‚ when in fact Iago falsely proclaims her of infidelity to Othello. This deception makes Othello abandon reason and language‚ which allows his inner chaos to take over. For example‚ the emotional collapse within Othello begins to develop when
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tale. Wirt’s journey through The Unknown represents a journey through his unconscious‚ adhering to both Terry Eagleton’s Literary Theory: An Introduction and Terry Gamel’s Summary of Lacan’s “The Mirror Stage as Formative of the Function of the I as Revealed in Psychoanalytic Experience.” His journey is a fairy tale for the show’s younger viewers. As Ursula K. Le Guin explores in The Child and the Shadow‚ we learn to see ourselves differently through the fairy tale as guided by our inner animal. In
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Iago’s diction and tone reveals Iago as a complex character who is a zealot for chaos‚ manipulative‚ and a trickster‚ in order to gain dominance over Othello. First‚ Iago’s revenge in Othello is to do whatever possible to shape his revenge over Othello. For example‚ ”I follow him to serve my turn upon him”(2). Iago emphasizes “him” to refer to Othello as he still served him despite being passed over for promotion. The shift in tone also reveals what loyalty
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nurtured by deceitful individuals. Such is the situation in Shakespeare’s Othello‚ which depicts the tragic downfall of an apparently perfect relationship. Shakespeare uses images of heaven in the beginning of the play to emphasize the seemingly flawless love between Othello and Desdemona. Furthermore‚ as the play progresses‚ the juxtaposition between heaven and hell is used to represent the manipulative powers of Iago over Othello revealing the weaknesses of Desdemona and Othello’s relationship. As a
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“O” is a 2001 movie re-telling one of Shakespeare’s major tragedies about the “dusky Moor”…“Othello.” It has been dubbed‚ “90210 with a body count.” The movie is not acted out with Shakespearian voices but it doesn’t soften any of the raw emotions.“O” uses modern hip language perfectly made for a high school audience‚ especially jocks. Because you can actually understand the words being spoken without the need to reach for a thesaurus as one typically needs to find the meaning(s) of words that appear
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In Shakespeare’s play‚ The Tragedy of Othello the Moor of Venice (1603)‚ the issue of whether Othello’s weakness lies only in himself‚ and not in the xenophobia or malice of others‚ is one that is enmeshed in a great deal of complexities due to the extenuating circumstances which can be seen to deeply impact the protagonist’s sense of self throughout the course of the plot. Furthermore‚ these extenuating circumstances do indeed involve the xenophobia and the malice of others to a large extent. For
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Before Joana asserts that she is the creator of her own circumstances‚ she needs‚ first‚ to dispel her fears. In the opening lines of ‘The Journey’‚ the narrator exhibits Joana’s state of mind. The narrator discloses that Joana is leaving behind a reality that is solid and has well-formed shapes to situate herself‚ instead‚ in a more liquid reality (187). The narrator uses the element of ‘water’ in symbolic terms to denote a shapeless and formless nature. Being water the element that sustains life
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The Nature Of Evil In Othello The Nature of Evil in Othello William Shakespeare’s Othello uses different and unique techniques in his language to express the nature of evil throughout the play. Verbal twists and the characters most importantly stress the act of evil. Iago‚ most of all is portrayed as the “villain” or “protagonist in the play. Shakespeare uses this character to set the basis of evil. Each plot point is spiraled further into tragedy due to the nature of Iago and his manipulative
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