JOHN KEATS (1795-1821) * He’s the forerunner of the English aestheticism. * Member of the Second generation of Romantic poets who blossomed early and died young. He is Romantic in his relish of sensation‚ his feeling for the Middle Ages‚ his love for the Greek civilization and his conception of the writer. He was able to fuse the romantic passion and the cold Neo-classicism‚ just as Ugo Foscolo did in “LE GRAZIE” and in “I SEPOLCRI”. * He was born in London; he attended a private school
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With "Ode to a Nightingale‚" the speaker in the poem begins with an in-depth exploration of the mortality of human life. In this ode‚ the briefness of life and the tragedy of old age is set against the eternal continuation of the smooth music of the nightingale. Hearing the song of the bird‚ the speaker longs to run away from his usual life in the human world and join the magical nightingale. His first thought is to reach the bird’s state through alcohol consumption‚ but as the poem goes on he
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Kalie Juarez Dr. Ward ENGL 2312 19 February 2013 Ode to a Nightingale In “Ode to a Nightingale‚” the most evident characteristic of Romanticism is the feeling and emotion. This is portrayed since the beginning: “My heart aches‚ and a drowsy numbness pains / My sense‚ as though of hemlock I had drunk‚ / Or emptied some dull opiate to the drains” (lines 1-3). The speaker feels as though he has been poisoned or drugged since he can not see the nightingale. The birds’ song has this paralyzing effect
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2012 The Wonders of Autumn In autumn‚ the leaves begin to gradually shift from greens to bright oranges‚ yellows‚ and reds. The air gets chilly‚ forcing people to bring out their warm‚ fleecy coats‚ as winter is just around the bend. The air is fresh and also mixed with the smell of corn and beans as farmers bring out their rumbling combines and lazy tractors and begin the harvest. Autumn is a beautiful season. The trees and their leaves are probably my favorite part about autumn. The bright oranges
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in "Ode to the West Wind" "When composition begins‚ inspiration is already on the decline" - P. B. Shelley 	Shelley deals with the theme of inspiration in much of his work. However it is particularly apparent in Ode to the West Wind ’ where the wind is the source of his creativity. The cycles of death and rebirth are examined in an historical context with reference to The Bible. The word inspiration has several connotations that Shelley uses in this Ode ’. Inspiration
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including the wide range of emotions‚ our mortality and the transformations which differentiate us as a species. Examples of texts which do so include the play Away by Michael Gow‚ the photo "Woman on Bondi" by Marco Bok and the poem "Ode To A Nightingale" by John Keats‚ which provide similar and contrasting views on these aspects of humanity. Away by Michael Gow‚ first published in 1986‚ is an Australian play set in the 1960s‚ following the Vietnam War‚ which explores the mortality‚ loss‚ restoration
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Similarities and dissimilarities Though P. B. Shelley and John Keats were mutual friends‚ but they have possessed the diversified qualities in their creativity. These two are the great contributors of English Literature‚ though their lifecycle were very short. Their comparison are also little with each other‚ while each are very much similar in thoughts‚ imagination‚ creation and also their lifetime. 01) Attitude towards the Nature P. B. Shelley: Whereas older Romantic poets looked at nature as
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Wind An ode is a poem with extraordinary lyrics‚ aiming at loftier thought‚ and more complex formal structure than most lyrics. Another characteristic of an ode is that they are often addressed at something or someone. An ode is a long lyric poem‚ highly interested in a specific subject‚ tone‚ and style‚ often written to celebrate an event‚ person‚ being or power. In which in "Ode to the West wind"‚ Shelley describes the winds mighty power and fierce strength‚ for example in "Ode to the West
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John Keats poems "Ode to a Nightingale" and "Ode on a Grecian Urn" seem to have been written with the intention of describing a moment in one’s life‚ like that of the fleeting tune of a nightingale or a scene pictured on an urn. Within each of these moments a multitude of emotions are established‚ with each morphing from one to another very subtly. What is also more subtle about these two poems is their differences. While they do touch on very similar topics‚ the objects used to personify Keats’
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Commentary on Field of Autumn Advancing like a silent threat‚ the onset of winter is presented throughout the poem as a season with sinister intent. The “acid breath of noon” approaches in a “Slow” manner‚ as if sneaking up on autumn. The personification of the “acid breath” not only suggests to the reader the fog is murderous‚ but one could be lead to imagine that the fog is poison gas. This is because “Field of Autumn” was published in 1947‚ two years after the Second World War; clearly the memory
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