Discuss the appropriation of ‘Romeo and Juliet’ by William Shakespeare and ‘Romeo+Juliet’ by Baz Luhrmann Texts and ideas from texts are appropriated and transformed into other text forms and other compositions in a different context. An appropriation is a text that is appropriated or taken over by another composer and presented in a new way. ‘Romeo and Juliet’ is a well-known high culture text that is a tragedy about two young star-crossed lovers whose deaths ultimately unite their feuding families
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WORLD LITERATURE II (ENGL 2112 FALL 2014) EXAM II REVIEW This is a comprehensive exam‚ however you will only be required to discuss these texts in specific detail: Hedda Gabler | “Araby” | “The Love Song of J. Alfred Prufrock” | “The Yellow Wallpaper” | A Night in Hell | “The Second Coming” | “When You Are Old” | Six Characters in Search of an Author | “The Metamorphosis” Types of Questions on this Exam I. Multiple Choice—select the best answer from the options provided. II. Identification—provide
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&Nicholas‚Royal. Introduction to literature‚criticism and theory.London(Pearson‚2004) Bhabha‚ Homi K. Nation and Narration‚ London:( Routledge‚ 1990). Hosseini‚ Khaled. The Kite runner. New Yark: Riverhead books‚ 2003. Print). Harlow: Pearson‚ 2005 Julia Kristeva - Revolution in Poetic Language‚ 1984 Jacque Lacan - The Ego in Freud ’s Theory and in the Technique of Psychoanalysis‚ 1988; Lamming‚ George. The Pleasures of Exile‚ London: (Michael Joseph. 1960) Said‚ Edward. Orientalism‚ London:(( Routledge
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When evaluating this essay’s analysis of the work of Lisa Yuskavage in relation to Kristeva’s theory of Abjection and ideas surround identity‚ gender and sexuality‚ it seems evident that abjection can provoke and cause the affect of disrupting the viewer in order to question their presumed assumptions. Yuskavage’s sexualised female nudes examine ideas around female sexuality and desire‚ and she is a transgressor whose practice modernizes figurative painting‚ shifting meanings‚ undoing fixities and
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Intertextuality is a term first introduced by French semiotician Julia Kristeva in the late sixties. She says that a literary work is not simply the product of a single author‚ but of its relationship to other texts and to the strucutures of language itself. "Any text‚" she argues‚ "is constructed of a mosaic of quotations; any text is the absorption and transformation of another." ( www.litencyclopedia.com‚ Kristeva: Word‚ Dialogue‚ and Novel‚ 1966). The Hours is a piece of art which
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This page intentionally left blank A HISTORY OF FEMINIST LITERARY CRITICISM Feminism has transformed the academic study of literature‚ fundamentally altering the canon of what is taught and setting new agendas for literary analysis. In this authoritative history of feminist literary criticism‚ leading scholars chart the development of the practice from the Middle Ages to the present. The first section of the book explores protofeminist thought from the Middle Ages onwards‚ and analyses the
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D. C. Chambial’s Review of Critical Studies on Contemporary Indian English Women Writers Dominic‚ K. V.‚ ed. Critical Studies on Contemporary Indian English Women Writers. New Delhi: Sarup Book Publishers Pvt. Ltd.‚ 2010. Pp. 336 + xx. Rs. 1100/- Hardbound. ISBN-978-81-7625-631-5. DC Chambial The book under review by Dr. K. V. Dominic has 27 essays by 24 eminent critics of Indian English literature on about 12 Indian English writers: novelists‚ and poets. There are four essays on Anita Desai‚
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Women and Postcoloniality Stripped to the Bone in Meatless Days; discuss the statement. December 4‚ 2010 Sara Suleri’s Meatless Days rejects any ideological ease in cataloguing otherness. Forcing both postcolonial and feminist theory to circumnavigate the bounded yet contested terrain of identity and discursive formations‚ she embarks on her poetic voyage with the confident declaration that “leaving Pakistan was‚ of course‚ tantamount to giving up the company of women”. Suleri then proceeds
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it is to me‚ that I must love a loathed enemy”- Juliet -Characters Rodney‚ as Romeo Julia‚ as Juliet Rodney’s dad‚ Mr. Voligod‚ as Mr. Montague Julia’s dad‚ Mr. Ultis‚ as Mr. Capulet Setting- Chicago‚ on a chilly spring night‚ Julia’s apartments’ fire escape. Prologue- Rodney’s dad‚ Mr. Voligod‚ and Julia’s dad‚ Mr. Ultis‚ are business rivals and they don’t want Rodney and Julia to talk or see one another. (Rodney is walking with his friends towards the celebration
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and he stopped drinking. Julia turned a new leaf by becoming much more mature during the story. Julia lives up to the phrase because she actually gets more mature as opposed to Dick who sort of lost it at the end. I would say that Julia is the protagonist in the story. 5- In the story Phil is in love with Julia but she rejects him at first because she used to have a high standard for boys that no one could meet up to. In the story Phil is always looking out for Julia and trying to protect her
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