non-dramatic text offered on the module‚ (an extract from Samuel Taylor Coleridge’s Literary Remains‚) and show how it might help us understand Othello. The extract presents a sustained attack by Coleridge on Shakespeare for his lack of realism in the ’monstrous’ depiction of a marriage between a ’beautiful Venetian girl‚’ and a ’veritable negro‚’ in Othello. He sees Shakespeare’s transformation of a ’barbarous negro’ into a respected soldier and nobleman of stature as ’ignorant’‚ since at the time
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Othello Essay Question: How is the issue of conflict used by composers to express and change within and between characters? Discuss with close reference to the Shakespearian play Othello that you have been studying in class. Conflict has the ability to alter characters and tarnish their relationships which may lead to – more often than not – tragic consequences. This is clearly illustrated in the Shakespearian play‚ Othello. Through the main characters of Iago‚ Othello and Desdemona‚ the
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Shakespeare’s play Othello‚ the characters response to betrayal are violent and unjustified. Othello and Iago both have large insecurities‚ and believe their honor is more important than living. Othello is an emotion and unsure character‚ and therefore is easily controlled by the overflowing self-confidence of Iago. Othello and Desdemona are a newly married couple now living in a new country. Their first moths of marriage they spent apart on ships. Now that they are together‚ Othello cannot help but
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Shakespeare portrays Venice as incredibly advanced for its time. This is seen especially though its democratic justice system‚ as we are shown that in Act One everybody has a voice regardless of their colour or sex. The fact that Othello has obtained the high position of “general” within the army suggests that his chances have by no means been restricted by the colour of his skin. Also the fact that he is treated with the utmost respect from the Duke‚ the highest authority in Venice‚ shows that the
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The function of imagery in the mid-sixteenth century play Othello by William Shakespeare is to aid characterisation and define meaning in the play. The antagonist Iago is defined through many different images‚ Some being the use of poison and soporifics‚ sleeping agents‚ to show his true evil and sadistic nature. Othello’s character is also shaped by much imagery such as the animalistic‚ black and white‚ and horse images which indicates his lustful‚ sexual nature. Characterisation of women is heavily
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action of the main characters: Othello‚ Iago‚ and Desdemona. Othello is‚ at heart‚ a play about deception‚ and the emotional turmoil and mental anguish it can cause. Although Iago aptly demonstrates all that is evil through his malevolent manipulation of others‚ he is not the only practitioner of deception in the play. Othello himself can also be regarded as a study in deception‚ albeit of a much more subtle variety than that of the gleefully fiendish Iago; for Othello engages in self-deception – less
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Two tragedies from two different time period‚ Medea and Othello show similarities and differences in their characters‚ story plots and settings. Euripedes’ Medea written in the classical period and Shakespeare’s Othello written in the romantic era‚ the two tragedies shows different feel of what tragedies are. First of all‚ the most obvious difference between these two play is how Medea shows unities (time‚ place and action) whilst Othello has none. It’s clearly shown in the first scene‚ as soon
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In the play “Othello” by William Shakespeare‚ the story is about a black general who is respected by the head of the militia because of his achievement as a military. This character‚ Othello‚ falls in love with a young woman called‚ Desdemona. Their love was put to prove when Iago‚ a young military wanted to get revenge from Othello because he did not choose him as his lieutenant. Iago planned a situation in which he put Othello‚ Desdemona and Cassio in love triangle that Othello did not want to
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Shakespeare introduces Othello in the first half of the play as “valiant” and “noble” (qtd)‚ where the adjectives of courage and moral principles deter the Elizabethan notion that black people are treacherous and villainous (qtd). To add to that‚ the Duke of Venice “straight employ[s] [Othello] against the general enemy Ottoman” (1.3.49-50). Here The preposition “against” directs Othello’s martial body as the hero in Venetian society rather than the enemy for now. The respect for Othello as a black general
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believe ridiculous lies. Since Iago was an external force‚ which created an internal force in Othello‚ to which he responded by murdering his wife. Once jealousy entered Othello’s mind‚ it consumed him and devoured all rational thought within him‚ causing Othello to commit murder‚ which is deemed by the general society to be morally questionable. It destroys him‚ causing him to physically collapse. By now Othello is completely blinded by jealousy causing him to loathe Desdemona. To him she must die “else
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