“The Flea” by John Donne Donne’s poem “The Flea” is about a man trying to convince a woman to have sex with him. As he is convincing the woman he compares the loss of the woman’s virginity to a flea since the flea has already been intimate with both his and her body and now their blood mingles within the flea. Not only is the speaker saying basically the woman has already had sex in a way‚ he’s also trying to show her how insignificant sex really is by using the flea as an example. At the end of
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[pic] [pic] John Donne was born in Bread Street‚ London in 1572 to a prosperous Roman Catholic family - a precarious thing at a time when anti-Catholic sentiment was rife in England. His father‚ John Donne‚ was a well-to-do ironmonger and citizen of London. Donne’s father died suddenly in 1576‚ and left the three children to be raised by their mother‚ Elizabeth‚ who was the daughter of epigrammatist and playwright John Heywood and a relative of Sir Thomas More. [Family tree.] Donne’s first
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The Power of John Donne’s Poetry Louis Hunt John Carey’s description of Donne’s “power” is laudable‚ and to a certain extent‚ accurate. Carey captures the masculine nature of Donne’s tone; the vividness of Donne’s imagery; the subtle coercion of Donne’s metaphor. Carey also notes Donne’s application of syntax and rhythms‚ writing that Donne’s words‚ “are packed into the poems like boulders… Inversions and interjections fracture the run of the lines‚ necessitating a strenuous advance.” Carey
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“The Flea” by John Donne‚ written in the 17th century and first published in 1633 is a poem about persuasion‚ in that the narrator is trying to convince his partner to have sex with him. It isn’t a love poem‚ neither is it particularly crude or sexual. Donne manipulates the imagery of the flea into a conceit‚ in that the speaker is metaphorically using it as a persuasive tool in his bid to form a sexual union with the female. This in conjunction with the rhythm and rhyme scheme really puts emphasis
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The Canonization by John Donne Love is true and pure‚ a divine experience‚ a way to live more and to surpass even death. It is a sublime fantasy that is real and better than the material world. Love is life’s paradox. This is the idea that John Donne is expressing in the poem The Canonization. It is a reply as well as a declaration that the poet makes to the world- a world that treats lovers harshly. He scorns the worldly‚ he questions the inquisitive‚ he proves the myths true‚ he places his love
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display of mutual affection. However‚ the poem‚ “The Flea” written by John Donne‚ changes the tradition of the romance perspective of sex by discussing intimacy in a straightforward manner.The poem is more of a crude satirical seduction rather than a romance poem. This lyrical piece is not a romance poem but a realistic approach to sex being an instinct‚ thus demonstrating a crude carpe diem viewpoint. To begin with‚ the speaker in John Donne’s poem has a crude carpe diem approach in which he tells the
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Through the comparative study of John Donne’s poetry and Margaret Edson’s play W;t we are shown the individual context of both writers and their perspectives on relationships and death. Donne represents his assurance of life after death in his Holy Sonnets. Additional to this in his earlier poetry‚ his valuing of deep relationship being critical to the human experience is reflected by his renaissance belief. Edson’s individual post-modern context is apparent in the appropriation and rewriting of
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Song This poem by John Donne is about a relationship with him and his lover. In this relationship he has to leave even though he does not want to. He compares their separation to death and says since they go through small separations like these that they will be ready for a big separation such as death. He says‚ “To use myself in jest‚ Thus by feigned deaths to die.” This means that their parting will not last forever. He also compares their separation to the sun. This comparison
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In the poem ”The Flea” by John Donne‚ the speaker swings between the fantasy and reality. The speaker who left himself down find strength in fantasy‚ and satisfies and imagination. However‚ when he comes bake to reality‚ he is mad at himself for this daydream. There are 4 shifts in poem. First‚ the shift is after line 4. At the beginning‚ the speaker is in reality‚ so speaker’s mood is normal. Then‚ based on “A sin‚ nor shame‚ nor loss of maidenhead” (6)‚ the mood of the speaker changes into guilty
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of those is John Donne. He was a priest and was known for addressing God directly in his poems. He has a personal relationship between him and god. Donne carried the metaphysical style in his writings‚ which were taken up by later poets; the other two under consideration here are George Herbert and Crashaw. Herbert decided when he began writing poetry at Cambridge‚ to devote his poetic works to God‚ he had less difficulty in adjusting from court life to religious life than did Donne. Crashaw was
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