"Irony in emma for jane austen" Essays and Research Papers

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    Jane Austen published her seminal novel Pride and Prejudice during a period of time where ideas on social class and the role of women in society were beginning to shift. In her novel‚ Austen uses two of the main dynamic characters‚ Mr. Darcy and Elizabeth Bennett‚ to portray these shifting ideas. Through the changes that Darcy and Elizabeth experience throughout the narrative‚ Austen questions the prevailing attitudes of the time on responsibility‚ class‚ and basic human emotion‚ conveying to the

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    readings by Jane Austen and Charles Dickens both prospective grooms know that having a wife will be a good thing for them. Each story illustrates its own actions and feelings that lead to marriage proposals‚ but both are set in different tones and are for different reasons. Austen’s emphasis is one of acumen‚ while Dickens’ resonance is one of amorousness. The ending result however of both proposals although for different reasons is what benefit’s the suitors. In the passages from Jane Austen’s

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    In Pride and Prejudice‚ Austen ridicules the values of her society as well as the expectations set for women using her characterization of women to demonstrate that the constant degradation of a woman leads to her accentuating unflattering behaviors and mirroring the flaws of society. The lives of young women‚ such as Lydia and Charlotte‚ revolved around marriage. Women were expected to be courteous‚ act appropriately at all times‚ and most importantly‚ every woman was expected to marry- even if

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    The 1993 hit film ‘Clueless ’‚ written and directed by Amy Heckerling‚ exemplifies how popular culture re-appropriates Austen ’s novel‚ ‘Emma ’ to serve updated agendas. ‘Clueless ’ involves a storyline‚ which closely follows the text of ‘Emma ’. However‚ there are some key points of difference in the transformation that has taken place. This is due to the individual context of the 19th Century prose text and that of a modern appropriated film text. The context can be divided into three focal categories:

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    (author = originator)” (Pearsall & Trumble ed.‚ 1996‚ p 92) Authorship The idea that ’the author ’ is the source of meaning and value in artistic texts has been a persistent one. We talk of Shakespeare’s plays or Austen ’s novels in ways that suggest that William Shakespeare and Jane Austen are uniquely gifted and independent individuals‚ solely responsible for everything in their work. This view of art credits the author with power through having genius‚ and/or special experience‚ and emphasises the

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    Irony is the art of expressing two meanings simultaneously; the obvious surface meaning the majority will regard as the only meaning and on a deeper profounder meaning which lies behind the obvious. The tension created by this ambivalence can be and has been put to a variety of uses. Ironies abound in Shakespeare‚ so do they in Dryden and Poe.Shakespeare employs them to underscore the tragic plight of a man‚ while Dryden and Pope use them to mock at human follies and foibles.among the forty eight

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    Although the reader is informed of Catherine’s reading of Radcliffe’s Udolpho‚ Austen alludes more liberally to the gothic conventions presented in Radcliffe’s The Romance of the Forest when Henry refers to Radcliffe’s passage: ‘We shall not have to explore our way into a hall dimly lighted by the expiring embers of a wood fire – nor be obliged to spread our beds on the floor of a room without windows‚ doors or furniture’ (p.114). Henry’s reference ridicules Catherine’s indulgence of gothic reading

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    Nia Levy Mod:2 CCC 102 Rhetorical Analysis Essay Jane Austen is well known for satirising romantic novels by inverting and criticizing the idea of “Love at First sight”. In the book Pride and Prejudice‚ Austen maintains that people often look at physical attractiveness and wealth while searching for love rather than passion and deep connection between each other. Through her use of satire in novels she mocks humanity and its foolish effects on society. Her novel also shows a strong passion

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    well as the values inherent in the texts. Amy Heckerling’s‚ 20th century American film‚ Clueless is a transformation of Jane Austen’s conservative Regency England‚ Emma. The use of different techniques and medium allow Emma’s themes of personal growth‚ social structure and the role of women in society to be conveyed in a more appropriate form in Clueless. The main characters‚ Emma and Cher are representational products of their society and parallels can be drawn in the opening scenes‚ particularly

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    Jane Austen is ridiculing the organization of marriage as it was considered in her day. During the nineteenth century‚ numerous ladies wedded‚ not for passionate or sentimental goals. Marriage out of financial impulse is prove by Charlotte’s marriage to Collins. Charlotte’s purposes behind marriage have nothing to do with joy or satisfaction at all. "Happiness in marriage is entirely a matter of chance.it is better to know as little as possible of the defects of the person with whom you are to pass

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