it. Whiles I threat‚ he lives; ...Words to the heat of deeds too cold breath gives. How this scene contributes to our understanding of character and play: So far‚ the play has hurdled through seven scenes of mounting tension and now tithers on the threshold of regicide. At this point‚ Shakespeare freezes the action. In the tension of silence‚ both character and play develop on new levels. For Macbeth‚ this soliloquy‚ in A.C. Bradley’s words: "is where the powerful workings of his imagination rises
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STORY-TELLING THROUGH FILM: Comparing Interpretations of a Scene from Macbeth Film‚ like novels and plays‚ is a form of narrative or storytelling. However‚ image (and‚ to a lesser extent‚ sound) is the main ‘language’ film uses to tell the story. Some of the elements of this language include: ∙ ‘shots’ (where the camera points‚ how it moves‚ focuses etc.) ∙ editing (how shots are put together to tell the story) ∙ sound design and editing ∙ artistic design (including
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The Missing Scene From Macbeth: Act III‚ Scene 4 Enter FLEANCE [FLEANCE walks in‚ clearly distraught‚ tired and grief written on his face.] FLEANCE Father was right! Macbeth is a traitor. He had my father killed for knowing too much Macbeth might have even killed Duncan. [FLEANCE stops‚ looking at his surroundings] Enter HECATE. [Appears out of nowhere to FLEANCE‚ puff of smoke where she enters.] HECATE It is not for you to wonder about things you would not understand‚ child of Banquo‚ heir to
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Act 1 Scene 1 Setting * Witch laughter * Haunted * Rain & Thunder * Dark * Supernatural These are all what Shakespeare wants us to feel setting (Refer to attachment) Quotes “In thunder‚ lightning‚ or in rain?” [A1S1 L1 Pg 23] * Foreshadows the play/ ending * Not in right place * Theme of Against the Order of Nature “When the battle’s lost and won.” [A1S1 L2 Pg 23] * “lost and won” * Riddle/ contradicting/ complex * Suggest magic/ witchcraft
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------------------------------------------------- Significant Quotes Act IV Shakespearean English | Modern English | Double‚ double‚ toil and trouble; Fire burn‚ and cauldron bubble. Act IV‚ Scene i‚ Line 10 | “Double all the troubles and hardships of men. Let the misery of Scotland increase as the fire burns and the cauldron bubbles.” | Significance: The purpose of this well known quote is to communicate to the audience the witches’ intentions. The witches chant this line all together
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MACBETH Act 1 Sc. I/The Witches/Character study of Macbeth • Charles lamb while speaking about the witches describes them as ‘…creatures to whom man or woman plotting some dire mischief might resort for occasional consultation. ….From the moment that their eyes first met Macbeth he is spellbound. That meeting sways his destiny. He can never break the fascination. These witches can hurt the body (refer to the Sailors of the “tiger’
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A checklist should be created off of the operating procedures and brought to each crime scene by the investigator. Every electronic device should be photographed before touching anything. The checklist should be followed step by step and every item needs to be put into an evidence bag and tagged. Then a chain of custody document needs to be
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. Porter and National Competitive Advantage i. Introduction. Suggest answer to the question and outline how to validate your suggested answer by clarifying the analytical structure ii. Key Questions. Simply: this is not just a question about Porter. If you are thinking of outlining Porter and little else‚ please think again. Very briefly state what the concepts of national competitiveness and the diamond entail‚ which is naturally connected to the work of Porter. But the question is asking you
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Are Porter’s Five Competitive Forces still Applicable? A Critical Examination concerning the Relevance for Today’s Business Author: Fabian Dälken University of Twente P.O. Box 217‚ 7500AE Enschede The Netherlands f.dalken@student.utwente.nl Abstract‚ Porter’s Five Forces model is a powerful management tool for analysing the current industry profitability and attractiveness by using the outside-in perspective. Within the last decades‚ the model has attracted some criticism because of the developing
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Glamis‚ all‚ As the weird women promised‚ and I fear Thou played’st most foully for ’t. Yet it was said It should not stand in thy posterity‚ But that myself should be the root and father Of many kings. If there come truth from them— As upon thee‚ Macbeth‚ their speeches shine— Why‚ by the verities on thee made good‚ May they not be my oracles as well‚ And set me up in hope? But hush‚ no more. | BANQUO Now you have it all: you’re the king‚ the thane of Cawdor‚ and the thane of Glamis‚ just like
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