January 2013 Guide to the NEBOSH International General Certificate in Occupational Health and Safety Qualification title: NEBOSH International General Certificate in Occupational Health and Safety Version: 5 Specification date: January 2013 Guide publication date: September 2014 The National Examination Board in Occupational Safety and Health (NEBOSH)‚ Dominus Way‚ Meridian Business Park‚ Leicester LE19 1QW. Registered Charity Number: 1010444 Telephone: Fax: Email: Website: +44 (0) 116 263 4700
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Test #1 Review List • Jan van Eyck‚ Arnolfini Portrait‚ 1434‚ oil on wood panel‚ 33 x 22 ½” [pic] • Robert Campin‚ Merode Altarpiece‚ c. 1425-1430s‚ oil on wood panel‚ center 25 ¼ x 24 7/8”; each wing approx. 25 3/8 x 10 ¾” [pic] • Jan van Eyck‚ Ghent Altarpiece‚ 1432‚ oil on panel‚ 11’ 5 ¾” x 15’ 1 ½” [pic] • Rogier van der Weyden‚ Deposition‚ c. 1435-1438‚ oil on wood panel‚ 7’ 2 5/8” x 8’ 7 1/8” [pic] • Hugo van der Goes‚ Portinari Altarpiece
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ACCA Paper F3 Financial Accounting Class Notes June 2012 © Interactive World Wide Limited‚ January 2012. All rights reserved. No part of this publication may be reproduced‚ stored in a retrieval system‚ or transmitted‚ in any form or by any means‚ electronic‚ mechanical‚ photocopying‚ recording or otherwise‚ without the prior written permission of Interactive World Wide Limited. 2 www.studyinteractive.org Contents PAGE INTRODUCTION TO THE PAPER 5 CHAPTER 1: INTRODUCTION TO FINANCIAL REPORTING
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Marketing Bulletin‚ 2005‚ 16‚ Article 3 Talent‚ Looks or Brains? New Zealand Advertising Practitioners’ Views on Celebrity and Athlete Endorsers Jan Charbonneau and Ron Garland “They add a whole heap of value to the communication … the bigger the personality the better.” (New Zealand advertising practitioner) The established practice of using celebrities and professional athletes as endorsers shows no sign of abating. While a substantial body of literature exists researching effective celebrity
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Bibliography: Editorial article: Leadership and the common good by Randy David : Public Lives‚ Philippine Daily Inquirer Sunday‚ Jan. 9‚ 2005
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(Jan 2010 Q b (i)) Do you agree with the view that the main aim of poor law administration after 1834 was to deter the able-bodied poor from seeking poor relief? The report compiled by the 1832 commission of enquiry displays its strong belief that the able bodied poor were and had to be put in their ’proper position’ as the reform of the poor law was based on the commission’s findings this could suggest that they agree with the interpretation that main aim of the poor law administration after 1834
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artists El Lissitzky and Kazimir Malevich. They both believed the expressive qualities of a painting developed from the intuitive organisation of elemental forms and colours. The visit of the first Bauhaus exhibition made a huge impact on Jan Tschichold’s work. Tschichold‚ who was actually a traditionally trained typographer‚ had attracted radical ideas from both artists. Interestingly‚ all three carefully balanced their layouts in terms of colour and weight. Although some of Malevich’s art pieces seem
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Option 3- Typography Bauhaus movement Typography is to make language visible by using techniques of arranging type with Artistic effect. The new form of typography was formed in 1923‚ it began in Russia and Holland and Crystalized at Bauhaus. During twentieth century typographical world gained a graphic expression‚ it enabled the designers to vision and develop functional and expressive visual communication‚ where as the old typography constrict creativity. During 1900s the traditional typography
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lettering and typography laid out a foundation for a new movement that has been exported worldwide in 1960s to become an international style. (Source: www.smashingmagazine.com) Prominent Designers: – Josef Muller-Brockmann – Ernst Keller – Jan Tschichold – Wim Crouwel – Adrian Frutiger Asian Graphic Design (1960s) During the postwar period technological leadership and an awareness of Western social patterns and lifestyles raised philosophic issue of Japanese graphic designers as they sought
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Futura Book In typography‚ Futura is a geometric sans-serif typeface designed in 1927 by Paul Renner. It is based on geometric shapes that became representative visual elements of the Bauhaus design style of 1919–1933.[1] Commissioned by the Bauer Type Foundry‚ in reaction to Ludwig & Mayer’s seminal Erbar of 1922‚ Futura was commercially released in 1927. The family was originally cast in Light‚ Medium‚ Bold‚ and Bold Oblique fonts in 1928. Light Oblique‚ Medium Oblique‚ Demibold‚ and Demibold
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