The hijras of India are unlike any you might see in any other part of the world. You might have occasionally come across men dressed as women‚ wearing garishly bright makeup. They immediately attract attention to themselves for all the wrong reasons and most often win ridicule. We are really not sure if eunuch‚ transvestite‚ gay or transgender is actually the right term for a hijra as their social mores are very unique and are almost above classification by western terms. One can attempt to
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HUMAN RESOURCE MANAGEMENT ----------------------------------------------------- Answer all the questions. Each case let carries 20 marks. Detailed information should form the part of your answer (Word limit 150 to 200 words). Case let 1 Introduction to the organization: XYZ Company was established 20 years ago‚ to manufacture gearbox components for diesel engines. It employs around 250 people‚ having a head office‚ which employs a wide range of personnel who are generally well educated
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Kathak which is a major classical dance forms of North India literally means a story-teller or Kathakar. In ancient India‚ there were Kathakars or bards who used to recite religious and mythological tales to the accompaniment music‚ mime and dance. These rahapsodists and minstrels were associated with temples and shrines. Their particular dance-forms‚ which had its origin in simple story-telling‚ later came to be known as Kathak. Kathak is danced by both men and women. A Kathak dancer is not
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CHIEF MINISTER OFINDIA Yashwantrao Chavan Yashwantrao Balwantrao Chavan (12 March 1913 – 25 November 1984) was the firstChief Minister of Maharashtra after the division of Bombay State and the fifth Deputy Prime Minister of India. He was a strong Congress leader‚ Co-operative leader‚ social activist and writer. He was popularly known as Leader of Common People. He advocated social democracy in his speeches and articles and was instrumental in establishing co-operatives in Maharashtra for the
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human values in society. The hero was willing to give up everything no matter the cost to preserve the integrity of his kingdom. He dedicated his life to keeping social values and principles. He is the ideal man and one to whom all should aspire (Narayan‚
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Cinema in Nepal = The first cinema show in Nepal took place in Bhadra 17‚ 1990 BS at Singhadurbar‚ during the time of Juddha Shumsher. = For public cinema show opened up from 2004 BS. = The making of Nepali films is said to have begun with D. B. Pariyar’s Satya Harishchandra‚ which was the first Nepali Language film to be shot. It was produced from Kolkata‚ India‚ and was released on September 14‚ 1951 (2007BS). This movie was first screened in Nepal at Narayanhiti Palace for King Tribhuvan.
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characteristics by stages of the socioeconomic lifecourse. Social Science Med; 44:809-19. Marchand‚ S.‚ Wilker‚ D.‚ Landesman‚ B. (1998). Class‚ Health and Justice: Blackwell Publishing; The Milbank Quarterly‚ 76: 449-467(19) Mirowsky‚ J.‚ Ross‚ C.E Narayan‚ D.‚ Patel‚ R.‚ Schafft‚ K.‚ Rademacher‚ A.‚ Koch-Schulte‚ S. (2000). Voices of the poor: can anyone hear us? New York: Oxford University Press. Organisation for Economic Co-operation and Development. (1992). The reform of health care: a comparative
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Round Table Cross-border Investments in Emerging Markets: A Valuation Perspective – Discussion Ravi Anshuman S ignificant amounts of capital are flowing from the developed world to emerging markets. But how do firms in the developed world allocate capital in emerging markets? How do they value investment opportunities in a cross-border investment in an emerging economy and deal with the various challenges that arise in the process? How do firms adjust for issues such as political risk
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were arrested and tortured and their homes raided and destroyed. By December 1942‚ over sixty thousand people had been jailed. The few leaders who had escaped arrest went into hiding and tried to guide the mass movement. Among them were Jai Prakash Narayan‚ S M Joshi‚ Aruna Asaf Ali‚ Ram Manohar Lohis‚ Achyut Patwardhan and Smt Sucheta Kripalani. The Indians suffered greatly throughout the Second World War. There was a terrible famine in Bengal in AD 1943 in which over thirty lakh people died.
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Abstract: This thesis examines Deepa Mehta’s trilogy—Water‚ Earth‚ Fire—and the trilogy’s exploration and contestation of colonial‚ anti-colonial nationalist‚ and religious ideologies as intersecting with patriarchal norms to enact symbolic and actual violence on the bodies of women. I argue that Mehta’s trilogy foregrounds the ways in which patriarchal nationalism legitimizes violence against women’s bodies and sexualities through different social and cultural practices and discourses which are
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