The Copied Passage | Your Response to the Passage | 1.5.93-127 ROMEO | [To JULIET] If I profane with my unworthiest hand | | This holy shrine‚ the gentle fine is this: | | My lips‚ two blushing pilgrims‚ ready stand | | To smooth that rough touch with a tender kiss. | JULIET | Good pilgrim‚ you do wrong your hand too much‚ | | Which mannerly devotion shows in this; | | For saints have hands that pilgrims’ hands do touch‚ | | And palm to palm is holy palmers’ kiss. | ROMEO
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more than 1‚000 words‚ analyse this passage‚ discussing how narrative voice and dialogue are important elements in the creation of meaning in the passage. Throughout the passage from Jane Austen’s Pride and Prejudice‚ the author provides many ways to establish the creation of meaning through the use of dialogue and narrative voice. Austen allows the reader insight into the nature of the characters by us of dialogue‚ in which we see how the characters interact with each other. Austen also uses
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Learning Objective(s): Totalitarians make truth subjective Key Concept: Language and Thought: Isn’t it Ironic? Rationale (why?): Chapter 8 and the beginning of chapter 9 cover a large details about language and thoughts because it’s the part where Winston takes a decisive step in trusting someone other than Julia by going to O’Brien and say that he and Julia are against the government.This is where he starts to have larger thoughts about ways that he can conflict with the government. Not only that
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Interviewer: Hi‚ is this Stephanie? Stephanie: Yeah‚ hi. Interviewer: Thanks for letting me talk to you this afternoon. How much do you know what Alan is working on at Divvee? Stephanie: Jake Headlock is the one I know. Interviewer: Sorry‚ what has Jake told you that he is working on? Stephanie: Nothing. I didn’t know he was with Divvee. Interviewer: Okay. There is a new way of shopping that Divvee wants to bring to market‚ that allows people to earn points when they buy things online that
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Plato’s dialogue: The Gorgias‚ 482e-484e: The Speech of Callicles When I first began to read this passage I was a little confused at the message Callicles was sending to reader and to the philosophers of that time. As I continue to study philosophy I get the sense that most philosophers question the same thing for reason of being. The question of “why” and “what makes…” is the common theme with most things I’ve come across in this course. To read a passage that was written which portrays the
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“What? That’s impossible.” Luke said. Billy shook his head no‚ “I wish I were wrong.” Billy put his hand on Luke’s shoulder. “Come‚ I’ll explain‚” Billy said as the trio walked off‚ on their way to see Alaba. Before they got too far‚ a fog rolled off the foreboding land‚ and visual devastation could be seen in every direction. People and animals alike were strewn everywhere‚ savaged and bloodied. Horrified‚ Billy murmured‚ “What in God’s name have we stumbled into?” “Danger‚ great danger.
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“How are you?” “Honestly? I feel like I’m dying.” “That’s never good.” “Tell me about it.” “I doubt I could if I tried.” “Do you think that—?” “Hold up! You have an ant on your cheek.” “Get it off!” “Alright‚ alright‚ relax!” “I can’t believe I didn’t feel it…” “Shit!” “What?” “I killed it.” “Kain!” “Sorry!” “It only wanted to be on my cheek!” “Why would it want to be there? I probably put it out of its misery.” “That’s not funny! It liked me because I smell good.” “Apparently died
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Judge: If you don’t confess to being a witch then you will get hanged. Proctor: I will confess‚ and let it be known on the walls that i am a witch so I can live free with my wife Elizabeth. Judge: Okay you can live ‚ but you need to name out anymore witches that you know‚ if not you will be sent to jail‚ also if we find that it isn’t true you will be sentenced to jail as well. Proctor: I will not name any names. Judge: Now are you sure this is all true? If you don’t name any names it seems a little
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Dialogue is the conversations and words spoken aloud by characters in a novel‚ a film‚ or a play. Dialogue in a play is not just words put together to form a sentence; but they are words that promote feelings to the audience whether it be direct or indirect. William Shakespeare is famous for the way he wrote his plays‚ he wrote his plays in iambic pentameter‚ which is having five pairs of syllables on a line of dialogue that do not rhyme. He also wrote lines of dialogue that rhymed but were not in
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Comparing Dialogue to Les Sylphides The most obvious difference between Les Sylphides and Dialogue was the style of ballet. Dialogue was a contemporary ballet and Les sylphine was completely classical. Both dances required excellent technique; however the focus of each piece was different. Les Sylphides created an environment of peace‚ with choreography that moved viewer to enjoy the delicacy of ballet. Each dancer possessed immense control which was evident in the unity of the movement. The soft
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