Bisexuality in Dracula Everyone needs a role model‚ someone they look up to‚ monsters included. Mitchell Lewis quoted “In other words‚ Dracula is portrayed as a monster not only because he is a vampire but also because he crosses the line in terms of gender‚ causing others to do so as well.” Sexuality and gender are the main topics and arguments in Bram Stoker’s novel Dracula. Dracula‚ along with the women vampires who look up to him are all expressed as bisexual because they are attracted to the
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novels Dracula and The League of Extraordinary Gentlemen. The essential characters of famous Steampunk
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blood-sucking Transylvanian man‚ upon diving deeper into Bram Stoker’s novel Dracula‚ one can find issues of female sexuality‚ homoeroticism‚ and gender roles. Many read Dracula as an entertaining story full of scary castles‚ seductive vampires‚ and mysterious forces‚ yet at the same time‚ they are being bombarded with descriptions of sex‚ images of rape‚ and homosexual relationships. In Francis Coppola’s Bram Stoker’s Dracula‚ Stoker’s presentation of homoeroticism is taken‚ reworked‚ and presented
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Societies are always changing with the ideas and experiences lived by people. Dracula was written in a period where cultures were mixing‚ bringing new ideas into London. New ideas can bring the best or worst of people‚ which is why changes is either embraced or fought against. In this Victorian time‚ the roles of women and men are well defined by the expectations society has for them. Woman were expected to stay within certain boundaries; stepping out of this constriction would be consider improper
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The vampire myth came from a Dracula character in a movie. The guy that acted like Dracula was Romanian Prince Vlad Tepes. He was born in 1431 ‚ he died in 1476. He modeled some aspects of the Dracula character. In Romania‚ Tepes is viewed not as blood-drinking sadist‚ but as a national hero who defended his empire from the Ottoman Turks. Holy water and sunlight are supposed to kill some vampires. Some Gothic people dress up as vampires. They decorate their home in a dark Victorian gloom. They even
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nature and conception of evil is complex and disputed. Throughout history scholars and theologians have sought to determine whether evil is a polarized and present force or whether evil is the absence or falling away from good. The Lord of the Rings is not just a story about the conflict between good and evil‚ but rather is a story that demonstrates the multifaceted nature of both. In the beginning of The Lord of the Rings: The Fellowship of the Ring it is easy to relegate evil to a dualistic force in
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accepted that humanity is born evil - despite its efforts to achieve high moral standards. A child’s innocence becomes tainted by the sin of the world. God’s purest creations are stained by the sin and evil of human nature‚ yet salvation is promised to those who embrace and delight in it. Fyodor Dostoevsky alludes to the idea of the embracing of faith in the midst of the persistence of evil. In his book‚ “The Idiot”‚ Dostoevsky destroys innocence and reveals the stain past evils leave behind to depict the
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In Bram’s Stoker’s Dracula (1897)‚ one of the main motifs present throughout the whole piece is Catholicism. Catholicism does not only appear as a motif but also as a major theme in the novel. On the books‚ Broker was known to be a Protestant‚ however after releasing his novel Dracula‚ he was considered of being “a closet Catholic cloaking his dangerous views in a relatively safe literary medium” (Starrs‚ D. Bruno). Even though the novel portrays Anti-Christian values and beliefs‚ Bram Stoker was
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The term evil carries a multitude of stigmas‚ translations and forms‚ thus‚ in order to obtain a better comprehension of the concept‚ a universal definition must be established. Therefore‚ as a general base line for uniformity I will use the Oxford dictionaries definition. Evil defined: Profound immorality‚ wickedness‚ and depravity‚ especially when regarded as a supernatural force; Of a force or spirit embodying or associated with the forces of the devil; A manifestation of this‚ especially in people’s
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Bram Stoker’s novel Dracula will forever stand as one of the masterpieces of Gothic literature. The despicable villain Count Dracula and and his Transylvanian castle have become synonymous with horror and vampires‚ to the point that the modern image of the vampire is almost entirely derived from Dracula. However‚ one of this story’s most effective elements is Stoker’s masterful control over the mood of the novel. Stoker primarily influences the mood of Dracula by his use of spooky or wild settings
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