about them‚ or in order to deal with emotional problems that they might be going through. Different forms of acceptable has been seen throughout history through works of art. The first work of art that this paper will analyze is Self Portrait by Judith Leyster‚ 1630. This painting was done using oil on canvas and measures 74.6 cm x 65.1 cm. Additionally‚ it was painted during the
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Topic One: Master of Flemalle‚ Merode Altarpiece‚ Northern Renaissance‚ 1425-1430s‚ oil on panel; Donatello‚ David‚ Italian Renaissance‚ 1446-1460s‚ bronze; Judith Leyster‚ Self-Portrait‚ Baroque‚ 1635‚ oil on canvas; Jusepe de Ribera‚ St. Jerome‚ Baroque‚ 1638-1640‚ oil on canvas “Merode Altarpiece (Triptych of the Annunciation)” is a triptych from the nineteenth century. It is a scene of painted with oil on a panel and shows the angel Gabriel visiting the Virgin Mary‚ Joseph making mice traps
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In "True Love"‚ Viorst skillfully gives examples of a comical and realistic view of love. The poem is aptly named true love because love does not simply imply feelings of passion‚ but of fondness‚ friendship‚ affection and devotion. The wife puts on make-up and watches football games just to please her husband out of love. The husband is willing to wear clothes that are unironed and listen to his wife’s opinions‚ even if he disagrees with her‚ because he loves her. When he works late‚ the wife would
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BAROQUE NATURALISM IN SPAIN: VELAZQUEZ The greatest master of Spanish painting and one of the greatest painters of the Baroque was Diego Velazquez. Inspired by the simple‚ realistic paintings of Caravaggio‚ his approach to art would fly in the face of the flamboyant trends in his day and go even further in the direction of “naturalism.” Surprisingly‚ when he was twenty-four‚ the honest realist was appointed the court painter to the king. More surprisingly‚ Velazquez succeeded in his new role without
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Italian Baroque. pg. 681. {( + * 5. Artemesia Gentileschi. Judith Slaying Holofernes. c. 1614-1620. Italian Baroque. pg. 683. 6. Josd de Ribera. Martyrdom of st. Philip. c.1639. spanish Baroque. pg. 688. T.Yelazquez. Las Meninas. 1656. Spanish Baroque. pg. 691. 8. Rubens. Elevation of the Cross. 1610. Flemish Baroque. pg. 698. 9. Frans Hals. Archers of Saint Hadrian. c. 1633. Dutch Baroque. pg.704. 10. Judith Leyster. Self-Portrait. c. 1630. Dutch Baroque. pg. 705. 11. Rembrandt Van
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Today Women and Men are equal in almost all aspects‚ but a few decades ago that was not the case. Imagine ladies that you couldn’t vote‚ you couldn’t decide things for yourself. That you where looked at as a lower role model than a man. I cannot even begin to imagine how horrible life would have been. But women in the 18th and 19th centuries have been there and survived. They were both very different in many aspects. The eighteenth century helped mold and shape the way women were treated in the nineteenth
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Why do artists make self-portraits? Why would someone take the time to create a work of art that merely resembles themselves? To answer this‚ one must understand the famous artists of the past‚ both visual and literary. When analyzing a self-portrait‚ one notices that it often goes beyond the visual characteristics of the author. Minute details that can be easily overlooked frequently delve into the artist’s personality and can sometimes make the viewer look deeper into themselves. To answer
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Baroque 1) Rococo was a style preeminently evident in small works such as furniture‚ utensils‚ and small sculptures. Rococo is the last style of the French monarchies and was carefree and playful. Rococo art centered on romance and love and emphasized tonality‚ softness and rich colors. Rococo art contrasted Baroque art as it tended to avoid heroic events and religious iconography and emphasized Hedonism. The word Rococo derives from Rocaille‚ which means shell‚ and Rococo art used curvaceous
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anger and frustration from personal experiences to guide her hand. Gentileschi was raped and was mocked for thinking she could report it to seek justice. The lack of authority supporting her claim led to the rapist never being charged. Her work‚ “Judith Slaying Holofernes” shows to woman beheading a man. Similar to Caravaggio we see a dark black background to draw the viewers’ attention to the people in the painting. The lighting and shadows bring the women alive as you see one holding down the man
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The main characteristics of Romanesque art:  simple compositions and very linear‚ elongated designs  There is very little sign of figurative imagery or any effort towards naturalistic depiction.  characteristics were meant to inspire the viewer to devout‚ religiously inspired awe and fear of the Creator and of course‚ of His representation here on earth in the body of the Holy Church  religious devotion- scenes of hellish creatures and tormented bodies abound
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