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    In William Shakespeare’s Julius Caesar the terms “sacrifice” and “butchery” are referring back to Brutus’s words “let’s be sacrificers‚ but not butchers.” (act 2‚ scene 1‚ line 179). This line shows that Brutus wants Caesar’s death to be a “sacrifice” not a “butchery”. So that it is seen as a sacrifice for the good of Rome and not as murder or “butchery” to improve his political level. In Act 2‚ Cassius suggests that they should also kill Mark Antony‚ but Brutus explains that Caesar’s death is just

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    achievements. If a friend gets left out‚ we stay behind with them to keep them from being alone. Some achievements require us to leave out our friends. This is what happens in the case of Julius Caesar. He became the ruler of Rome‚ leaving out his good friend Brutus. Brutus and other conspirators assassinated Julius Caesar turning him into a tragic hero. A tragic hero must portray four main traits. The hero may neither be perfect nor ultimate evil‚ the audience must feel pity or fear for the hero‚ and

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    shown in Julius Caesar‚ but the ones that are most frequently known are suicide and psychological manipulation they were both tools heavily used by Cassius and Antony. Their close friends also manipulate lots of people in the play. Cassius is able to influence Brutus into thinking that Caesar is the same as Brutus. He says‚ “Brutus and Caesar: what should be in that Caesar/ Why should that name be sounded more than yours?”. Brutus was being mislead by Cassius to think that killing Julius Caesar will

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    the coin is the laureate head of Augustus surrounded by inscription CAESAR AVGVSTVS DIVI F PATER PATRIAE which translates into Caesar Augustus‚ son of a divus‚ father of the fatherland. He son of divus is in reference to his relation to the Divine Julius Caesar who adopted him as his son. On the reserve of the coin‚ depicted is Gaius and Lucius Caesar standing left and right of two shields with the inscription‚ Gaius and Lucius Caesar‚ sons of Augustus‚ consuls designate‚ princes of youth. The inscription

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    Antony’s Rhetorical Superiority Analysis Essay In Shakespeare’s The Tragedy of Julius Caesar‚ Mark Antony proves himself to be the most effective manipulator. This feat was the product of many factors that Antony both took into account‚ and employed to a greater effect than his counterparts. Using the illustrative Rhetorical Triangle of Aristotle‚ Antony was able to convey the three main ingredients of good rhetoric to convince the Roman mob to turn upon the conspirators‚ mere moments after being

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    Calendar of Rome In Rome‚ Julius Caesar was ruling at 58 b.c.‚ he was a genius and succeed from all the other cities. He created a lot of things like and one of them was the calendar. In his time there was so much religion‚ there were festivals based on gods used a lot of the Latin language. Back then their language was improving also and Julius decided to make the calendar a little difference. The months of the calendar were made by Julius Caesar and he based them on the gods‚ rulers and used

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    Mark Antony 	The character of Mark Antony from Shakespeare’s play Julius Caesar may be viewed as simply the confident and devoted supporter of Julius Caesar. On the contrary‚ Antony presents the qualities of a shrewd flatterer‚ a ruthless tyrant‚ as well as a loyal follower. Antony’s characteristics will change as the play progresses. He will begin using flattery to get what he wants‚ but he will eventually depend on his powerful relentlessness. Furthermore‚ Antony uses these

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    in William Shakespeare’s Julius Caesar. While the conspirators claim that it was Caesar’s ambition that lead to his undoing‚ it is Caesar’s arrogance that ultimately leads to his demise‚ betrayal by those closest to him. When the Tragedy of Julius Caesar begins‚ Julius Caesar is undoubtably the most powerful man in Rome. In the very first scene of the play‚ the Roman people are taking a holiday and neglecting their duties to celebrate Caesar’s triumphant return. Caesar is likened to a god by friends

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    all: masters and marionettes. To some‚ the masses are no greater than a bunch of puppets‚ needing unwarranted‚ unknown‚ and unnecessary totalitarian rule. They plant themselves deep in our subconsciousness with lies‚ deceit‚ and fear - making us question what we think‚ feel‚ or know is right. One such puppet master is the media. By using their influence gained through perceived trust‚

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    Mean Girls is like the modern version of Julius Caesar. There are many connections between the two stories. High school is a good portrayal of the jealousy‚ backstabbing‚ and betrayal that is found in Shakespeare’s Julius Caesar. Regina George is Julius Caesar in Mean Girls. She is the leader that was feared to become too powerful or too popular. Regina was both loved and feared by the high school like Caesar. Then Regina was plotted against to ruin her reputation and taken down by Brutus and Cassius

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