Reflection: The Solitude of Latin America On December 8th 1982‚ Gabriel Garcia Marquez was awarded the Nobel Prize in Literature. The Solitude of Latin America is the title of the speech he gave upon receiving this award. He received this award due to his novel One Hundred Years of Solitude which is a compilation of short stories that are both rich in fantasy as well as reality which depicts the life and conflicts of Latin America. The issues he discussed in his speech were similar to those addressed
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In the short story‚ The Circular Ruins‚ by Jorge Borges‚ is mystical place filled with mysterious‚ unimaginable powers called the circular ruins. The main character in this story is filled with weakness and realizes that he should rest in the temple and sleep. He dreams and dreams as though it was true reality. This man then decides to create another human being (a man) and project him into real life. Everyday the man tries to sleep in order to dream up his perfect vision of “his son”. However‚
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“The South” by Jorge Luis Borges portrays the life of Juan Dahlmann‚ a librarian from Buenos Aires‚ wherein a sequence of unfortunate events brings him‚ eventually and triumphantly‚ to the South. But the story might be as mundane as Dahlmann’s northern life without its stunning conclusion: rather than living happily in the South like he’s always longed for‚ Dahlmann willingly dies the first night he gets there. Dahlmann dies just before his promised life can even begin‚ yet he finds joy in it. His
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to decide. In Jorge Luis Borges’ short story‚ The Book of Sand‚ the point of view is in first-person. Throughout the story‚ the narrator states events that bring up magic realism and makes the reader question if these events can happen in reality. The narrator is our only source of what is happening in this story‚ but is his facts true‚ or a fragment of his imagination? The point of view is the way the author decides to tell a story and gives us insight on the events happening. Borges decides to tell
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Tyreak Kellem Hispanic Literature- Spring Semester‚ 2013 Narrative Exam Horacio Xaubet Narrative Exam I I. Jorge Luis Borges: (a.) “... in every story the protagonists are thousands‚ visible and invisible‚ living and dead.” The protagonist is the leading character of a story‚ novel or any literary work. A protagonist is also defined in the modern sense as a supporter or advocate of a social or political cause. The Protagonist is the primary figure of any narrative and the events of
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Burton Raffel’s‚ “The Battle of Brunanburh”‚ the narrator uses an outside perspective‚ a generalized idea‚ and wide array of internal thoughts and intimate feelings to celebrate a great accomplishment. On the other hand‚ “Brunanburh‚ A.D. 937” by Jorge Luis Borges embarks the reader on the one-on-one experience to emphasize a personal connection with the reader and gain insight into the emotional and unpleasant involvement in war. Although the Anglo-Saxon epic and the modern lyric are inspired by the same
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What happens when our ability to process information is impaired and we are reduced to mere facts? Summarized by the ability to hold compassion and exhibit sympathy‚ humanity can be considered fragile. Jorge Luis Borges’ “Funes the Memorious” questions the idea of how the brain may process information in relation to mankind’s ability to think versus recall. Written for Funes‚ it was a narrative about the young man who tragically passed away. The narrator felt obligated to write something about him
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collection of short stories‚ Ficciones‚ Jorge Luis Borges uses dreams‚ imagination and fantasy to establish ambiguity in his stories. With the use of juxtaposition and symbols‚ Borges blends a realm of dreams and imagination into the individual’s everyday worldly experiences. Through these devices‚ Borges commonly blurs the line between aspects of reality for his characters versus the constructs of his or her mind. By combining the real with the fictitious‚ Borges incorporates ambiguity into his stories
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8/9/13 "Axolotl" by Julio Cortazar 70768 Axolotl by Julio Cortázar The Mexican axolotl is an odd-looking salamander with a flat head and spiked feet‚ unusual because it often spends its entire life in the so-called larval stage‚ like a tadpole‚ without ever moving to land. “It grows and grows in the same shape‚ and has the capacity to reproduce‚” said the biologist Armando Tovar Garza. “We don’t really know why it doesn’t change.” Its gaze seems to captivate as its gills slowly beat. In
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An interesting topic to explore and debate is the question of how much of our identity is innate and how much of it is developed with time. Following this question‚ and further continuing the discussion‚ would be whether or not there are innate aspects of identity that are biologically instilled in all humans and/or animals. Such aspects could include survival instincts‚ empathy‚ fear‚ or selfishness. If every being possesses these qualities‚ then it is not hard to see why one would argue its potential
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