works like Shakespeare’s Othello and The Miller’s Tale from Chaucer’s “The Canterbury Tales”. In these works‚ the authors define femininity through varying descriptions of a women’s characteristics and her actions‚ as it is all perceived from the male perspective. Othello can best be summarized as a story about the consequences of jealousy. It is a story about a man who deeply loves his new wife but when the seed of doubt is planted in his mind by an adversary‚ that man— Othello—forgets his
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Othello is a character of extremes. He has no middle range. Right a response to this statement supporting your answer with suitable reference to the text. I agree with the statement that Othello has no middle range and his emotions and actions are extreme. At the beginning of the play he is competently in love and passionate with his ‘Sweet Desdemona’. In the first two acts‚ Othello shows his exaggerated love for Desdemona‚ by putting his life at risk and eloping with her. Act I Scene III “I
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Nobility is distinguished by both Othello as well as Oedipus. Oedipus is brought to nobility through birth and by deed. Oedipus is the son of King Laius and Jocasta‚ who becomes his wife as well‚ the King and Queen of Thebes. From the prophecy‚ it is claimed that King Laius will be murdered by his own son. To prevent this from happening‚ Oedipus is left for dead in “The mountains where Cithaeron is” ( ). But he is rescued by a shepherd and raised by “Polybius… King of Corinth/ and Merope” ( ). Oedipus
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In Othello many themes come to play‚ however I find the most prevalent is jealousy. Jealousy is a funny thing‚ because it spreads like wildfire. The story of Othello is an example about how one person’s jealousy can take an entire social group down with it. Iago is the antagonist in this story‚ as he formulates a plot not only to take Cassio (the man who was promoted over Iago to be Othello’s second) down‚ and in the process many others go with him. He plants his jealousy in Rodrigo‚ and Othello. Convincing
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The Theme of Quest Explored in “Araby” and Atonement In James Joyce’s “Araby and Ian McEwan’s Atonement both authors express that that the characters mature and grow through quests. In Joyce’s “Araby” the boy goes on a quest to the bazaar to meet Managan’s sisters whom he is very interested in. However‚ because he is a young boy and does not leave his much‚ and has no source of income there are limitations on his freedom‚ which ultimately affect his quest. In McEwan’s Atonement Briony goes through
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1) Compare and contrast the views of Dualism‚ Materialism‚ and Idealism. Dualism is a view that what exists is either physical or mental‚ and spirtual for some things like humans. It views the mind as nonphysical substance and a human as physical and a mental component which is the mind. Materialism is a view that focus on the physical.This view believes that only the physical exist. This theory believes if the object is not in motion it is not real. Idealsism is a view that believes in only
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language to interpret and understand the complexities of our own social system‚ it follows that ways of speaking about specific ideas and beliefs are instrumental in the formation and manipulation of ideologies in such a system. In the context of Othello‚ Moor of Venice‚ discourse around gender works to both reinforce and challenge the dominant assumptions of patriarchal society through the marginalisation and empowerment of primary female characters. The Elizabethan era marked an interesting
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Parker’s filmic interpretation of Othello attributes power to the appearance and identity. While a large proportion of Shakespeare’s poetics have been left out‚ Parker maintains the vast majority of the play’s timeless themes placing particular emphasis on the importance of appearances and identity. Parker’s film contracts Othello’s decline of the inevitable consequences of the protagonist’s oxymoronic identity within a society who judges based on aesthetics. These are portrayed as threats to Othello’s
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cover most of the uses of "monster" throughout "Othello." However‚ the word is still used in many different ways. The connotation of the word depends upon the tone of the scene. For example‚ in the beginning‚ before any real drama develops‚ "monstrous" is used only to describe the tempestuousness of the sea. However‚ later‚ as the plot thickens and problems develop‚ the word monster begins to describe horrible acts or people. A number of times‚ Othello is referenced as a monster by both others and
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Iago has a reputation for honesty‚ for reliability and direct speaking. Othello and others in the play constantly refer to him as "honest Iago." He has risen through the ranks in the army by merit and achievement‚ and Othello‚ whose military judgment is excellent‚ has taken him as ancient (captain) because of his qualities. In Iago‚ Shakespeare shows us a character who acts against his reputation. Possibly Iago was always a villain and confidence trickster who set up a false reputation for honesty
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