her poem. In her poem‚ “We Real Cool‚ Brooks illustrates the idea that although certain decisions may yield a moment of satisfaction‚ wisdom and longevity are what create a happy individual in a long run through her use of rhyme‚ repetition and alliteration. Brooks’ selection of rhymes helps to set the rhythm of a jazz mood. Several rhymes provide a rhythmical tool for generating a beat to her tale. Her repetition of rhyming words close together adds unity to the poem. By placing the one syllable
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now anonymous horses are situated in at their age of retirement. Enjambment & alliteration: In stanzas 2 and 3‚ most of the lines end with no punctuation but run onto the subsequent line. This creates a faster pace and rhythm to suggest the passing of time in stanzas 2 and 3‚ which recollect the now retired horses once competed for glory under the human gaze on the race track in the past. The use of alliteration in stanzas 2 and 3‚ as seen in the use of fricative (fifteen‚ fable‚ faint‚ faded)
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praising for the country and express Mackellar’s deep relationship and passion with her land. Mackellar attains this response from the audience by using numerous language techniques such as; Juxtaposition‚ personification‚ sound patterns including alliteration and assonance‚ imagery‚ and paradox. The use of first person throughout the whole poem suggests that the theme of this poem has been evoked by personal experience. Mackellar introduces the idea of Australia’s distinctiveness firstly in the opening
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written in many different methods which allow readers to perceptibly understand its many aspects. The poet’s vivid description creates imagery to better stimulate the agony of a wretched wanderer. It is written with many uses of assonance along with alliteration. It also has two different points of view‚ one is the wanderer and the other is the narrator. Beyond that‚ the poet expresses the complex issues within the poem through a simplified form. With the use of such literary devices the poem precisely
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out after passing away‚ looking forward to meet god the creator when he finally crossed the bar. The poem consists of four rhyming quatrain: A-B-A-B‚ C-D-C-D‚ E-F-E-F‚ G-H-G-H. It was written in alternating long and short lines‚ the poem uses alliteration “Sunset and evening star”. There is also assonance like “seems asleep” and consonance “clear call” on C-sounds. Diphthongs “no moaning” is present in the poem too. The poem also uses personification “Sunset and evening star‚ And one clear call
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[pic] I am a provider‚ to those living and to those not: My abundant leaves for the paper you waste‚ My towering trunk for what furniture’s based‚ Air breathed and fruits consumed‚ I bestow upon you. I am a tree; please acknowledge me. 5 I am like a child‚ defenseless‚ desperate‚ and delicate. High and mighty I stand without bothering your people‚ Yet you ravenously wreck the grounds of the feeble. What was once plenty is now
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panels of the quilt are heartsick because she cries into the quilt at night when she would miss her grandmother. One of Parker’s alliteration phrases is‚ “I snapped beans into the silver bowl”(1). The s- sounds in snapped and silver and the b- sounds in beans and bowl are being emphasized. “…that sat on the splintering slats” (2)‚ is another example of alliteration. An example of assonance in the poem is seen here: “…of the
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make the poem flow better. The literary device rhyme is used in the third stanza: Not enjoyment‚ and not sorrow‚ Is our destined end or way; But to act‚ that each to-morrow Find us farhter than to-day. The next literary device being used is an alliteration in the fifth stanza: Art is long‚ and Time is fleeting‚ And our hearts‚ though stout and brave‚ Still‚ like muffled drums‚ are beating Funeral marches to the grave. Those are two examples of sound devices used in this poem. Lastly‚ when you
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Definitions of Poetic Devices simile a comparison using "as" or "like" alliteration the deliberate repetition of consonant sounds assonance deliberate repetition of identical or similar vowel sounds hyperbole exaggeration for dramatic effect metaphor a comparison not using as or like when one thing is said to be another onomatopoeia "sound echoing sense"; use of words resembling the sounds they mean oxymoron a seeming contradiction in two words put together personification attribution
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man is destroying it. The aggressive stutter of the alliterated ‘b’ sets the mood of this poem and emphasises Wright’s deep concern for nature’s suffering. These techniques are repeated in ‘Train Journey’‚ “your delicate dry breasts”. The use of alliteration and personification of the hills being describes as “dry” suggests that the hills have no nutrients left in them to provide life for the soil. These techniques highlight her true love for nature and her country. Rich and vital images are successfully
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