According to Julie Sanders’s Adaptation and Appropriation‚ adaptation can be used to do three following rules. First‚ adaptation “can be a transpositional practice‚ casting a specific genre into another generic mode” (Sanders 18). Second‚ it involves offering “commentary on a source text” by revisiting points from the original text (Sanders 18). Lastly‚ it helps to make the text “‘relevant’ or easily comprehensible to new audiences and readership”‚ which means updating from the original text (Sanders
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In the November 2015 Ted Talk‚ Julie Lythcott-Haims spoke on how to raise a successful kid without over parenting. She listed two type of parenting styles that can impede a child’s development. The obvious one‚ a parent who isn’t involved in their child’s life‚ education‚ and upbringing. The other one is called a helicopter parent‚ which is a parent who is too involved in their child’s life‚ education‚ and upbringing. In her ted talk she eludes the best parent is one that sits in the middle of
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Siti Nabihah Binti Zulhairi 2013895078-G9 Movie review 1. Title: The Last Song 2. Main Character: Veronica Ronnie Miller (Miley Cyrus) 3. Genre/Director: drama‚ romance/ Julie Anne Robinson 4. The character that I like in this movie was Veronica’s father‚ Steve Miller (Greg Kinnear). He was very tender and loving towards his daughter and son although he divorced with his wife. He invited them to spend their summer holiday at his house‚ near the beach. Steve also tried to be close with Veronica
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The best of August Strindberg’s plays were selected which include The Father and Miss Julie written in 1887 and 1888‚ respectively. The Father‚ written in 1887‚ is about the conflict of interest between The Captain and his wife‚ Laura. The Captain was an ex-military hero and a highly-respected scientist‚ who disagreed with his wife on how
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“What is your most memorable experience from your job?”‚ I asked Julie Barth‚ hoping to a hear a strange‚ intriguing story. “Well”‚ she says‚ “My most memorable experience was when I delivered a baby in the elevator‚ while we were transferring the mother to another room.” (Barth). Julie has had many memorable experiences helping patients‚ some better than others‚ and will continue to have many more. During an interview she stated that delivering a baby in the elevator‚ was the most memorable experience
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What makes Julie Taymor’s theatrical theory unique? It is the idea that you can take the simple act of storytelling and heighten its basic concept‚ that will in turn‚ leave the audience in awe. Understandably‚ we associate the idea of ‘storytelling’ with things like‚ folktales‚ campfires‚ and children’s bedtime story books. But when we really evaluate the content of theatrical performances‚ can it not be interpreted to be the telling of a story with dramatic quality? Julie Taymor molds our traditional
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"The loner" is a poem revolving around the experiences of one boy’s isolation in a school playground. Written by Julie Holder‚ the poetic techniques within this poem such as alliteration‚ rhythm‚ similes and metaphors exemplify its slow and doleful tone and‚ when collaborated‚ add to the overall effect of the poem. It’s explores the environment surrounding the character and his response to the seclusion. Considerable emphasis has been applied to the movement of the poem to capture the readers understanding
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“Some people are born blind. For some‚ tragedy leaves them blind. And then there are those who simply refuse to see.” (Daines) A Blind Eye by Julie Daines is a 163 page‚ realistic fiction novel written in first person. Julie Daines was born in Massachusetts and raised in Utah. She studied Zoology while going to Brigham Young University. Julie Daines enjoys writing young adult fiction. She writes about “ordinary people with real-life problems who find themselves in extraordinary situations.” (Daines)
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When The Emperor Was Divine In “When the Emperor Was Divine”‚ Julie Otsuka uses syntax‚ childlike tone‚ and evocative imagery to show the relationship between the father and the son affecting the boy’s coming of age. The author uses syntax to portray the experiences of the father by using repetition. The son’s coming of age is affected by this through the passing of knowledge gained by these experiences. Throughout the passage. Repetition of sentences beginning with “He knew” depict the knowledge
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barriers of oppression‚ the NOT Festival and other similar movements serve as whetstones that sharpen the bodies of performers and enables them to cut through the cloth that has tossed them aside. Focusing on specific performances from the event‚ both Julie Tolentino and Luciana Achugar are exemplary models of this metaphysical weaponry. They both come from the Latin American / Hispanic community‚ so their stories echo the same painful sentiment‚ though their journeys are quite different. While Tolentino
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