"It for fast fashion" Essays and Research Papers

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    Civil War Fashion

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    France. Also thanks to the french designers during this era fashion magazines became a thing. The one lady establish Rococo fashions was Louis XV’s mistress Madame Pompadour. She had a passion for her pastel colors and the light. The happy style is how it came to be known as Rococo‚ and was how light stripes and floral patterns became a trend. Towards the end of the period‚ Marie Antoinette was one who became the leader of French fashion‚ as did her seamstress Rose Bertin. Extreme embellishment

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    Fashion vs Personality

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    “Know first who you are; and then adorn yourself accordingly” ~Epictetus Fashion is as essential as personality. It is for everyone willing to dress in a way that reflects their essence; their own style. No matter what‚ always trying to feel comfortable and satisfied with the clothes they wear that will show who they truly are. Finding individuality is really about getting to know yourself. It is about being connected with the very essence of who you are and‚ most important‚ be confident about

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    The Fashion Channel Case

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    Dana Wheeler‚ senior vice president of marketing for The Fashion Channel (TFC) must create a strategy which would help deal with the current marketing challenge. Wheeler’s major challenge is to choose an explicit target market in which her team can market towards in order to increase revenues for The Fashion Channel. The key Point’s of The Fashion Channel case include: 1. Build strong Target Market - In order for TFC to maintain and increase their advertising revenue model they must build

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    Individual Paper Fashion

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    Q: How can a Fashion Brand know what their customer’s tastes & lifestyles are going to be in the future? 1. In the far future: In the world we live today Fashion Brands can buy information’s about the upcoming trends. A well-known way of buying information is called “cool hunting” >> Companies that predict trends. Fashion Brands can buy the information for an expensive price. Advantages: Companies have travelled the world to go find the most innovative people. They have observed them closely

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    Speaking of American fashion‚ what would you think of?Victoria’s Secret?New York Fashion Week?Better Brand?Fifth Avenue?In my opinion,fashion includes many aspects. Such as,rag trade,pop music industry,silver spoon and so on. In this article,I want to talk about that American have different attitude at fashion from 1920 to 1930. When many people study history and learn the mistakes from the past‚ it would be easier to able to understand the present. Nevertheless‚ it is not enough to simply study

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    QR in fashion industry

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    Introduction Quick response: perceptions of UK fashion retailers Grete Birtwistle Noreen Siddiqui and Susan S. Fiorito The authors Grete Birtwistle and Noreen Siddiqui are in the Division of Marketing‚ at Glasgow Caledonian University‚ Glasgow‚ UK. Susan S. Fiorito is in the Department of Textiles and Consumer Sciences‚ Florida State University‚ Tallahassee‚ Florida‚ USA. Keywords Quick response retailing‚ Supply chain‚ Fashion‚ Retailing‚ United Kingdom During the mid-1980s‚ quick response (QR)

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    Punk Fashion and Line

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    “h.Naoto”‚ which featured punk sensibilities and design styles. The brand has since expanded to include a huge ranvge of other subbrands that encompass a variety of styles‚ including visual kei‚ natural kei‚ punk‚ lolita‚ gothic aristocrat‚ men’s fashion and more. Celebrity Endorsements As a designer‚ h.NAOTO is much sought after by celebrities to design clothes and other paraphernalia. Perhaps one of the most famous collaborations he has ever done was in 2004 with Evanescence’s Amy Lee‚ who wore

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    Fashion: Visual Culture

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    Fashion cannot survive without the media. Its success as both an art form and a commercial enterprise depends upon attention in the media. The media have played a vital role in shaping fashion into the complex cultural phenomenon it has become. Photography‚ and later film and television‚ have medialised fashion. Fashion has become an intrinsic part of today’s visual culture‚ and vice versa. Fashion magazines‚ glossies and women’s journals cannot exist without fashion‚ but fashion also cannot exist

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    Bibliography Ribeiro‚ A.‚ 1995. The Art of Dress: Fashion in England and France in 1750 to 1820. New Haven and London: Yale University Press. Tarrant‚ N.‚ 1994. The Development of Costume. London: Routledge Ribeiro‚ Aileen‚ 1983. A Visual History of Costume: The Eighteenth Century. London: B. T. Batsford Ltd. Cunnington‚ C. Willett‚ & Cunnington‚ P‚ 1972 Revised‚ A Handbook of English Costume in the 18th Century‚ Page 14‚ Northampton: John Dickens & Co. Ltd. Page 32 Kalinsky‚ N.‚ 1995

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    hold and train the torso into a desired shape for aesthetic or medical purposes (either for the duration of wearing it or with a more lasting effect). Both men and women are known to wear corsets‚ though women more commonly do. In recent years‚ the fashion industry has also borrowed the term "corset" to refer to tops which‚ to varying degrees‚ mimic the look of traditional corsets without actually acting as them. While these modern corsetsand corset tops often feature lacing or boning and generally

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