"Irony in emma for jane austen" Essays and Research Papers

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    Jane Austen uses satire in Pride and Prejudice to highlight the hidden importance of acceptance and power through the use of the pompous character of Mr. Collins. Throughout the novel Austen uses irony to satirize Mr. Collins. While attempting to propose to Elizabeth‚ she attempts to escape the room. Due to his vanity and arrogance‚ he wrongfully interprets this as a sign of her “little unwillingness makes [her] more amiable in [his] eyes (Austen‚ Ch.19). He cannot believe the possibility that any

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    Jane Austen’s novel Pride and Prejudice‚ depicts pride and prejudice and their consequences when she proposes a society where people are judged on their social standing rather than merit. The people and events in the novel are used to depict the prejudicial‚ ignorant‚ and proud nature of society‚ which can be seen as inhibitors to personal happiness. The use of satire is prevalent in the novel. Austen satirizes the high class by expressing how societal standards can degrade a character’s identity

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    How does the composer of Clueless use film techniques to transform the social‚ historical and environmental context of Jane Austen’s Emma to the modern context of Clueless? Amy Heckerling’s Clueless involves a storyline‚ which closely follows the text of Jane Austen’s novel Emma. However‚ there are some key points of difference in the transformation that has taken place. This is due to the individual context of the nineteenth century prose text and that of the modern appropriated film text. The

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    Emma Cultural Context

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    Emma by Jane Austen Cultural context The novel I have studied is Emma by Jane Austen. The cultural context to which we are introduced in the novel ’Emma ’ by Jane Austen‚ is the world of the middle classes in the nineteenth century. In this essay I will look‚ firstly‚ at the role of women in this world. I will examine the very limited opportunities a woman had in terms of education and finding a career which would allow her to live an independent life in the world of the novel. Secondly‚ I will

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    Jane Austen’s novel‚ Sense and Sensibility‚ embodies her objection to the arbitrary social rules of the regency era through the actions of her characters (Hearn). The rules of society effect every decision one makes because of the constant desire to have what others cannot afford. Eighteenth century England’s value of dowry‚ fortune‚ and estate constrict the main characters of Sense and Sensibility’s expression of true emotion and ability to associate with people beneath their social class. Is

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    A hundred and seventy years apart‚ yet Jane Austen’s novel and Amy Heckerling’s film both explore the themes of marriage‚ money and social status. The values and techniques of the composers are demonstrated by the final chapter of Emma and Scene Three of Clueless‚ at the school walkway. On the one hand‚ we have the small‚ traditional English village of Highbury. On the other‚ Beverly Hills‚ icon of consumerism‚ globalisation and change. Both are experiencing escalating social fluidity as wealth

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    Jane Austen ’s Emma and the Romantic Imagination "To see a world in a grain of sand And a heaven in a wild flower Hold infinity in the palm of your hand And eternity in an hour." —William Blake‚ ‘Auguries of Innocence ’ Imagination‚ to the people of the eighteenth century of whom William Blake and Jane Austen are but two‚ involves the twisting of the relationship between fantasy and reality to arrive at a fantastical point at which a world can be extrapolated from a single grain of sand‚ and all

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    Austen's Emma - Control

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    Are you expected to go to school‚ university‚ church or a temple and why? The notion of control in Emma is explored through an examination of contextual values and ideologies that confine and limit the characters. Control is an essential feature of life. It orders society and defines social expectations within the diegesis of Emma. This is mimetic of Jane Austen’s own context and our own. Women in Emma were controlled through the social construct of ‘propriety’. Additionally‚ marriage controlled a

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    Emma And Clueless

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    seen through character changes and social theme changes. The novel “Emma” is formed around Emma Wodehouse’s constricted social group and her journey of transformation from being an impulsive matchmaker who does not oblige to her social role‚ to an insightful lady with the correct social role and etiquette according to the novels context. “Clueless” is a modernized interpretation of “Emma”. The film

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    The universality of themes pervading both Emma and Clueless in correlation with the humanistic‚ obviously flawed protagonists in both texts‚ captivates and immerses responders. This engagement leads to an involvement and enjoyment in the composer’s craft‚ which enables the responders’ to obtain sophisticated insight into the text’s concerns on both subjective and objective levels. Critiques agree that the transformation enables an audience to “enjoy cultural capital and aesthetic knowledge” while

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